Tearing tears

TEARING tears tear!

… if you are not allowed to cut with a blade or a scissor, you tear the paper with your hands and then you glue it together … and something different appears – some ~~ thing ~~ you never pre(prior) planned – common plain planes – and you cannot really explain what this face you made said – it just happened.

 

#1 Searching

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#2 Expression

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#3 I am many

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#4 This is the hand that takes

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#5 Pop(f)art

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#6 Whoman

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#7 Synthetic zero

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#8 Blood

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#9 Blossoms flying

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#10 Félix

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#11 Kindred

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LIFE RIGHTS

2014 LUCY (13)

“Right(s) as a concept emerges in any arrangement triggered by a relationship of power (pouvoir) which concerns established ways of acting or being acted upon together with the affirmation of the multiplicity and the capacity of individual and collective bodies to affect and to be affected (puissance) by an event. RADICALLY THINKING rights, AS THINKING a life, AS THINKING LIFE RIGHTS, entail a jurisprudence of multiplicities for it is directed at accommodating multiple relations to transform the established ways of acting and being acted upon (Linda Stewart).”

Contracting your heart

I am the blood pulsating through your veins
contracting your heart …

 

qjrux

 

Mistaken ideas always end in bloodshed, but in every case it is someone else’s blood. This is why our thinkers feel free to say just about anything.  Albert Camus

…. i de [as if like] …. me

idea

birthed by love

in-be-twee-tinks

 

 

ideal as if i de (miss) de f y me

con coc t in

in fli c t in g

ideal-isms,  culture-ism, moral-ism, judgmental-ism, belief-in-ism, reflection-ism, reactive-ism, abstraction-ism, pollution-ism, ideologY-ism, human-ism, dominant-ism, dormant-ism, control-ism, discipline-ism

and so on

and on

and

on

too MUCH mean-in

slaughter in

multi-tune-in

 

~~~~~~ A LIFE ~~~~~~

 

If only one can see that

wor(l)ds

become

in

matter

if only one can see

Aye!!!!

Aye!!!

Aye, aye, aye …. !

 

as i f creating better wor(l)d(s)

with inter alia con tra c ting wor(l)d(s)

birthed in

~~~~~~~~ love ~~~~~~~

an affirmation

[ AYE affirm motion -de-miss-story-fic-t-ation-re-peace-IN-act-i-on-in ]

to get

her

in

ab sent in

an ordealing

o dour in g

of

or / or

other than

or   ..  i..   deal ….. ism

ord in a r y

con-tract-in(g)

 

a re life in

leaving

get it

t   t    t       t!!

breath   in

left in

to ward s

heal in

re la te in

multi       –        tune             –           in                   -x-is-t-in                                    -me-R-cy-                                               x-is-t-un-in-g

 

I * 

am

 

O *

N*

L*

aYe*

~~~~~~~~~~

love

Presentation: The witch’s flight in Erehwon

FIGHTING FOR FREEDOM: JURISPRUDENCE AS CREATING RIGHTS

Presentation for Deleuze And Guattari And Africa: Southern Responses 15-16 July, UCT, Cape Town

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Rosi Braidotti’s Case for Affirmation

Rosi Braidotti’s Case for Affirmation.

Why we need Spinoza! 

SpinCart14_brombacher-spinoza
via http://syntheticzero.net

picture via Ancientrails 

Artist Shoshannah Brombacher, Ph.D. 2007

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Law as a mixed form of thinking

If Deleuze and Guattari parse out the potential for thinking into these three styles – art, science and philosophy – where would we place law? (Claire Colebrook ‘Legal theory after Deleuze’ in Rosi Braidotti, Claire Colebrook and Patrick Hanafin eds., Deleuze and Law, 2009, pp. 14-22).

Law is a mixed form of thinking philosophy, science and art. Law proceeds from philosophical concepts such as rights and justice but it also engages in scientific thinking for example posing questions as to what constitutes ‘a grievous and irremediable medical condition’. Furthermore, law also produces affects. The invalidation of prohibited physician assisted suicide in the Carter v Canada case, for example, produced affects such as sympathy and horror in not only the legal case but also through rights activism narratives (as illustrated below).

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The rights of the uncommon man must always be respected

A Matter of Life and Death (1946) is a romanticfantasy film created by the British writing-directing-producing team of Michael Powell and Emeric Pressburger, and set in England during the Second World War. It stars David Niven, Roger Livesey, Raymond Massey, Kim Hunter and Marius Goring.

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The composition of becoming-friend

“Of all the things that are beyond my power, I value nothing more highly than to be allowed the honor of entering into bonds of friendship with people who sincerely love truth. For, of things beyond our power, I believe there is nothing in the world which we can love with tranquility except such men.”
― Baruch SpinozaThe Letters

Good relations

Creating joy

laugher / tears “in-between”

infusing the good producing more joy

to escape mere passion and embrace action

petit things

a minor eye contact

a stroke on a hand on an arm

pulling faces

pouting lips

and sometimes even out comes a frown

Strange and weird words

[the] language not logical

it is mostly sounds

or tiny words/phrases flowing from one to another

it is icons on text

a wink

a smiley

an cute iconic character wiggling his arms or hips

this does not mean it lacks the “logical”

for even language is illogical 😉   [as so are some friends 😉 😉 ]

for friends to remain friends in their becoming-friend

pre-language is the art/playfulltool for becoming-friend

World-aparts

A becoming-friend in different worlds

where personal (for ever changing) ethics overlaps

bodies doesn’t matter

as they focus on the relation

and not on themselves

We live in a messy world

becoming-friends

remaining friends

not for the bodies they represent

but the goodness of the relation

and when a friendship decompose,

a good friend will recompose the relation and

out of that the joy

an action for life ….

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Spinoza’s God

As Spinoza says, it is only by human attributes (goodness, justice, charity and so on) that God “communicates” to human creatures the perfections they possess. It is, on the other hand, through his own attributes that God communicates to all creatures the power proper to each (Deleuze Expressionism in Philosophy 91).

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a flash of lightning

“Here we must rid ourselves of all “personalist” references. The one that . . . does not refer to an individual, to a person, but rather to an event, that is, to the forces in their various relationships in a proposition or a phenomenon, and to the genetic relationship which determines these forces (power). “The one that” is always Dionysus, a mask or a guise of Dionysus, a flash of lightning” (Deleuze Nietzsche and Philosophy).

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