Jan 19 2017

Book Review: The Smoking Mirror by David Bowles

Reviewed by Cris Rhodes

DESCRIPTION FROM THE BOOK JACKET: Carol and Johnny Garza are 12-year-old twins whose lives in a small Texas town are forever changed by their mother’s unexplained disappearance. Shipped off to relatives in Mexico by their grieving father, the twins learn that their mother is a nagual, a shapeshifter, and that they have inherited her powers. In order to rescue her, they will have to descend into the Aztec underworld and face the dangers that await them.

MY TWO CENTS: David Bowles’s Pura Belpré honor book, The Smoking Mirror, is a fast-paced, masterful journey through Aztec mythology and pre-Columbian Mexican history. Bowles, who was inspired to create a fantasy novel in the tradition of Harry Potter and Percy Jackson that featured a Latinx protagonist, weaves a captivating story of epic proportions, all framed by familial love. (For more from Bowles, see his guest post.) Moreover, though this is a diverse book with two Latinx protagonists, their Mexican heritage is important insofar as it provides the ethos for the setting of the text, but this is not a story about race or ethnicity and it is all the better for that. Bowles instead focuses on the supernatural elements of his source material and the hero journeys of his twin protagonists. The book is a quick read, full of page-turning action, which will intrigue even the most reluctant reader. Additionally, because it has both a male and female protagonist in twins Johnny and Carol, it should appeal to boys and girls. The Smoking Mirror, like many middle-grade books, has shorter chapters that maintain the pace of the narrative and keep readers constantly engaged without seeming overwhelming.

While Johnny and Carol’s journey through Mictlan is riveting, I was most captivated by Bowles’s exploration of their relationship, particularly of their twin connection. As a twin myself, I am always uncertain if an author will be able to capture the unique bond we feel, and Bowles does so in spades. This is not the tired good-twin/bad-twin nonsense that pervades literature and media. Bowles is sure to individualize both Johnny and Carol, and they are depicted as complex characters with strengths and flaws that set them apart from each other; in fact, their differences improve their relationship as the text unfolds. Johnny and Carol begin the story having grown apart following their mother’s mysterious disappearance. But when their father sends them to stay with their family in Monterrey, México, they must rely on each other in a new environment. When they both discover that they are naguales, or shapeshifters with special magic, their bond is cemented and they begin their journey to Mictlan to rescue their mother from Texcatlipoca, the god of destruction. Likewise, as naguales, Johnny and Carol share an intimate psychic connection, which they use to communicate telepathically. Their internal connection comes in handy as they journey through Mictlan, where they must constantly save each other. In these moments, they realize that their differences do not separate them, rather that they are complementary, and by the end of the text, Johnny even tells Carol, “‘you are my balance’” (198).

The backdrop for Johnny and Carol’s quest to save their mother is a richly populated mythological world full of terrifying creatures and powerful deities. By his own admission, Bowles mixes Aztec and Mayan mythologies to create his Mictlan. The result is an expansive, multilayered underworld that rivals Dante’s Inferno. Bowles, a scholar and professor at the University of Texas – Rio Grande Valley, has also done translation work from multiple languages, including Nahuatl, the language spoken by many Mesoamerican indigenous peoples. It is obvious, then, that Bowles knows his source material. However, my only complaint with this text is the difficulty involved in keeping track of all of the Aztec- and Mayan-inspired beings that Johnny and Carol encounter, due to the similarity and/or complexity of their names. Because I’ve studied pre-Columbian, Central American literature (though certainly not as extensively as Bowles), I consider myself to be familiar with Aztec mythology/history; yet, I was confused in multiple places throughout the text. Bowles does include a thorough glossary and pronunciation guide, which I frequently needed to consult, but for a book that is so fast-paced, this disrupted the reading process. For the uninitiated reader, this could be a barrier to feeling fully immersed in the text.

Ultimately, I was riveted by Johnny and Carol’s impassioned search for their mother. Even when I was confused by the terminology, this book continued to be un-put-down-able. Bowles makes his characters feel real, and I became deeply invested in their story. From the snappy dialogue, infused with Spanish words and phrases, to the intricate world-building, Bowles keeps his reader’s attention from beginning to end. Now I’m itching to get my hands on A Kingdom Beneath the Waves, which was published in 2016, as well as the other three books in the series, forthcoming in 2017, 2019, and 2021.

TEACHING TIPS: Bowles’s website has a fairly extensive teaching guide for The Smoking Mirror, including information on his Aztec and Mayan source material. This information would be particularly relevant to a social studies or literature unit on mythology, as it broadens the scope of ancient mythologies beyond Greco-Roman perspectives. This book would also suit language arts lessons that explore the hero’s journey or other themes and images in canonical texts like The Odyssey. Students could compare the trajectory of the journey in both texts or examine the character types—hero, mentor, guardian, etc. This question becomes further complicated by Bowles’s twin protagonists: could both Johnny and Carol be the “hero” of the text? Why or why not? Or, for a more creative lesson, students familiar with mythology might be encouraged to create their own mythological world, drawing on preexisting myths and legends, just as Bowles does. Regardless, The Smoking Mirror is a valuable addition to any classroom or school library.

ABOUT THE AUTHOR: A product of an ethnically diverse family with Latino roots, David Bowles has lived most of his life in the Río Grande Valley of south Texas. A recipient of awards from the American Library Association, the Texas Institute of Letters, and the Texas Associated Press, he has written several books, most notably the Pura Belpré Honoree The Smoking Mirror. His work has also been published in venues such as BorderSenses, Strange Horizons, Apex Magazine, Stupefying Stories, Asymptote, Translation Review, Huizache, Metamorphoses and Rattle.

