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@LAReviewofBooks

A multimedia literary and cultural arts magazine with an enduring commitment to the written word.

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Inscrit en mars 2010
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  1. il y a 30 minutes

    “Both books insist that we have the capacity to avert the worst and bend the course of human history back from the abyss.” Roy Scranton on Bill McKibben’s FALTER and David Wallace-Wells’s THE UNINHABITABLE EARTH:

    3 Retweets 7 j'aime
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  2. il y a 3 heures

    “Plot summary makes obvious the question implied by the film's title: who, exactly, is the parasite?” describes the Korean film “Parasite”:

    1 Retweet 4 j'aime
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  3. il y a 4 heures

    “America is chronically young,” writes Apoorva Tadepalli () about ageism and urbanism:

    2 Retweets 4 j'aime
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  4. il y a 5 heures

    .Carl Phillips talks to the LARB Radio Hour about his new collection, “Wild is the Wind,” which meditates on memory, loss, and love's beautiful challenges:

    2 Retweets 4 j'aime
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  5. il y a 5 heures

    “Art enables us to live despite the reality and infinite possibilities of the absurd — including the absurd notion that our existence is necessary.” Brad Evans interviews Lewis R. Gordon:

    2 Retweets 11 j'aime
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  6. il y a 11 heures

    Predictions of the End Times have become mainstream, but if Revelation hadn't been canonized, things would be much different. "The Desperate Search for the Mark of the Beast" by Anna Merlan is an online exclusive from our new Print Quarterly Journal:

    3 j'aime
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  7. il y a 12 heures

    . on the film “Parasite”: it “visualizes more explicitly the idea that the richer Koreans become, they more they turn into grotesque parodies of Westerners.”

    5 Retweets 8 j'aime
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  8. il y a 13 heures

    In “Heads of the Colored People,” Nafissa Thompson-Spires writes about the lives of black folks estranged from both black and white communities, finding their space amid nerd, cosplay and weirdo subcultures.

    5 Retweets 10 j'aime
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  9. il y a 14 heures

    In our Occult Issue, Anna Merlan examines a lynchpin of contemporary "salvation anxiety," the Mark of the Beast:

    1 réponse 4 j'aime
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  10. il y a 15 heures

    “'Endgame' is the biggest possible participatory advertisement for two of the most powerful brands in the entertainment industry.” Dan Hassler-Forest writes:

    4 j'aime
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  11. il y a 17 heures

    “For those inoculated to the charms of the comicbook superhero movie, 'Endgame' seems to sync entirely too well with the conquest of cinema by (mere) content.” J. D. Connor writes:

    1 Retweet 3 j'aime
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  12. il y a 18 heures

    Predictions of the End Times have become mainstream, but if Revelation hadn't been canonized, things would be much different. "The Desperate Search for the Mark of the Beast" by is an online exclusive from the new :

    2 Retweets 5 j'aime
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  13. il y a 19 heures

    Predictions of the End Times have become mainstream, but if Revelations hadn't been canonized, things would be much different. "The Desperate Search for the Mark of the Beast" by is an online exclusive from the new :

    1 réponse 1 Retweet 5 j'aime
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  14. il y a 20 heures

    “When a Korean wins a major international award, that award tends to be seen here in Korea as having been won for, or even by, the nation itself.”

    3 Retweets 10 j'aime
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  15. il y a 21 heures

    . talks to the about his new collection, “Wild is the Wind,” which meditates on memory, loss, and love's beautiful challenges:

    1 Retweet 5 j'aime
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  16. il y a 23 heures

    In our : Occult Issue, examines a lynchpin of contemporary "salvation anxiety," the Mark of the Beast:

    2 réponses 3 Retweets 6 j'aime
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  17. 2 juin

    “Is the time of human rights therefore past? Yes and no.” Stefan-Ludwig Hoffmann writes:

    4 Retweets 7 j'aime
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  18. 2 juin

    “One of the things that stifles very young writers is that they expect to make their Nobel winning work on the first try.”

    14 j'aime
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  19. 2 juin

    . reviews the film “Parasite” by famed Korean director Bong Joon-ho:

    2 Retweets 6 j'aime
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  20. 2 juin

    In “Heads of the Colored People,” writes about the lives of black folks estranged from both black and white communities, finding their space amid nerd, cosplay and weirdo subcultures.

    4 Retweets 4 j'aime
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