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Topic: Film Prints
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Passive Preservation: An Historical Overview
Book Chapter
Passive Preservation: An Historical Overview
(pp. 79-94)
From:
The Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946-2000)
BREGT LAMERIS
Amsterdam University Press
(2017)
Topics:
Nitrates
,
Film prints
,
Art museums
,
Film preservation
,
Film archiving
,
Movies
,
Material films
,
Materials preservation
,
Film archives
,
Archival preservation
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Dostoevskii’s “White Nights”: The Dreamer Goes Abroad
Book Chapter
Dostoevskii’s “White Nights”: The Dreamer Goes Abroad
(pp. 40-63)
From:
Border Crossing: Russian Literature into Film
Ronald Meyer
Edinburgh University Press
(2016)
Topics:
Movies
,
Theater
,
Actors
,
Film prints
,
Motion picture industry
,
Cameras
,
Canals
,
Novels
,
Allusion
,
Sex workers
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Displaced Vision: The Politics of Realism in Kracauer and Kluge
Book Chapter
Displaced Vision: The Politics of Realism in Kracauer and Kluge
(pp. 41-52)
From:
The Major Realist Film Theorists: A Critical Anthology
Tara Forrest
Edinburgh University Press
(2016)
Topics:
Film theory
,
Reality
,
Cameras
,
Motion picture industry
,
Grandmothers
,
Documentary films
,
Political protests
,
Narrators
,
Film prints
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ITALIAN HORROR CINEMA AND ITALIAN FILM JOURNALS OF THE 1970s
Book Chapter
ITALIAN HORROR CINEMA AND ITALIAN FILM JOURNALS OF THE 1970s
(pp. 207-221)
From:
Italian Horror Cinema
Paolo Noto
Edinburgh University Press
(2016)
Topics:
Film criticism
,
Movies
,
Horror fiction
,
Motion picture industry
,
Film prints
,
Escapist entertainment
,
Neorealism
,
Fear
,
Thrillers
,
Zines
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Cognitive Approach to Contemporary Complex Cinema
Book Chapter
Cognitive Approach to Contemporary Complex Cinema
(pp. 24-64)
From:
Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema
Miklós Kiss
,
Steven Willemsen
Edinburgh University Press
(2017)
Topics:
Movies
,
Puzzles
,
Narrative modes
,
Film prints
,
Storytelling
,
Narrative plot
,
Comprehension
,
Cognition
,
Sensory perception
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Contemporary Complex Cinema
Book Chapter
Contemporary Complex Cinema
(pp. 8-23)
From:
Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema
Miklós Kiss
,
Steven Willemsen
Edinburgh University Press
(2017)
Topics:
Movies
,
Puzzles
,
Narrative modes
,
Television viewers
,
Storytelling
,
Film prints
,
Television programs
,
Motion picture industry
,
Narrative plot
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David Shepard: Excerpts from an Oral History
Journal Article
David Shepard: Excerpts from an Oral History
Ed Carter
The Moving Image: The Journal of the Association of Moving Image Archivists
, Vol. 17, No. 1 (Spring 2017), pp. 89-121
Topics:
Movies
,
Motion picture industry
,
Film libraries
,
Film archives
,
Theater
,
Business structures
,
Television programs
,
Film prints
,
Film preservation
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Risen from the Ashes: The Complex Print History of Carl Dreyer's
The Passion of Joan of Arc
(1928)
Journal Article
Risen from the Ashes: The Complex Print History of Carl Dreyer's
The Passion of Joan of Arc
(1928)
Stephen Larson
The Moving Image: The Journal of the Association of Moving Image Archivists
, Vol. 17, No. 1 (Spring 2017), pp. 52-84
Topics:
Movies
,
Film prints
,
Motion picture industry
,
Film archives
,
Film criticism
,
Negative prints
,
Censorship
,
Film archiving
,
Passion
,
Film editing
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THE CULTIFICATION OF DEEP RED
Book Chapter