ABOUT THE REVIEWER: Cris Rhodes is a doctoral student at Texas A&M University – Commerce. She received a M.A. in English with an emphasis in borderlands literature and culture from Texas A&M – Corpus Christi, and a B.A. in English with a minor in children’s literature from Longwood University in her home state of Virginia. Cris recently completed a Master’s thesis project on the construction of identity in Chicana young adult literature.

Jan 12 2017

Book Review: Because of the Sun by Jenny Torres Sanchez

Reviewed by Nazahet Hernandez

DESCRIPTION FROM THE BOOK JACKET: Dani Falls learned to tolerate her existence in suburban Florida with her brash and seemingly unloving mother by embracing the philosophy Why care? It will only hurt. So when her mother is killed in a sudden and violent manner, Dani goes into an even deeper protection mode, total numbness. It’s the only way she can go on.

But when Dani chooses The Stranger by Albert Camus as summer reading for school, it feels like fate. The main character’s alienation after his mother’s death mirrors her own.

Dani’s life is thrown into further turmoil when she is sent to New Mexico to live with an aunt she never knew she had. The awkwardness between them is palpable. To escape, Dani takes long walks in the merciless heat. One day, she meets Paulo, who understands how much Dani is hurting. Although she is hesitant at first, a mutual trust and affection develop between Dani and Paulo, and Dani begins to heal. And as she and her aunt begin to connect, Dani learns about her mother’s past. Forgiving isn’t easy, but maybe it’s the only way to move forward.

MY TWO CENTS: Dani Falls has a complicated and fractured relationship with her mother, Ruby Falls, who in Dani’s eyes is a not good mother in any regard. In fact, for dozens of pages, Dani often explicitly states that she hates her mother because she has always felt unappreciated, unloved, and ignored by her. By Dani’s account, we are led to believe that Ruby is objectively a selfish and neglectful mother. It is all Dani has known, and because she is the narrator, we are inclined to empathize with her side of the story. Dani believes she knows who her mother really is deep inside, that her ugliest aspects are the real her. But what Dani doesn’t know is that she really doesn’t know her mother at all.

In the Author’s Note for Because Of The Sun, Jenny Torres Sanchez states that Albert Camus’s The Stranger inspired her novel. In The Stranger, Meursault’s mother dies early on in the story, and his emotionless and detached reaction made Torres Sanchez curious about his mother. Was she a terrible person or simply an imperfect individual?

Like Mersault’s mother, Dani’s mother also dies early in the novel, tragically. She is inexplicably attacked by a black bear in her own backyard. The grisly story shocks the neighborhood, but readers see the aftermath play out through Dani’s perspective, which is bleak, detached, and emotionless. The way Dani deals with the trauma of her mother’s death is fascinating, though often hard to read, and readers may wonder if Dani’s cold reaction is warranted. But people cope with tragedy differently, and we don’t know all the details of her and her mother’s relationship. So it’s best to read on without passing any judgment on Dani.

As she has no family left in Florida, Dani must move to New Mexico to live with an aunt, Shelly, she never knew existed. This is only one of many secrets Dani’s mother kept from her. For weeks, Dani lives with her aunt, but seldom leaves the house and rarely speaks more than two words at a time. This part of the novel is slow and contemplative, when Dani is at her lowest. Hours, days, and weeks blur into each other and become indistinguishable. The language and mood of the book during these pages are bleak and stifling. One wonders if Dani will ever find light in her life again.

But one day, Dani wanders out into the scorching New Mexico sun and walks for miles, until she comes across a gas station. There, she meets Paulo, a young Mexican-American boy who aspires to be a filmmaker. It is after she meets Paulo and his grandmother, Doña Marcela, that the potential for hope and light enters Dani’s life.

It is important to note that Dani is not Latina, a fact that is not explicitly stated until she meets Latinx people at her new school, who make references to her whiteness almost immediately. This happens about a third of the way through the novel, after which Latinxs play a regular and important role in the story. It is Paulo, and especially Doña Marcela, who provide moral and emotional support for Dani when she needs it most. Paulo is ambitious and kind; Doña Marcela is brave and loving. Together, they provide Dani with examples of what healthy familial relationships can look like, and show her that people are allowed to care for and love each other. That Latinx characters are the most positive influence on the novel’s protagonist is worth noting. I certainly appreciated it.

Eventually, Dani connects with her aunt Shelly, who reveals the tragic secrets of her family’s past. Dani then realizes that she never really knew her mother and must face the fact that she hated a woman she only knew on a surface level. This understandably makes Dani resent Ruby even more, for shutting her daughter out all her life. But her budding romance with Paulo, the strong role model she found in Doña Marcela, and her growing bond with Shelly — these relationships teach Dani that there are things to appreciate in the world. Perhaps the trauma of her mother’s death and their lack of closure will always follow her, but Dani has met people who can help her move forward with her life, even if progress is slow.

Though it’s not without flaws, there’s much to like and commend in Because Of The Sun. Jenny Torres Sanchez writes Dani’s story in haunting, beautiful prose that creates an atmosphere that aptly approximates Dani’s bleakest moods and lowest moments. There are several dreamlike sequences in the novel reminiscent of magical realism that stand out as the strongest parts of the story. Reading Because Of The Sun is a singular and somber experience that will resonate with teens who understand the complexities of love and loss.

ABOUT THE AUTHOR: Jenny Torres Sanchez is a full-time writer and former English teacher. She was born in Brooklyn, New York, but has lived on the border of two worlds her whole life. She lives in Orlando, Florida, with her husband and children. She is the author of The Downside of Being Charlie, Death, Dickinson, and the Demented Life of Frenchie Garcia, and Because of the Sun.

To find Because of the Sun, check your local public library, your local bookstore, or IndieBound. Also, check out Goodreads, Amazon, and Barnes & Noble.

