Chill

Chill or Chills may refer to:

Music

Entertainment

Radio stations

Sports teams

Deep house

Deep house is a subgenre of house music that originated in the 1980s, initially fusing elements of Chicago house with 1980s jazz-funk and touches of soul music. Deep house tracks generally have a tempo of between 120 and 125 beats per minute. This style of house music can often have an acoustic feeling. The online music store Beatport is credited with driving the popularity of deep house, but also mislabeling a number of artists in the process and giving rise to the future house genre.

Characteristics

Deep house is known for complex melody, use of unrelated chromatic chords underlying most sequences, and a soul, ambient, or lounge vibe to the vocals (if any). In the early compositions (1988–89), influences of jazz music were most frequently brought out by using more complex chords than simple triads (7ths, 9ths, 13ths, suspensions, alterations) which are held for many bars and give compositions a slightly dissonant feel. The use of vocals became more common in deep house than in many other forms of house music. Sonic qualities include soulful vocals (if vocals are included), slow and concentrated dissonant melodies, and a smooth, stylish, and chic demeanor. The use of women's vocals is more common than male's in deep house tracks. Deep house music rarely reaches a climax, but lingers on as a comfortable, relaxing sound.

Windows Live Messenger

Windows Live Messenger (formerly MSN Messenger) is a discontinued instant messaging client developed by Microsoft for Windows, Xbox 360, BlackBerry OS, iOS, Java ME, S60 on Symbian OS 9.x, and Zune HD. It connected to the Microsoft Messenger service while also having compatibility with Yahoo! Messenger and Facebook Messenger. The client was first released as MSN Messenger on July 22, 1999, and was marketed under the MSN branding until 2005 when it was rebranded under Windows Live and has since been officially known by its present name, although its previous name was still used colloquially by most of its users. In June 2009, Microsoft reported the service attracted over 330 million active users each month, placing Messenger among the most widely used instant messaging clients in the world.

Following the acquisition of Skype Technologies in May 2011, Microsoft added interoperability between Skype and Microsoft accounts, allowing Skype (which had features unique to its platform and a wider user base) to communicate with Messenger contacts. In 2013, Windows Live Messenger was discontinued and Microsoft began ceasing service to existing clients. The service in China remained active for another 18 months, and ceased operations on October 31, 2014.

Dance music

Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are the surviving medieval dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka and polonaise.

Modern popular dance music initially emerged from late 19th century's Western ballroom and social dance music. During the early 20th century, ballroom dancing gained popularity among the working class who attended public dance halls. Dance music became enormously popular during the 1920s. In the 1930s, called the Swing era, Swing music was the popular dance music. In the 1950s, Rock and roll became the popular dance music. The late 1960s saw the rise of soul and R&B music. The rise of disco in the early 1970s led to dance music becoming popular with the public. By the late 1970s, a new form of dance music was developing. This music, made using electronics, is a style of popular music commonly played in dance music nightclubs, radio stations, shows and raves. Many subgenres of electronic dance music have evolved.

Chill Out

Chill Out is the third studio album by The KLF, and the first album under the name, released in February 1990. An ambient house concept album, it portrays a mythical night-time journey up the US Gulf Coast from Texas into Louisiana. The album is a continuous composition, in which sampled music (including Elvis Presley, Fleetwood Mac, Acker Bilk and Tuvan throat singers), vocal samples and sound effects are overlaid with original music.

Context

Composition and recording

Chill Out is a single continuous musical piece having many distinctive sections, each of which either segues into or introduces the next. The album as a whole is a progression, with percussion gradually introduced during the second half. The KLF have stated in interviews that the album was recorded in a 44-minute "live" take in their studio, Trancentral, located in the basement of The KLF member Jimmy Cauty's squat in Stockwell, South London. This was a DAT to DAT "live" edit — essentially Chill Out is a "best of" of many hours of collaborative ambient DJ jam sessions that also involved Alex Paterson of The Orb. These took place at both Trancentral and the monthly 'Land of Oz' at London's Heaven nightclub. Said Cauty, "There's no edits on it. Quite a few times we'd get near the end and make a mistake and so we'd have to go all the way back to the beginning and set it all up again". According to Cauty's co-founder of The KLF, Bill Drummond, the album took two days to put together.Record Collector compared The KLF's production method to that of established electronic musicians: "While electronic dinosaurs like Jean Michel Jarre and Klaus Schulze were walling themselves in with banks and banks of synthesizers, computers and electronic gadgetry the KLF were doing the opposite—making a crafted work like Chill Out with the bare necessities of musical survival."