It’s the little things.
Season one of the new FX true-crime anthology, American Crime Story, attempts to recreate the O. J. Simpson murder case for the big (television) screen. Winning nine Emmy awards and earning nominations for another thirteen, The People v. O. J. Simpson: American Crime Story is clearly judicious in stroking the curiosity of a society still asking questions about Simpson’s innocence.
To their credit, the producers take an interesting course, and I think this is why the season’s ten episodes resonate far more than a documentary ever could. Rather than appreciating the evidence itself, attention is directed to the nuances of the 1995 double murder trial, allowing viewers to witness how the evidence was presented and how instrumental the public grew to become in shaping the case both inside and outside the courtroom. It is a courtroom drama in every sense of the term, but also a remarkably accurate one. When Court Clerk Deirdre Robertson read the verdict in 1995, she stumbled on O. J.’s real first name, Orenthal. The blip is cleverly reenacted in the show.
But deep within the closing lines of the final episode, we are reminded once again that there are still some limits to the truth, to honest reenactments and genuine portrayals. In a way similar to how racism is outwardly condemned but still readily welcomed under the radar, censorship flies the same route. Read More