Read Diverse Books Nazahet Hernandez is a book blogger who cares passionately about diversity in literature and promoting books written by and about people of color and other marginalized voices. He loves creating reading lists, recommending diverse books to people, and tweeting while at work. He lives in the wonderfully vibrant city of Austin, TX. You may contact him on Twitter (@_diversebooks) or through his blog ReadDiverseBooks.com.

Jan 9 2017

Weaving Truth and the Imagined: A Guest Post by Author Jenny Torres Sanchez

Top: My grandmother Elena (left) and my mother Miriam (right) Bottom: My mother in law Martha (left) and my grandmother Zoila (right)

By Jenny Torres Sanchez

I visited New Mexico for the first time about twelve years ago. My in-laws live right on the border of Columbus, New Mexico and Palomas, Mexico. I was there for a funeral and it was a sad, somber time. Maybe that was part of the reason why it seemed such a lonely place to me, so desolate and bare.

On our way to the graveyard, I remember much walking and dust. There were rocks on tombstones to cover graves because there is no grass. And my husband’s family members took turns, while weeping, to shovel dirt upon their loved one’s grave. I felt then that I had come to a place of great despair. But also of great beauty. And I knew I would someday write a story that took place there.

Because of the Sun Cover Years later, a story did come to me about a boy named Paulo living on that border. I tried writing it, but it never panned out and I abandoned the idea. Years later, another story came to me about an empty and unfeeling girl named Dani. Her story merged with that long ago abandoned one about Paulo. They meet as Dani is walking in the desert. He sees in her something he knows well: tragedy. And he feels drawn to her in that way we sometimes are to those who might share a similar pain. So he helps Dani and introduces her to his grandmother, who also helps her.

Paulo’s grandmother is an interesting character to me because she is someone I have always known. In her I see my mother who came to the United States all alone after her mother died. I see my grandmothers, women whose faces I have imagined in those hot, dusty countries where they were born and lived unimaginably hard lives. And I see my mother in-law, an immigrant from Mexico, with her own share of stories of a hard life. She is the one who introduced me to teas and instilled in me a belief that different ones can cure different ailments and remedy almost anything.

I’ve been raised, nurtured, and surrounded by these strong women, women who are equal parts hard and loving. They’ve had to survive great hardships, broken dreams and tragedies. But they survived, thrived even. And I’ve elevated them to goddess-like statures. To me, they are magical in that there is nothing they can’t do, nothing they can’t endure and overcome. Paulo’s grandmother is a culmination of the women I love. She is someone who has survived and helps others survive, who can bring back the dead even. She is always there, appearing even in dreams. Just like the women in my life.

I think it’s interesting how stories are woven, how truth becomes inspiration that merges with lies and the imagined. I love seeing that thin thread of the real in my stories. I love seeing the people in my life, in some way, in some form or transformation, make their way into my stories. And while their stories are not the focus of mine, their influence is never far.

JENNY TORRES SANCHEZ is a full-time writer and former English teacher. She was born in Brooklyn, New York, but has lived on the border of two worlds her whole life. She lives in Orlando, Florida, with her husband and children. She is the author of The Downside of Being Charlie, Death, Dickinson, and the Demented Life of Frenchie Garcia, and Because of the Sun.

Jan 5 2017

Spotlight on Latina Illustrators Part 4: Carolyn Dee Flores, Christina Rodriguez, and Jacqueline Alcántara

By Cecilia Cackley

This is the fourth in a series of posts spotlighting Latina illustrators of picture books. Some of these artists have been creating children’s books for many years, while others will have their first book out this year. They come from many different cultural backgrounds, but all are passionate about connecting with readers through art and story. Please look for their books at bookstores and libraries!

Carolyn Dee Flores

Carolyn Dee Flores grew up around the world and now lives in San Antonio, Texas. She worked as a computer analyst, rock musician and composer prior to becoming an illustrator of children’s books. She illustrated Dale, dale, dale: una fiesta de números/Hit it, hit it, hit it: a fiesta of numbers and Canta, Rana, Canta/ Sing Froggie Sing, which were both named to the Tejas Star Reading list. Her illustrations for the book Daughter of Two Nations won a Skipping Stones Honor Award. Her most recent work can be seen in the book Una Sorpresa para Teresita/ A Surprise for Teresita, published in October 2016 by Piñata Books, an imprint of Arte Publico Press.

Q: What inspired you to become an artist?

A: My Uncle Rey. He was a professional artist. He made me realize it was something you could do. Be an artist for a living.

When I was little, I used to go over to my grandmother’s house and see his drawings and paintings framed on the wall and I would think, “How on earth does someone get that good?” Later, I found out he had gone to art school and become an artist for the Air Force. When he passed away, my aunt gave me his art books. I read every page … over and over and over. That’s when I first learned about Goya and Rembrandt and Velázquez. It meant everything to me.

Q: Tell us something about your favorite artistic medium.

A: Oil. Oil. And then oil. I am very excited about a new technique I developed for painting with oil on cardboard. It completely saturates the board until it looks like brushed felt. It also enables me to control the bleed and dry quickly. This is the first time I have been able to get those intense colors that you get with oil paints – in an illustration. I use this process in my new book “A Surprise for Teresita” which comes out this month.

Q: Please finish this sentence. “Picture books are important because…”

A: They are a child’s very first glimpse into all the possibilities of being a human being. Whether it is stepping into the Wizard of Oz, or a Dr. Seuss landscape, or playing with the pigeon in Mo Willems’s Don’t Let the Pigeon Drive the Bus – or going to a playground down the block – the reality for a child is the same. The world is full of color, and rhythm and courageous deeds and breathtaking imagination. Picture books affirm a child’s vision … forever. Nothing could be more important than that!

