‘Weiner’ Review: Wild, Weird, Politically Incorrect and True
A documentary offers an intimate look at the colorfully checkered career of one of New York’s most notorious pols
“Weiner,” an extraordinary documentary feature about the disgraced New York politician Anthony Weiner, has it all—the surreal spectacle of contemporary retail politics, the sizzle of media madness and the mysteries of psychodrama. “Why are they filming you?” a woman asks as Mr. Weiner, bicycling around Manhattan during a mayoral campaign, waits for a light to change. “Are you someone we’re supposed to know?” “Believe me, no,” he replies wryly, then pedals off against traffic. He doesn’t believe it, though, and neither should we. He’s a fascinating subject, and this film, by Josh Kriegman and Elyse Steinberg, captures him in the fullness of his ambition, passion, intelligence, serial contrition and bizarre self-delusion.
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The ambition and passion are on vivid display in a prologue of news clips that show him flying high in the U.S. House of Representatives, where he won seven terms, and plummeting from grace in 2011, after revelations of his having sent sexually explicit messages and photos of himself to women via his personal Twitter account. There’s a generous sampling of media response, which was unsparing, and often hilarious. Then the film documents Mr. Weiner’s 2013 run in the New York City Democratic mayoral primary, two years after his resignation from Congress.
Far from relying on clips for their account of his campaign, the filmmakers enjoy almost unlimited access to their subject—not just during public appearances, but at home with his wife, Huma Abedin, and their young son. (She is, of course, a prominent political presence in her own right.) If another bombshell hadn’t exploded, Mr. Weiner might have emerged, at the very least, as the unquenchable politician he had long been, except more so, since he was asking for another chance in the face of widespread hostility. (“We don’t want perverts elected in New York City!” shouts one of his critics, Donald Trump. “No perverts!”)
Two months into a spirited and increasingly successful campaign, however, comes news that Mr. Weiner had sexted, under the alias “ Carlos Danger,” after leaving Congress, and that his sexting activities continued until shortly before he declared his current candidacy. That’s the point at which “Weiner,” a political documentary about a quixotic politician, turns into a saga of uncommon complexity about a flawed hero carrying on against clearly insuperable odds while he keeps trying to explain himself to outraged voters, to his dismayed staff, to his stunned wife (who remains his wife to this day) and, with the camera running while he reflects and regrets, to himself.
ENLARGE
“Weiner,” which was shot by Mr. Kriegman and edited by Eli Despres, is, among other things, a piece of bravura filmmaking with the cockeyed energy of “Dog Day Afternoon.” In a particularly crazed sequence that amounts to a quasi-military operation, the candidate’s staff extricates him and his wife from a potentially humiliating confrontation with one of the objects of his sexting, a woman, code-named Pineapple, who has surfaced in search of publicity on the street outside his office. A particularly riveting sequence begins with Mr. Weiner, alone in a cavernous television studio in New York, sitting behind a desk as he’s interviewed by the MSNBC host Lawrence O’Donnell, who is in Washington. “For me it just comes down to this,” his questioner says, “which is, what is wrong with you?”
Never at a loss for an answer, Mr. Weiner responds gamely, then humorously, and then combatively, as Mr. O’Donnell’s tone grows ever more strident and judgmental. The movie makes no judgments—that’s one of its strengths—and at moments like this its subject comes off as a genuine hero with inexplicable but almost palpable courage. Toward the end, though, he’s caught off guard by an eerie echo of “Why are they filming you?”—the question asked by the woman on the street. “Why have you let me film this?” asks Mr. Kriegman, from behind the camera that has followed the candidate through the giddy highs and ghastly lows of his doomed campaign. For an edifying answer, Mr. Weiner would have to confront the yearnings and contradictions of his deepest self. Instead, he shrugs slightly and moves on.
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‘Koch’ (2012)
New York pols are a breed apart. In Neil Barsky’s documentary, Ed Koch, the former New York City mayor who died in 2013 at age 88, recalls a moment during the 1980 transit strike. Looking down from a window at police headquarters, he saw thousands of people walking on the Brooklyn Bridge and decided to join the throng. Koch the man was inseparable from the city he loved, and “Koch” the film makes the point eloquently.
Write to Joe Morgenstern at [email protected] and follow him on Twitter: @JoeMorgenstern























