THE CULTIFICATION OF DEEP RED
(pp. 25-40)
From:
Deep Red
Alexia Kannas
Columbia University Press
,
Wallflower Press
(2017)
Topics:
Motion picture industry
,
Movies
,
Magnetic storage
,
Panic
,
Horror fiction
,
Film editing
,
Trajectories
,
Film criticism
,
United States history
,
Film prints
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Like Someone in Love: The Suspension of Belief
Book Chapter
Like Someone in Love: The Suspension of Belief
(pp. 129-151)
From:
Abbas Kiarostami and Film-Philosophy
Mathew Abbott
Edinburgh University Press
(2017)
Topics:
Movies
,
Love
,
Film prints
,
Illusion
,
Intuition
,
Skepticism
,
Automobiles
,
Film criticism
,
Cognitivism
,
Mind
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ABC Africa: Apparition and Appearance
Book Chapter
ABC Africa: Apparition and Appearance
(pp. 47-62)
From:
Abbas Kiarostami and Film-Philosophy
Mathew Abbott
Edinburgh University Press
(2017)
Topics:
Documentary films
,
Cameras
,
Objectivity
,
Children
,
Morality
,
Recordings
,
Apparitions
,
Film prints
,
Orphans
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Impressions: Restoration of the Film Image
Book Chapter
Impressions: Restoration of the Film Image
(pp. 95-108)
From:
The Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946-2000)
BREGT LAMERIS
Amsterdam University Press
(2017)
Topics:
Movies
,
Film prints
,
Nitrates
,
Colors
,
Film archives
,
Black and white film
,
Internegatives
,
Art museums
,
Motion picture industry
,
Dyes
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[Part II Introduction]
Book Chapter
[Part II Introduction]
(pp. 75-78)
From:
The Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946-2000)
BREGT LAMERIS
Amsterdam University Press
(2017)
Topics:
Film prints
,
Movies
,
Nitrates
,
Film archives
,
Art museums
,
Film archiving
,
Motion picture industry
,
Film preservation
,
Painting restoration
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Taming Dissonance: Cognitive Operations and Interpretive Strategies
Book Chapter
Taming Dissonance: Cognitive Operations and Interpretive Strategies
(pp. 104-139)
From:
Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema
Miklós Kiss
,
Steven Willemsen
Edinburgh University Press
(2017)
Topics:
Movies
,
Puzzles
,
Narrative modes
,
Narratology
,
Film prints
,
Narrative poetry
,
Television viewers
,
Ambiguity
,
Cognitive dissonance
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Functional Colors: The Varied Applications of Complementary Hues
Journal Article
Functional Colors: The Varied Applications of Complementary Hues
Birk Weiberg
Film History
, Vol. 29, No. 2 (Summer 2017), pp. 91-107
Topics:
Movies
,
Stereoscopy
,
Colors
,
Patents
,
Motion picture industry
,
Cameras
,
Film prints
,
Photographic negatives
,
Color film
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Blind Choices: Parameters and Repetitions
Book Chapter
Blind Choices: Parameters and Repetitions
(pp. 45-58)
From:
The Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946-2000)
BREGT LAMERIS
Amsterdam University Press
(2017)
Topics:
Film archives
,
Movies
,
Film libraries
,
Motion picture industry
,
Collection acquisitions
,
Film archiving
,
Film prints
,
Film preservation
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Documentary Mappings
Book Chapter
Documentary Mappings
(pp. 69-90)
From:
Slums on Screen: World Cinema and the Planet of Slums
Igor Krstić
Edinburgh University Press
(2016)
Topics:
Documentary films
,
Slums
,
Housing
,
Symphonies
,
Maps
,
Avant garde
,
Film criticism
,
Film prints
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SECRECY, CONSPIRACY, CINEMA AND THE CIA IN THE 1970s
Book Chapter
SECRECY, CONSPIRACY, CINEMA AND THE CIA IN THE 1970s
(pp. 222-271)
From:
In Secrecy's Shadow: The OSS and CIA in Hollywood Cinema 1941-1979