Christina Rodriguez

Christina Rodriguez lives in Rhode Island and has illustrated more than twelve books for children. She is a three time nominee for the Tejas Star Book Award. Among the books she has illustrated are Un día con mis tias/ A Day with my Aunts, Mayte and the Bogeyman, We are Cousins/ Somos primos, The Wishing Tree and Adelita and the Veggie Cousins.

Q: What inspired you to become an artist?

A: I became a children’s book illustrator thanks to the adults who steered me in that direction as a child: from my dad who taught me how to draw horses as a child, to my teachers who encouraged my love of art and reading, and finally to my mother for supporting my decision to go to art school at RISD. Without the continuous support of the role models in my life, I might not be where I am today.

Q: Tell us something about your favorite artistic medium.

A: I have two favorite mediums: digital and watercolors. Watercolor painting was one of the first techniques I learned, but I didn’t really get into it until college, when it became a safer alternative to oil paints (the fumes were giving me headaches). Most of my books are done in a mixture of watercolors, watercolor pencils, and gouache -an opaque type of watercolors – that gives me a lot of control in the details and the ability to add depth and texture. I also carry a travel-sized watercolor paint box with my sketchbook everywhere I go.

My other favorite medium is digital: I’ve illustrated a few books completely in Adobe Photoshop, from sketches to finished art. Many book illustrators incorporate digital programs into their workflows at some point, whether it’s resizing sketches, or cleaning up and enhancing finished paintings. I use a Microsoft Surface Pro which makes creating digital illustrations even easier.

Q: Please finish this sentence. “Picture books are important because…”

A: They introduce children to many rich and important concepts at a young age: a love of reading and art, active listening, and critical thinking of complex subjects while in a safe place. Picture books can provide the foundation upon which a rich education can be built.

Jacqueline Alcántara

Jacqueline Alcántara is a freelance author and illustrator who previously taught high school art and photography. She won the inaugural We Need Diverse Books Illustrator Mentorship Award in 2016. Her first book is The Field which will be published in 2018 by NorthSouth Books.

Q: What inspired you to become an artist?

A: For as long as I can remember, I loved drawing, cutting, gluing, painting, inventing characters, and writing stories. As a kid, my mom would take me down to the Art Institute’s kids programs, and I still remember the texture of the paper they gave me, and how excited I felt about creating art inside the museum. When I was in high school, my dad took me to Honduras a few times, and each time, we visited with one his best friends who happened to be a fantastic painter and brilliant musician. His name was Carlos Brizzio, and he quickly became the coolest person in the world to me. By the time I finished high school, I knew I wanted to work within “the arts,” even if I hadn’t yet figured out what that meant.

After I graduated from college, I worked as an art teacher, and I decided that I wanted to combine my love of art and kids, and pursue children’s illustration. Lots of artists have inspired me along the way, but my first loves, beyond Quentin Blake and Chris Van Allsburg, were Dalí, Picasso, and Redon. I still look at a lot of art and visit my favorite paintings at the Art Institute of Chicago, but now I’m mostly inspired by silly things that happen throughout the day, serious things that are happening in the world, and all of the beauty that I find in between.

Q: Tell us something about your favorite artistic medium.

A: At this point in time, I’m most in love with markers and gouache. I love gouache because of the opaque/flat feeling of the color. I like that it’s an old medium as well—that it has history and depth. I started using markers recently, when I became interested in fashion illustration. Markers allow you to work fast and consistently, and I love the way they layer on top of one another to almost look and feel like watercolors, or digital painting. I use Photoshop for almost all of my illustrations to collage, experiment, and play with light, color and composition.

Mixed media is so much fun because you can have a plan for your piece, but so much is still left to chance and experimentation, which is exciting when you’re creating a piece, and so satisfying when it’s complete.

Q: Please finish this sentence. “Picture books are important because…”

A: Along with TV and movies, books are largely responsible for how we formulate our ideas about people, cultures, and especially, ourselves from an early age. The stories and characters we read in picture books represent some of the first ways in which we begin to explore these things, and those impressions stick with us, whether consciously or subconsciously, for a very long time. Picture books ask questions about our world and ourselves and can provide us with comfort, curiosity, hope and empathy. But my favorite part is the details, and the magical way in which the words and pictures can tell the same story while saying different things. I also love that children can “read” a picture book even before they are ready to read the text, and how repeated readings help them to discover the details, thought, humor and care that goes into the process of creating them. Picture books are important because they help us to visualize our pasts and futures, as they feed our imagination.

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Books to Look For:

Dale, dale, dale: una fiesta de números/Hit it, hit it, hit it: a fiesta of numbers by Carolyn Dee Flores

Canta, Rana, Canta/ Sing Froggie Sing by Carolyn Dee Flores

Una Sorpresa para Teresita/ A Surprise for Teresita by Carolyn Dee Flores

Un día con mis tias/ A Day with my Aunts illustrated by Christina Rodriguez

Mayte and the Bogeyman illustrated by Christina Rodriguez

We are Cousins/ Somos primos illustrated by Christina Rodriguez

Adelita and the Veggie Cousins illustrated by Christina Rodriguez

Dec 22 2016

2017 Titles By/For/About Latinx!!

Get your To-Be-Read lists out! Here are the 30+ titles we know about that are releasing in 2017 that are by Latinx creators with or without Latinx characters and by non-Latinx creators with Latinx characters. We plan to review as many of these as we can, so please check the site often or follow the blog for updates. The coming year brings new books from Benjamin Alire Sáenz, Anna-Marie McLemore, Lulu Delacre, Jenny Torres Sanchez, Adam Silvera, Veronica Chambers, Carmen Agra Deedy, Monica Brown, Maragarita Engle, and Diana Rodriguez Wallach. We will also see a few authors crossing genres. Morris Award winner Sofia Quintero will have a new chapter book out, and picture book writer Jennifer Torres will release a debut middle grade novel. The books are listed by the publishing date. Please let us know in the comments if we are missing any!

