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Broadway Bound
Book Chapter
Broadway Bound
(pp. 17-33)
From:
Miriam Hopkins: Life and Films of a Hollywood Rebel
ALLAN R. ELLENBERGER
University Press of Kentucky
(2018)
Topics:
Dance
,
Puppet shows
,
Theater criticism
,
Music boxes
,
Playwriting
,
Theater rehearsal
,
Tragic theater
,
Vaudeville
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Long Shorts: Contemporary Micro-marathons
Book Chapter
Long Shorts: Contemporary Micro-marathons
(pp. 134-178)
From:
Microdramas: Crucibles for Theater and Time
John H. Muse
University of Michigan Press
(2017)
Topics:
Empathy
,
Scripts
,
Futurism
,
Ellipses
,
Memory
,
Playwriting
,
Literary characters
,
Gestures
,
Social media
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‘YE KNOW EEK THAT IN FORME OF SPECHE IS CHANGE’: Chaucer, Henryson, and the Welsh Troelus a Chresyd
Book Chapter
‘YE KNOW EEK THAT IN FORME OF SPECHE IS CHANGE’: Chaucer, Henryson, and the Welsh Troelus a Chresyd
(pp. 38-56)
From:
Medieval English Theatre 38: "The Best Pairt of our Play". Essays presented to John J. McGavin. Part II
Sue Niebrzydowski
Edition: NED - New edition
Boydell and Brewer
,
D. S. Brewer
(2017)
Topics:
Theater
,
British literature
,
Playwriting
,
Love poetry
,
Stanzas
,
Iron age
,
National libraries
,
Early Modern literature
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Conclusion
Book Chapter
Conclusion
(pp. 133-146)
From:
Wendy Wasserstein
Jill Dolan
University of Michigan Press
(2017)
Topics:
Theater
,
Feminism
,
Playwriting
,
Hope
,
Mothers
,
Humor
,
Theater criticism
,
Working women
,
African Americans
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Blood and Sacrifice: Jewish Citizenship, Masculinity, and Violence, 1826–1861
Book Chapter
Blood and Sacrifice: Jewish Citizenship, Masculinity, and Violence, 1826–1861
(pp. 51-82)
From:
Hideous Characters and Beautiful Pagans: Performing Jewish Identity on the Antebellum American Stage
Heather S. Nathans
University of Michigan Press
(2017)
Topics:
Theater
,
Masculinity
,
Jewish Americans
,
Native Americans
,
Playwriting
,
Jewish culture
,
Literary characters
,
Fathers
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Writing, Telling and Showing Horsemanship in Rhetoricians’ Farce
Book Chapter
Writing, Telling and Showing Horsemanship in Rhetoricians’ Farce
(pp. 161-178)
From:
Medieval Theatre Performance: Actors, Dancers, Automata and their Audiences
Femke Kramer
Edition: NED - New edition
Boydell and Brewer
,
D. S. Brewer
(2017)
Topics:
Horses
,
Oratory
,
Farce
,
Hobby horses
,
Performing artists
,
Horsemanship
,
Literary rhetoric
,
Playwriting
,
Rhetorical dialogue
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‘I SPEKE SO MICHE TO ȜOW’: Authority, Didacticism, and Audience Address in Middle English Sermons and Morality Plays
Book Chapter
‘I SPEKE SO MICHE TO ȜOW’: Authority, Didacticism, and Audience Address in Middle English Sermons and Morality Plays
(pp. 84-99)
From:
Medieval English Theatre 38: "The Best Pairt of our Play". Essays presented to John J. McGavin. Part II
Charlotte Steenbrugge
Edition: NED - New edition
Boydell and Brewer
,
D. S. Brewer
(2017)
Topics:
Morality plays
,
Preachers
,
Audiences
,
Playwriting
,
Wisdom
,
Moral character
,
Performance art
,
Humanity
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Saturday Night at the S Street Salon: New Negro Women Playwrights
Book Chapter
Saturday Night at the S Street Salon: New Negro Women Playwrights
(pp. 111-136)
From:
Colored No More: Reinventing Black Womanhood in Washington, D.C.
