As Constantine turns twenty and arrives on 4K Blu-ray, director Francis Lawrence talks to Matt Goldberg about the film’s cult status, casting Tilda Swinton and Peter Stormare as an angel and a devil, and how his world-building means there’s a Hell-version of Disneyland.

For the 70th anniversary of The Wages of Fear’s US release, Robert Daniels buckles up and takes us on a journey through the white-knuckle thrills and queer-coded complexities that keep the film relevant today.

As Se7en receives an anniversary release in IMAX theaters and on 4K UHD Blu-ray, David Fincher tells Mitchell Beaupre about the film’s enduring impact, Brad Pitt’s basketball ties, John Doe’s memorable entrance and more, including his personal favorite opening credit sequences.

To celebrate the 45th anniversary of Bob Fosse’s deliriously dazzling All That Jazz, Mia Lee Vicino delves into the existentialist musical’s deep impact on filmmakers—from Stanley Kubrick to Greta Gerwig—and Letterboxd members alike.

In an annual tradition, we round off awards season by crowning our Most Picture. Ella Kemp hears from the Letterboxd members logging Dune: Part Two up to 200 times, as well as director Denis Villeneuve and the sound and visual effects teams of this year’s most rewatched Best Picture nominee.

For Valentine’s Day, Letterboxd staff and contributors celebrate the cinematic couples who make us swoon, sigh and shout, “Love is real!”—from Jackie Brown and Max Cherry to Charles Grodin and Miss Piggy.

Letterboxd members memorialize the visionary dream-worlds of the late David Lynch, from mutant babies to snakeskin jackets to women in trouble.

Annie Lyons counts down the top ten most obsessively rewatched films at New Year’s, from Reynolds and Alma to Harry and Sally—and makes the case that Alien should be included in the festivities.