Simon Willmetts
Edinburgh University Press
(2016)
Topics:
Movies
,
Intelligence services
,
Motion picture industry
,
State espionage
,
Parallax
,
Assassinations
,
Thrillers
,
Public relations
,
Film prints
,
United States history
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HAVING ITS CAKE AND EATING IT TOO: CONTEMPORARY AMERICAN ‘INDIE’ CINEMA AND MY BIG FAT GREEK WEDDING REFRAMED
Book Chapter
HAVING ITS CAKE AND EATING IT TOO: CONTEMPORARY AMERICAN ‘INDIE’ CINEMA AND MY BIG FAT GREEK WEDDING REFRAMED
(pp. 188-203)
From:
Indie Reframed: Women's Filmmaking and Contemporary American Independent Cinema
Yannis Tzioumakis
,
Lydia Papadimitriou
Edinburgh University Press
(2016)
Topics:
Motion picture industry
,
Weddings
,
Independent films
,
Film criticism
,
Film prints
,
Film producers
,
Romantic comedies
,
Cultural identity
,
Marketing
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DIGITAL DECASIA: Preserving Film, Database Histories, and the Potential Value of Reflective Nostalgia
Book Chapter
DIGITAL DECASIA: Preserving Film, Database Histories, and the Potential Value of Reflective Nostalgia
(pp. 71-88)
From:
Flickers of Film: Nostalgia in the Time of Digital Cinema
JASON SPERB
Rutgers University Press
(2016)
Topics:
Movies
,
Nostalgia
,
Film history
,
Film preservation
,
Information Age
,
Film archiving
,
Motion picture industry
,
Film prints
,
Earths Moon
,
Digital prints
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Wallowing in Dissonance: The Attractiveness of Impossible Puzzles
Book Chapter
Wallowing in Dissonance: The Attractiveness of Impossible Puzzles
(pp. 183-207)
From:
Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema
Miklós Kiss
,
Steven Willemsen
Edinburgh University Press
(2017)
Topics:
Movies
,
Pleasure
,
Film prints
,
Logic puzzles
,
Narrative modes
,
Infinity
,
Narrative plot
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Performances
Book Chapter
Performances
(pp. 179-194)
From:
The Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946-2000)
BREGT LAMERIS
Amsterdam University Press
(2017)
Topics:
Film archives
,
Film prints
,
Art museums
,
Film music
,
Musical performance
,
Nitrates
,
Motion picture industry
,
Silent films
,
Motion picture museums
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TRANSCENDING THE SUBLIME: ARCTIC CREOLISATION IN THE WORKS OF ISAAC JULIEN AND JOHN AKOMFRAH
Book Chapter
TRANSCENDING THE SUBLIME: ARCTIC CREOLISATION IN THE WORKS OF ISAAC JULIEN AND JOHN AKOMFRAH
(pp. 325-334)
From:
Films on Ice: Cinemas of the Arctic
Helga Hlaðgerður Lúthersdóttir
Edinburgh University Press
(2015)
Topics:
Movies
,
Arctic regions
,
Ice
,
Film prints
,
Muses
,
Antarctic regions
,
Westerns
,
Film archives
,
Political attitudes
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‘SEE THE CRASHING MASSES OF WHITE DEATH …’: GREENLAND, GERMANY AND THE SUBLIME IN THE ‘BERGFILM’ SOS EISBERG
Book Chapter
‘SEE THE CRASHING MASSES OF WHITE DEATH …’: GREENLAND, GERMANY AND THE SUBLIME IN THE ‘BERGFILM’ SOS EISBERG
(pp. 148-160)
From:
Films on Ice: Cinemas of the Arctic
Lill-Ann Körber
Edinburgh University Press
(2015)
Topics:
Movies
,
Icebergs
,
Sublimity
,
Mountains
,
Film prints
,
Film criticism
,
Fascism
,
Polar bears
,
Glaciers
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FROZEN IN MOTION: ETHNOGRAPHIC REPRESENTATION IN DONALD B. MACMILLAN’S ARCTIC FILMS
Book Chapter
FROZEN IN MOTION: ETHNOGRAPHIC REPRESENTATION IN DONALD B. MACMILLAN’S ARCTIC FILMS
(pp. 286-298)
From:
Films on Ice: Cinemas of the Arctic
Rebecca Genauer
Edinburgh University Press
(2015)
Topics:
Movies
,
Narratives
,
Ethnography
,
Travel
,
Rifles
,
Film prints
,
Ice
,
Motion picture industry
,
Western civilization
,
Library collections
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