HAPPY READING!!

Because of the Sun Cover BECAUSE OF THE SUN by Jenny Torres Sanchez (Delacorte Press, January 3, 2017). Young Adult. Dani Falls learned to tolerate her existence in suburban Florida with her brash and seemingly unloving mother by embracing the philosophy Why care? It will only hurt. So when her mother is killed in a sudden and violent manner, Dani goes into an even deeper protection mode, total numbness. It’s the only way she can go on. But when Dani chooses The Stranger by Albert Camus as summer reading for school, it feels like fate. The main character’s alienation after his mother’s death mirrors her own. Dani’s life is thrown into further turmoil when she is sent to New Mexico to live with an aunt she never knew she had. The awkwardness between them is palpable. To escape, Dani takes long walks in the merciless heat. One day, she meets Paulo, who understands how much Dani is hurting. Although she is hesitant at first, a mutual trust and affection develop between Dani and Paulo, and Dani begins to heal. And as she and her aunt begin to connect, Dani learns about her mother’s past. Forgiving isn’t easy, but maybe it’s the only way to move forward.

Image result for stef soto taco queen STEF SOTO, TACO QUEEN by Jennifer Torres (Little, Brown Books, January 3, 2017). Middle Grade. Estefania “Stef” Soto is itching to shake off the onion-and-cilantro embrace of Tia Perla, her family’s taco truck. She wants nothing more than for her dad to get a normal job and for Tia Perla to be put out to pasture. It’s no fun being known as the “Taco Queen” at school. But just when it looks like Stef is going to get exactly what she wants, and her family’s livelihood is threatened, she will have to become the truck’s unlikely champion.

History Is All You Left Me Cover HISTORY IS ALL YOU LEFT ME by Adam Silvera (Soho Teen, January 17, 2017). Young Adult. Starred reviews from Kirkus, Publisher’s Weekly, Booklist, School Library Journal. When Griffin’s first love and ex-boyfriend, Theo, dies in a drowning accident, his universe implodes. Even though Theo had moved to California for college and started seeing Jackson, Griffin never doubted Theo would come back to him when the time was right. But now, the future he’s been imagining for himself has gone far off course. To make things worse, the only person who truly understands his heartache is Jackson. But no matter how much they open up to each other, Griffin’s downward spiral continues. He’s losing himself in his obsessive compulsions and destructive choices, and the secrets he’s been keeping are tearing him apart. If Griffin is ever to rebuild his future, he must first confront his history, every last heartbreaking piece in the puzzle of his life. Young Adult.

25883033 THE RADIUS OF US by Marie Marquardt (St. Martin’s Griffin, January 17, 2017). Young Adult. Starred review from School Library Journal. Ninety seconds can change a life — not just daily routine, but who you are as a person. Gretchen Asher knows this, because that’s how long a stranger held her body to the ground. When a car sped toward them and Gretchen’s attacker told her to run, she recognized a surprising terror in his eyes. And now she doesn’t even recognize herself. Ninety seconds can change a life — not just the place you live, but the person others think you are. Phoenix Flores-Flores knows this, because months after setting off toward the U.S. / Mexico border in search of safety for his brother, he finally walked out of detention. But Phoenix didn’t just trade a perilous barrio in El Salvador for a leafy suburb in Atlanta. He became that person — the one his new neighbors crossed the street to avoid. Ninety seconds can change a life — so how will the ninety seconds of Gretchen and Phoenix’s first encounter change theirs? Told in alternating first person points of view, The Radius of Us is a story of love, sacrifice, and the journey from victim to survivor. It offers an intimate glimpse into the causes and devastating impact of Latino gang violence, both in the U.S. and in Central America, and explores the risks that victims take when they try to start over. Most importantly, Marie Marquardt’s The Radius of Us shows how people struggling to overcome trauma can find healing in love.

33276882 MORNING STAR HORSE by Margarita Engle. (Horizon Bound Books, January 30, 2017). Middle Grade. Award winning author Margarita Engle brings a tale of history mixed with a touch of fantasy. A young girl stricken with rickets and her mother face the aftermath of the Spanish-American War, the challenges of a new century and innovative teachers. Dreams realized and dreams crushed exploring the freedoms only a magical horse can offer.

The Rooster Who Would Not Be Quiet! THE ROOSTER WOULD NOT BE QUIET written by Carmen Agra Deedy and illustrated by Eugene Yelchin. (Scholastic, January 31, 2017). Picture Book. Starred reviews from Publisher’s Weekly and Kirkus. La Paz is a happy, but noisy village. A little peace and quiet would make it just right. So the villagers elect the bossy Don Pepe as their mayor. Before long, singing of any kind is outlawed. Even the teakettle is afraid to whistle! But there is one noisy rooster who doesn’t give two mangos about this mayor’s silly rules. Instead, he does what roosters were born to do. He sings: “Kee-kee-ree-KEE!”

30201884 ABC PASTA by Juana Medina Rosas (Penguin Young Readers Group, February 7, 2017). Picture Book. Starred reviews from Booklist and School Library Journal.

A is for angel hair acrobat
M is for Macaroni the Magician
and T is for tortellini trapeze artist.
It’s an ABC circus that’s good enough to eat! Feb 7

30363752 LOLA LEVINE MEETS JELLY AND BEAN written by Monica Brown and illustrated by Angela Dominguez. (Little, Brown Books, February 7, 2017.) Chapter Book. The Levines are finally getting a pet–a furry one that is. They are excited about adopting a kitty they name Jelly, but they don’t get very far in the process when Ben starts sneezing. Oh no, he’s allergic! Lola is devastated and sets out to find Jelly a good home. Luckily, Lola is rewarded with a very happy (and still furry) ending! With Lola’s trademark humor, we can expect a few mishaps, many funny moments, and a cute new pet all wrapped in one adorable book. LOLA LEVINE AND THE VACATION DREAM will be released April 25, 2017, and LOLA LEVINE AND THE HALLOWEEN SCREAM will be released July 3, 2017.

