Where we are going, we need no pass …

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the child grown into a giant journeys through the whole world
Without a pass – Die kind is nie dood nie (Ingrid Jonker May 1960)


 


the force that bonds A LIFE
overcoming the boundaries of time and space,
of our‘selves’

Amor fati!
yes, well, yes


*awkwardly pulling the face together with the shoulders as if the head is leaving*
quietly leaving the law,
of what ought to
and
what thou shalt not …
A LIFE
how absurd, how abstract judgment seems to be,
as one opens-up to understanding!
leaving THE FATHERS,
the HOLEY WRIT,
escaping
the image of death,
the solitude,
the loneliness …
Embracing a life, 
not my life or your life,
but a life –
when we grow in understanding that …

A LIFE is being alive, 
A LIFE is being a life,
while we die everyday,
becoming anew


Running in circles simultaneously bouncing between poles
one crawls, digging the dirt,
one try standing-up tall,
one falls,
[just-ease – just-tease]
no need to rush,
a different speed,
a passage to the outside
where it is no longer important
to say I!

Running in circles simultaneously bouncing between poles
Creating a loop
a binding force
a current
a flow
a passage to the outside
where it is no longer important
to say I!

Running in circles simultaneously bouncing between poles
Press: Enter
Press: Flow
Intertwined and outward bound
Drifting away from the hole
A kinda vertigo
– go – go – go –
Let it be!
Let it go!


Between the darkness
between the light –
the only thing is a flow!

SandraBullockGravityEnd761525
 Ps: Life has no meaning but while ‘we’ are ::: a l i f e ::: one gives meaning to it [ Anon 😉 = 0:-) ]

Presentation: The witch’s flight in Erehwon

FIGHTING FOR FREEDOM: JURISPRUDENCE AS CREATING RIGHTS

Presentation for Deleuze And Guattari And Africa: Southern Responses 15-16 July, UCT, Cape Town

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JUST’IS’ & JUS’TEASE’ & JUST’EASE’ questions for “THE XF MANIFESTO”

These are questions not critique: 

What is justice?

What is injustice?

What is the relationship between justice and injustice? (either/or ..?)

Is justice a concept or possibly an affect or possibly a function and possible all of the above?

How do one ‘think and do’ justice?

Put differently, how do one think justice as a concept, function and affect with a plurality of meanings when ‘agencements’ of power are triggered, allowing one to call an established position into question?

Does it imply the overcoming of current knowledge apparatus where habit and memory serves to fuel justice with resentment and false consciousness (the idea that one is necessarily guilty)?

Does it calls for a politics of the affirmation of the multiplicity?

THE JUDGE FACIALITY MACHINE (PART 2)

Still from Stereoscope, 1999, animated film, 35 mm film, video and DVD transfer, 8’ 22’’. Courtesy of Marian Goodman Gallery New York (via http://www.imageandnarrative.be/inarchive/Timeandphotography/vancaelenberghe.html)

Still from Stereoscope, 1999, animated film, 35 mm film, video and DVD transfer, 8’ 22’’. Courtesy of Marian Goodman Gallery New York (via http://www.imageandnarrative.be/inarchive/Timeandphotography/vancaelenberghe.html)

I shall look into faces, and I shall see them seek some other face (Virginia Woolf, The Waves).

 Introduction

Judicial adjudication affords the individual and collective bodies an alternative / additional space in the event of a possible rights infringement, to challenge enacted laws, policy and the action of the sovereign. Although constitutionalism in modern liberal democracies has opened up a previous enclosed space for courts in the form of judicial adjudication to possibly creatively deal with rights alongside traditional forms of democratic participation, courts remain trapped within institutional boundaries when they rely on interpretative approaches, legal convention, legal culture, and legal history. Courts often defer a situation of rights-infringement to the legislature or executive branches of government as a macro-political matter. As such the concept of human rights grounded in the notion of a supposed fixed identity and judicial interpretation grounded in presupposed values confines movement or change. An underlying reason for this confinement is the artificial blockages created by our current knowledge apparatus and the overemphasis on medico-legal considerations on the issue of the right to passage.

In this post, I focus on two recent cases in two different domestic jurisdictions, Canada and South Africa that concerned the sensitive and controversial issue of the right to passage (euthanasia, assisted dying or assisted suicide). I argue that courts functions as a faciality machine producing both the concrete face and the landscape insofar the judge as faciality machines, manages decisions about health including decision-making between the messy borders of life and death on behalf of micro-political agencements (arrangements or assemblages). I focus on the most general function of facialisation that of biunivocalization function arguing that courts functions as normality computers and deviance detectors. Continue reading

Thinking rights beyond current knowledge apparatus, beyond institutionalisation and beyond the subject – doing jurisprudence

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Judicial adjudication within our current knowledge apparatus, affords individual and collective bodies an alternative and additional space in the event of a possible rights infringement, to challenge enacted laws, policy and the action of the sovereign. Although constitutionalism in modern liberal democracies has opened up a previous enclosed space for courts in the form of judicial adjudication to possibly creatively deal with rights alongside traditional forms of democratic participation, courts remain trapped within institutional boundaries when they rely on interpretative approaches, legal convention, legal culture, and legal history where courts often defer a situation of rights-infringement to the legislature or executive branches of government as a macro-political matter. As such the concept of human rights grounded in the notion of a supposed fixed identity and judicial interpretation grounded in presupposed values confines movement or change.

In this post I hope to illustrate that when rights are perceived beyond institutional expression, a supposed fixed identity (subject) and presupposed values, it may possibly be of assistance in identifying different ways of ‘becomings’ that goes beyond the majority standard.

Continue reading

Rosi Braidotti’s Case for Affirmation

Rosi Braidotti’s Case for Affirmation.

Why we need Spinoza! 

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via http://syntheticzero.net

picture via Ancientrails 

Artist Shoshannah Brombacher, Ph.D. 2007

Abstract: “Daughters of Chaos: Practice, Discipline, A Life”

Abstract for Daughters of Chaos: Practice, Discipline, A Life – 8th international Deleuze Studies conference, Sweden, 29th of June and the 1st of July 2015.

Thinking law, doing jurisprudence: A continued creation of a system of rights

‘If Deleuze and Guattari parse out the potential for thinking into these three styles – art, science and philosophy – where would we place law?’ (Colebrook 2009: 14-22).

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Law as a mixed form of thinking

If Deleuze and Guattari parse out the potential for thinking into these three styles – art, science and philosophy – where would we place law? (Claire Colebrook ‘Legal theory after Deleuze’ in Rosi Braidotti, Claire Colebrook and Patrick Hanafin eds., Deleuze and Law, 2009, pp. 14-22).

Law is a mixed form of thinking philosophy, science and art. Law proceeds from philosophical concepts such as rights and justice but it also engages in scientific thinking for example posing questions as to what constitutes ‘a grievous and irremediable medical condition’. Furthermore, law also produces affects. The invalidation of prohibited physician assisted suicide in the Carter v Canada case, for example, produced affects such as sympathy and horror in not only the legal case but also through rights activism narratives (as illustrated below).

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The rights of the uncommon man must always be respected

A Matter of Life and Death (1946) is a romanticfantasy film created by the British writing-directing-producing team of Michael Powell and Emeric Pressburger, and set in England during the Second World War. It stars David Niven, Roger Livesey, Raymond Massey, Kim Hunter and Marius Goring.

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~M~i~n~d~b~l~o~w~i~n~g~

~ On-to-something ~
~ that in-between-breathing ~
~  ~ moving ~ ~
~ space-embracing ~
~ time-stand-stilling ~
~ ~ speeding ~ ~

Continue reading