TREVA B. LINDSEY
University of Illinois Press
(2017)
Topics:
African American culture
,
Theater
,
African Americans
,
Lynchings
,
Black communities
,
Playwriting
,
Mothers
,
Writers
,
Violence against women
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Adapting Molière and Jules Verne to Soviet Censorship: The Alchemical Politics of Bulgakov’s A Cabal of Hypocrites and The Crimson Island
Book Chapter
Adapting Molière and Jules Verne to Soviet Censorship: The Alchemical Politics of Bulgakov’s A Cabal of Hypocrites and The Crimson Island
(pp. 51-74)
From:
Subversive Stages: Theater in Pre- and Post-Communist in Hungary, Romania and Bulgaria
Ileana Alexandra Orlich
Central European University Press
(2017)
Topics:
Theater
,
Theater criticism
,
Playwriting
,
Stalinism
,
Political censorship
,
Writers
,
Communism
,
Volcanoes
,
Pearls
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Uncommon Women and Others
Book Chapter
Uncommon Women and Others
(pp. 23-40)
From:
Wendy Wasserstein
Jill Dolan
University of Michigan Press
(2017)
Topics:
Feminism
,
Men
,
Friendship
,
Working women
,
Womens rights movements
,
Monologues
,
History plays
,
Playwriting
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History and Nation in German Drama before 1989
Book Chapter
History and Nation in German Drama before 1989
(pp. 21-39)
From:
Performing Unification: History and Nation in German Theater after 1989
Matt Cornish
University of Michigan Press
(2017)
Topics:
History plays
,
Communes
,
Germanicism
,
Courage
,
Playwriting
,
War
,
Theater criticism
,
Audiences
,
Soldiers
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Fitzi, True-Believer: The Legacy of M. Eleanor Fitzgerald
Journal Article
Fitzi, True-Believer: The Legacy of M. Eleanor Fitzgerald
Jeffery Kennedy
The Eugene O'Neill Review
, Vol. 38, No. 1-2 (2017), pp. 13-46
Topics:
Anarchism
,
Mothers
,
Theater criticism
,
Prisons
,
Playwriting
,
Friendship
,
Business structures
,
Theater management
,
Drama workshops
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Exit the King?: Modern Theater and the Revolution
Book Chapter
Exit the King?: Modern Theater and the Revolution
(pp. 340-364)
From:
The Scaffolding of Sovereignty: Global and Aesthetic Perspectives on the History of a Concept
NICOLE JERR
Columbia University Press
(2017)
Topics:
Theater
,
Political revolutions
,
Sovereignty
,
Popular sovereignty
,
Hunting
,
Playwriting
,
Tyranny
,
Treason
,
Avant garde
,
Protagonists
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A No-Name Actress Starts Over
Book Chapter
A No-Name Actress Starts Over
(pp. 51-70)
From:
Anne Bancroft: A Life
Douglass K. Daniel
University Press of Kentucky
(2017)
Topics:
Movies
,
Theater
,
Playwriting
,
Rehearsal
,
Motion picture industry
,
Westerns
,
Divorce
,
Actors
,
Acting
,
Theater criticism
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“Gently to hear, kindly to judge”: Minds at Work in Henry V
Book Chapter
“Gently to hear, kindly to judge”: Minds at Work in Henry V
(pp. 93-114)
From:
Shakespeare and Judgment
Katherine B. Attié
Edinburgh University Press
(2017)
Topics:
Theater
,
Morality
,
Moral judgment
,
Soldiers
,
Chief justice
,
Princes
,
Aesthetic judgment
,
Audiences
,
Kings
,
Playwriting
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Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance
Book Chapter
Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance
(pp. 140-171)
From:
Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s)
Tatiana Korneeva
Brill
(2017)
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Topics:
Entertainment
,
Comic theater
,
Playwriting
,
Fairy tales
,
Theater criticism
,
Audiences
,
Aesthetics
,
Passion
,
Human condition
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Scottish Gothic Drama