Image result for education of margot sanchez THE EDUCATION OF MARGOT SANCHEZ by Lilliam Rivera (Simon & Schuster, February 21, 2017). Young Adult. After “borrowing” her father’s credit card to finance a more stylish wardrobe, Margot Sanchez suddenly finds herself grounded. And by grounded, she means working as an indentured servant in her family’s struggling grocery store to pay off her debts. With each order of deli meat she slices, Margot can feel her carefully cultivated prep school reputation slipping through her fingers, and she’s willing to do anything to get out of this punishment. Lie, cheat, and maybe even steal…Margot’s invitation to the ultimate beach party is within reach and she has no intention of letting her family’s drama or Moises—the admittedly good looking but outspoken boy from the neighborhood—keep her from her goal.

29506205 FUTURE THREAT by Elizabeth Briggs (Albert Whitman, March 1, 2017). Young Adult. Six months ago Aether Corporation sent Elena, Adam, and three other recruits on a trip to the future where they brought back secret information–but not everyone made it back to the present alive. Now Elena’s dealing with her survivor’s guilt and trying to make her relationship with Adam work. All she knows for sure is that she’s done with time travel and Aether Corporation. But Aether’s not done with her–or Adam, or fellow survivor Chris. The travelers on Aether’s latest mission to the future have gone missing, and Elena and her friends are drafted into the rescue effort. They arrive in a future that’s amazingly advanced, thanks to Aether Corporation’s reverse-engineered technology. The mission has deadly consequences, though, and they return to the future to try to alter the course of events. But the future is different yet again. Now every trip through time reveals new complications, and more lives lost–or never born. Elena and Adam must risk everything–including their relationship–to save their friends.

Image result for the inexplicable logic of my heart

THE INEXPLICABLE LOGIC OF MY LIFE by Benjamin Alire Sáenz (Clarion Books, March 7, 2017). Young Adult. Starred review from Kirkus. Sal used to know his place with his adoptive gay father, their loving Mexican-American family, and his best friend, Samantha. But it’s senior year, and suddenly Sal is throwing punches, questioning everything, and realizing he no longer knows himself. If Sal’s not who he thought he was, who is he?

THE CHUPACABRA ATE THE CANDELABRA by Marc Tyler Nobleman, illustrated by debut artist Ana Aranda (Nancy Paulsen/Penguin, March 7, 2017). Picture Book. With its hilarious dialogue, trio of bumbling goats, and fantastically zany villain, this unique, laugh-out-loud story based on a legendary monster is sure to crack up kids and grown-ups alike.

PROOF OF LIES: Anastasia Phoenix series by Diana Rodriguez Wallach (Entangled Teen, March 7, 2017). Young Adult. Anastasia Phoenix has always been the odd girl out, whether moving from city to international city with her scientist parents or being the black belt who speaks four languages. And most definitely as the orphan whose sister is missing, presumed dead. She’s the only one who believes Keira is still alive, and when new evidence surfaces, Anastasia sets out to follow the trail―and lands in the middle of a massive conspiracy. Now she isn’t sure who she can trust. At her side is Marcus, the bad boy with a sexy accent who’s as secretive as she is. He may have followed her to Rome to help, but something about him seems too good to be true. Nothing is as it appears, and when everything she’s ever known is revealed to be a lie, Anastasia has to believe in one impossibility. She will find her sister.

29102833 BRAVO! Poems About Amazing Latinos by Newbery Honor-winner Margarita Engle, illustrated by Pura Belpré Award winner Rafael López (Holt/Macmillan, March 14, 2017). Middle Grade. Musician, botanist, baseball player, pilot—the Latinos featured in this collection come from many different countries and from many different backgrounds. Celebrate their accomplishments and their contributions to a collective history and a community that continues to evolve and thrive today! Biographical poems include: Aida de Acosta, Arnold Rojas, Baruj Benacerraf, César Chávez, Fabiola Cabeza de Baca, Félix Varela, George Meléndez, José Martí, Juan de Miralles, Juana Briones, Julia de Burgos, Louis Agassiz Fuertes, Paulina Pedroso, Pura Belpré, Roberto Clemente, Tito Puente, Ynes Mexia, Tomás Rivera.

31258127 LUCIA THE LUCHADORA written by Cynthia Leonor Garza and illustrated by Alyssa Bermudez (POW! March 17, 2017). Picture Book. Lucia zips through the playground in her cape just like the boys, but when they tell her “girls can’t be superheroes,” suddenly she doesn’t feel so mighty. That’s when her beloved abuela reveals a dazzling secret: Lucia comes from a family of luchadoras, the bold and valiant women of the Mexican lucha libre tradition. Cloaked in a flashy new disguise, Lucia returns as a recess sensation! But when she’s confronted with a case of injustice, Lucia must decide if she can stay true to the ways of the luchadora and fight for what is right, even if it means breaking the sacred rule of never revealing the identity behind her mask.

TELEGRAMS FROM HEAVEN written by René Colato Laínez (Luna’s Press, March 24, 2017). Picture Book. A bilingual picture book biography about Óscar Arnulfo Romero, Archbishop of San Salvador who was assassinated during the Civil War, to published on his Feast Day and anniversary of his assassination.

