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FROM THE ASTONISHED SPECTATOR TO THE SPECTATOR IN MOVEMENT: EXHIBITION ADVERTISEMENTS IN 1920S GERMANY AND AUSTRIA

Journal Article

FROM THE ASTONISHED SPECTATOR TO THE SPECTATOR IN MOVEMENT: EXHIBITION ADVERTISEMENTS IN 1920S GERMANY AND AUSTRIA

MICHAEL COWAN

Revue Canadienne d'Études cinématographiques / Canadian Journal of Film Studies, Vol. 23, No. 1 (SPRING · PRINTEMPS · 2014), pp. 2-29

Topics: Movies, Trade shows, Advertising campaigns, Art exhibitions, Motion picture industry, Museum exhibitions, Trademarks, Art museums, Consumer psychology

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Showing 1-25 of 225

Many Rivers Crossed: Searching for the Public Sport History of Black Nova Scotia

Reconstructions (pp. 109-123)

[Part II Introduction] (pp. 75-78)

Impressions: Restoration of the Film Image (pp. 95-108)

Coda: Past Futures, Future Pasts (pp. 195-208)

Framing Programmes (pp. 151-178)

[Part III Introduction] (pp. 127-130)

Performances (pp. 179-194)

Philadelphia’s Greatest Sports Hero?: The Case for Rocky Balboa (pp. 147-160)

A Monument in Ruins: Douglas Gordon, Screen Archaeology and the Drive-in (pp. 144-180)

Conclusion: IRAN’S CINEMA MUSEUM AND POLITICAL UNREST (pp. 197-206)

Reel Objects: Movies in Museums (pp. 265-283)

Eyes Wide Open: Duplicates (pp. 59-71)

Regime Change (pp. 130-145)

Film Museum Exhibition Spaces (pp. 131-150)

Early ethnographic film and the museum (pp. 285-292)

To Arrive at the Station: TRAINS OF THOUGHT (pp. 3-25)

[SECTION ONE Introduction] (pp. 17-26)

The Beginnings of Cinema as a Museum Exhibit: The Cases of the Smithsonian Institution and the Science Museum in London

Spaces in Motion and Cinematic Experiences: The Permanent Exhibition Film of the Deutsche Kinemathek – Museum für Film und Fernsehen (pp. 248-260)

Heritage Gothic: Goya Biopics (pp. 25-53)

GOING PUBLIC (pp. 221-231)

FROM THE ASTONISHED SPECTATOR TO THE SPECTATOR IN MOVEMENT: EXHIBITION ADVERTISEMENTS IN 1920S GERMANY AND AUSTRIA

SETTLING IN (pp. 187-193)

ART HIGH AND LOW (pp. 205-211)