WIRED's Alternative Oscars 2017
Forget La La Land, behold the winners of WIRED alternative Oscars 2017


With the Oscars imminent, the question on Hollywood’s lips is whether La La Land can break Titanic and The Return Of The King’s record for the most-ever Oscar wins. (Prediction: not quite.)
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After the Academy’s unacceptably poor diversity record in recent years, it’s also heartening to see such admiration for the magnificent Moonlight, Hidden Figures, and Fences, among others. Still, what about our other favourite movies of the year? Here are WIRED’s alternative takes on the year’s best – and worst – movies.
Best Performance By A CGI Recreation
Winner: Peter Cushing, Rogue One: A Star Wars Story
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Drones, Oscars and football on Prime: Amazon reveals plans for 2016 
Drones, Oscars and football on Prime: Amazon reveals plans for 2016
A close call here: Robert Downey Jr’s younger self in Captain America: Civil War came close, but ultimately the winner has to be CGI Peter Cushing as Gran Moff Tarkin in Rogue One: A Star Wars Story. Sure, it occasionally verges on uncanny valley – but the likeness is indeed uncanny, a revolution in CGI. How long before we genuinely can’t discern the difference?
Read more: WIRED's cover story with Star Wars legend, producer Kathleen Kennedy.
Most Gratuitous Exploitation Of Audience Nostalgia
Winner: Rogue One: A Star Wars Story
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Action heroes: Soho's VFX teams illustrated by Soho's VFX teams 
Action heroes: Soho's VFX teams illustrated by Soho's VFX teams

This is always a hotly contested category in recent years, but surely has to go to Rogue One, which - although full of, ‘hey, remember this?’ moments – even goes so far as to actually use 70s footage from the original Star Wars.
Best Use Of Science In A Film
Winner: Arrival
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How to win a short-film Oscar

You know a sci-fi movie is good when it competes for the Oscars’ Best Film category. But Denis Villeneuve’s masterpiece Arrival also contains the most interesting explanations of the (controversial) Sapir-Whorf hypothesis. Who knew two hours of handwriting analysis could be so damn engaging?
Read more: The science of Arrival - what the film got right (and wrong).
The Best Cinematic Meme Of The Year
Winner: Suicide Squad

“So that’s it, huh? We’re some kind of… Suicide Squad?”
Best Video Game Adaptation
Winner: Assassin’s Creed

When your alternatives are The Angry Birds movie, Warcraft and an animated version of Ratchet & Clank, this isn’t a huge achievement, but Assassin's Creed sure looked great.
Read more: how Assassin's Creed took the 'leap of faith' from game to screen.
Best Batman Of The Year
Winner: Lego Batman

The funniest, most faithful, and entertaining Batman in years. Sorry, Affleck.
Read more: Lego Batman Movie kits put to the test, from Mr Freeze Ice Attack to Clayface Attack.
Most Unnecessary Sequel Or Reboot
Winner: The Legend Of Tarzan
I know what you were thinking: Independence Day: Resurgence was robbed.
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The Up Yours, 4Chan Award
Winner: Leslie Jones, Ghostbusters

2016 was a year that alt-right dudes really, really must have hated going to the cinema. From Moonlight to Rogue One to Hidden Figures, we finally saw a progress in diversity on camera (if not behind it. I mean, Gal Gadot even stole the show in Batman vs Superman. But there was only going to be one winner: you go, Leslie Jones.