VIVA, ROSE! by Susan Krawitz (Holiday House, March 30, 2017). Middle Grade. When fourteen-year-old Rose Solomon’s brother, Abe, left El Paso, he told the family he was heading to Brooklyn. But Rose discovers the truth the day she picks up the newspaper at Pickens General Store and spies a group photograph captioned The Southwestern Scourge of 1915! There stands Abe alongside none other than Pancho Villa and his army! Rose is furious about Abe’s lie; fearful for his safety; and worried about her traditional parents who, despite their strict and observant ways, do not deserve to have an outlaw for a son. Rose knows the only way to set things right is to get Abe home, but her clandestine plan to contact him goes awry when she is kidnapped by Villa’s revolutionaries and taken to his hideaway. Deep in the desert, amidst a richly rendered assortment of freedom-seekers that includes an impassioned young reporter, two sharp-shooting sisters with a secret past, and Dorotea, Villa’s tyrannical young charge, Rose sees no sign of Abe and has no hope of release. But as she learns to lie, hide, and ride like a bandit, Rose discovers the real meaning of freedom and what she’s willing to risk to get hers back.

Lucky Broken Girl Cover LUCKY BROKEN GIRL by Ruth Behar (Nancy Paulsen Books, April 11, 2017). Middle Grade. Based on the author’s childhood in the 1960s, a young Cuban-Jewish immigrant girl is adjusting to her new life in New York City when her American dream is suddenly derailed. Ruthie Mizrahi and her family recently emigrated from Castro’s Cuba to New York City. Just when she’s finally beginning to gain confidence in her mastery of English and enjoying her reign as her neighborhood’s hopscotch queen, a horrific car accident leaves her in a body cast and confined her to her bed for a long recovery. As Ruthie’s world shrinks because of her inability to move, her powers of observation and her heart grow larger. She comes to understand how fragile life is, how vulnerable we all are as human beings, and how friends, neighbors, and the power of the arts can sweeten even the worst of times.

Saint Death Cover SAINT DEATH by Marcus Sedgwick (Roaring Brook Press, April 25, 2017). Young Adult. Anapra is one of the poorest neighborhoods in the Mexican city of Juarez – twenty meters outside town lies a fence – and beyond it – America – the dangerous goal of many a migrant. Faustino is one such trying to escape from the gang he’s been working for. He’s dipped into a pile of dollars he was supposed to be hiding and now he’s on the run. He and his friend, Arturo, have only 36 hours to replace the missing money, or they’re as good as dead. Watching over them is Saint Death. Saint Death (or Santissima Muerte) – she of pure bone and charcoal-black eye, she of absolute loyalty and neutral morality, holy patron to rich and poor, to prostitute and narco-lord, criminal and police-chief. A folk saint, a rebel angel, a sinister guardian.

32332948 UGLY CAT & PABLO by Isabel Quintero (Scholastic, April 25, 2017). Chapter Book. Ugly Cat is dying for a paleta (ice pop) and his friend Pablo is determined to help him get one by scaring a little girl who is enjoying a coconut paleta in the park. Things go horribly wrong when, instead of being scared, the little girl picks Pablo up and declares that he would make great snack for her pet snake. Oh and there’s also the small problem that Ugly Cat may have inadvertently swallowed Pablo in all of the commotion!

Image result for it's not like it's a secret IT’S NOT LIKE IT’S A SECRET by Misa Sugiura (HarperTeen, May 9, 2017). Young Adult. Sixteen-year-old Sana Kiyohara has too many secrets. Some are small, like how it bothers her when her friends don’t invite her to parties. Some are big, like that fact that her father may be having an affair. And then there’s the one that she can barely even admit to herself—the one about how she might have a crush on her best friend. When Sana and her family move to California she begins to wonder if it’s finally time for some honesty, especially after she meets Jamie Ramirez. Jamie is beautiful and smart and unlike anyone Sana’s ever known. There are just a few problems: Sana’s new friends don’t trust Jamie’s crowd; Jamie’s friends clearly don’t want her around anyway; and a sweet guy named Caleb seems to have more-than-friendly feelings for her. Meanwhile, her dad’s affair is becoming too obvious to ignore anymore. Sana always figured that the hardest thing would be to tell people that she wants to date a girl, but as she quickly learns, telling the truth is easy… what comes after it, though, is a whole lot more complicated.

32673416 THE GO-BETWEEN by Veronica Chambers. (Delacorte, May 9, 2017). Young Adult. She is the envy of every teenage girl in Mexico City. Her mother is a glamorous telenovela actress. Her father is the go-to voice-over talent for blockbuster films. Hers is a world of private planes, chauffeurs, paparazzi and gossip columnists. Meet Camilla del Valle Cammi to those who know her best. When Cammi’s mom gets cast in an American television show and the family moves to LA, things change, and quickly. Her mom’s first role is playing a not-so-glamorous maid in a sitcom. Her dad tries to find work but dreams about returning to Mexico. And at the posh, private Polestar Academy, Cammi’s new friends assume she s a scholarship kid, the daughter of a domestic. At first Cammi thinks playing along with the stereotypes will be her way of teaching her new friends a lesson. But the more she lies, the more she wonders: Is she only fooling herself?

25226215 THE EPIC FAIL OF ARTURO ZAMORA by Pablo Cartaya (Viking, May 16, 2017). Middle Grade. For Arturo, summertime in Miami means playing basketball until dark, sipping mango smoothies, and keeping cool under banyan trees. And maybe a few shifts as junior lunchtime dishwasher at Abuela’s restaurant. Maybe. But this summer also includes Carmen, a cute girl who moves into Arturo’s apartment complex and turns his stomach into a deep fryer. He almost doesn’t notice the smarmy land developer who rolls into town and threatens to change it. Arturo refuses to let his family and community go down without a fight, and as he schemes with Carmen, Arturo discovers the power of poetry and protest through untold family stories and the work of José Martí.

MARTÍ AND THE CATSKILLS by Emma Otheguy, illustrated by Beatriz Vidal (Lee & Low, May 2017). Debut author Emma Otheguy’s picture book biography of poet and Cuban national hero Jose Martí. Written in verse, with excerpts from Martí’s seminal work, Versos sencillos, this is a beautiful tribute to a brilliant political writer and courageous fighter of freedom for all men and women.