Book Chapter
Scottish Gothic Drama
(pp. 59-74)
From:
Scottish Gothic: An Edinburgh Companion
Barbara A. E. Bell
Edinburgh University Press
(2017)
Topics:
Theatrical genres
,
Playwriting
,
Audiences
,
Dance dramas
,
Supernaturalism
,
Literary characters
,
Breathing
,
Ballet
,
Writers
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Miller, BPAT, and the Dynamics of East-West Collaboration
Journal Article
Miller, BPAT, and the Dynamics of East-West Collaboration
Zhaoming Qian
The Arthur Miller Journal
, Vol. 12, No. 1 (Spring 2017), pp. 33-41
Topics:
Theater
,
Beijing opera
,
Playwriting
,
Lighting design
,
Theater rehearsal
,
Modernist art
,
Daydreams
,
Shawls
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Stately Women in Retrospect: Actresses Jenny Bacon and Joan MacIntosh Recall Their Roles as Sara and Deborah Harford in Ivo van Hove's
More Stately Mansions
Journal Article
Stately Women in Retrospect: Actresses Jenny Bacon and Joan MacIntosh Recall Their Roles as Sara and Deborah Harford in Ivo van Hove's
More Stately Mansions
Ryder Thornton
The Eugene O'Neill Review
, Vol. 38, No. 1-2 (2017), pp. 122-136
Topics:
Theater
,
Mansions
,
Mothers
,
Rehearsal
,
Playwriting
,
Sons
,
Alliances
,
Desire
,
Audiences
,
Theater companies
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Angels Battle in Boston
Book Chapter
Angels Battle in Boston
(pp. 185-193)
From:
Miriam Hopkins: Life and Films of a Hollywood Rebel
ALLAN R. ELLENBERGER
University Press of Kentucky
(2018)
Topics:
Audiences
,
Scripts
,
Wordplay
,
Playwriting
,
Motion picture industry
,
Love relationships
,
Smoke
,
Film producers
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On “Proletarian Literature”: 1937
Book Chapter
On “Proletarian Literature”: 1937
(pp. 279-282)
From:
Conversations with Trotsky: Earle Birney and the Radical 1930s
Editor:
BRUCE NESBITT
University of Ottawa Press
(2017)
Topics:
Poetry
,
Novelists
,
Novels
,
Theater
,
Communist parties
,
Proletariat
,
Short stories
,
Playwriting
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Western Playwrights and Counternarratives of Unification
Book Chapter
Western Playwrights and Counternarratives of Unification
(pp. 62-86)
From:
Performing Unification: History and Nation in German Theater after 1989
Matt Cornish
University of Michigan Press
(2017)
Topics:
Playwriting
,
Theater criticism
,
Capitalism
,
Tragic theater
,
Literary characters
,
Westerns
,
Easter dramas
,
Orchards
,
Reconciliation
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Reflections on the “Second Girl”
Journal Article
Reflections on the “Second Girl”
Colby Minifie
The Eugene O'Neill Review
, Vol. 38, No. 1-2 (2017), pp. 137-141
Topics:
Theater
,
Playwriting
,
Maids
,
Rehearsal
,
Kings
,
Irish Americans
,
Morphine
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Toward a Filipino Canadian Dramaturgy: The Carlos Bulosan Collective
Book Chapter
Toward a Filipino Canadian Dramaturgy: The Carlos Bulosan Collective
(pp. 70-85)
From:
Performing the Intercultural City
Ric Knowles
University of Michigan Press
(2017)
Topics:
Theater
,
Theater companies
,
Southeast Asian culture
,
Playwriting
,
Cultural history
,
Traditional dance
,
Drama workshops
,
Migrant communities
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Barry Reckord, the Race Relations Narrative, and the Royal Court Theatre
Book Chapter
Barry Reckord, the Race Relations Narrative, and the Royal Court Theatre
(pp. 204-244)
From:
The West Indian Generation: Remaking British Culture in London, 1945–1965
Amanda Bidnall
Liverpool University Press
(2017)
Topics:
Theater criticism
,
Archives
,
Narratives
,
Playwriting
,
Scripts
,
Black white relations
,
British literature
,
Audiences
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