ESTEBAN de LUNA, BABY RESCUER / ESTEBAN de LUNA, RESCATADOR de BEBES! written by Larissa M. Mercado-Lopez, illustrated by Alex Pardo DeLange, and translated by Gabriela Baeza Ventura (Piñata Books, May 31, 2017). Bilingual Picture Book. Esteban loves his long green cape, but there is just one problem–it does not do ANYTHING! But when a doll is left behind at a park, Esteban discovers that while his cape does not have magical powers, he can still use it to be a hero!”

AN UNINTERRUPTED VIEW OF THE SKY by Melanie Crowder (Philomel, June 13, 2017). Young Adult. It’s 1999 in Bolivia and Francisco’s life consists of school, soccer, and trying to find space for himself in his family’s cramped yet boisterous home. But when his father is arrested on false charges and sent to prison by a corrupt system that targets the uneducated, the poor, and the indigenous majority, Francisco’s mother abandons hope and her family. Francisco and his sister are left with no choice: They must move into the prison with their father. There, they find a world unlike anything they’ve ever known, where everything—a door, a mattress, protection from other inmates—has its price.

Prison life is dirty, dire, and dehumanizing. With their lives upended, Francisco faces an impossible decision: Break up the family and take his sister to their grandparents in the Andean highlands, fleeing the city and the future that was just within his grasp, or remain together in the increasingly dangerous prison. Pulled between two equally undesirable options, Francisco must confront everything he once believed about the world around him and his place within it.

LA PRINCESA AND THE PEA written by Susan M. Elya, illustrated by LA MADRE GOOSE illustrator Juana Martinez-Neal (Putnam/Penguin, September 5, 2017). Picture Book. El príncipe knows this girl is the one for him, but, as usual, his mother doesn’t agree. The queen has a secret test in mind to see if this girl is really a princesa. But the prince might just have a sneaky plan, too . . . Readers will be enchanted by this Latino twist on the classic story, and captivated by the vibrant art inspired by the culture of Peru.

THE FIRST RULE OF PUNK illustrated middle grade debut by Celia C. Pérez (Viking, Penguin, August 22, 2017). There are no shortcuts to surviving your first day at a new school—you can’t fix it with duct tape like you would your Chuck Taylors. On Day One, twelve-year-old Malú (María Luisa, if you want to annoy her) inadvertently upsets Posada Middle’s queen bee, violates the school’s dress code with her punk rock look, and disappoints her college-professor mom in the process. Her dad, who now lives a thousand miles away, says things will get better as long as she remembers the first rule of punk: be yourself. The real Malú loves rock music, skateboarding, zines, and Soyrizo (hold the cilantro, please). And when she assembles a group of like-minded misfits at school and starts a band, Malú finally begins to feel at home. She’ll do anything to preserve this, which includes standing up to an anti-punk school administration to fight for her right to express herself! From debut author and longtime zine-maker Celia C. Pérez, The First Rule of Punk is a wry and heartfelt exploration of friendship, finding your place, and learning to rock out like no one’s watching. Black and white illustrations and collage art throughout make this a perfect pick for fans of books like Roller Girl and online magazines like Rookie.

SING, DON’T CRY by Angela Dominguez (Henry Holt, Aug. 22, 2017). Picture Book. Once a year, Abuelo comes from Mexico to visit his family. He brings his guitar, his music and his memories. In this story inspired by the life of Apolinar Navarrete Diaz, author Angela Dominguez’s grandfather and a successful mariachi musician, Abuelo and his grandchildren sing through the bad times and the good. Lifting their voices and their spirits, they realize that true happiness comes from singing together.

US, IN PROGRESS: SHORT STORIES ABOUT YOUNG LATINOS by Lulu Delacre. (HarperCollins, August 29, 2017). Middle Grade. In this book, you will meet many young Latinos living in the United States, from a young girl whose day at her father’s burrito truck surprises her to two sisters working together to change the older sister’s immigration status, and more. Turn the pages to experience life through the eyes of these boys and girls whose families originally hail from many different countries; see their hardships, celebrate their victories, and come away with a better understanding of what it means to be Latino in the U.S. today.

ALL THE WAY TO HAVANA by Maragarita Engle. (Henry Holt and Co., August 29, 2017). Picture Book. A family drives into the city of Havana to celebrate a cousin’s first birthday. Before their journey, the boy helps his papa tune up their old car, Cara Cara, which has been in their family for many years. They drive along the sea wall, along the coast, past other colorful old cars. The sounds of the city are rich the putt putts and honks and bumpety bumps of other cars chorus through the streets. A rich celebration of the culture of the Cuban people, their resourcefulness and innovative spirit, and their joy.

THEY BOTH DIE AT THE END by Adam Silvera (HarperCollins, September 5, 2017). Young adult. Set in a near-future New York City where a service alerts people on the day they will die, the novel follows teens Mateo and Rufus, who meet using the Last Friend app and are faced with the challenge of living a lifetime on their End Day.

WILD BEAUTY by Anna-Marie McLemore (Feiwel & Friends/Macmillan, September 26, 2017). In Wild Beauty, McLemore introduces a spellbinding setting and two characters who are drawn together by fate—and pulled apart by reality. For nearly a century, the Nomeolvides women have tended the grounds of La Pradera, the lush estate gardens that enchant guests from around the world. They’ve also hidden a tragic legacy: if they fall in love too deeply, their lovers vanish. But then, after generations of vanishings, a strange boy appears in the gardens. The boy is a mystery to Estrella, the Nomeolvides girl who finds him, and to her family, but he’s even more a mystery to himself; he knows nothing more about who he is or where he came from than his first name. As Estrella tries to help Fel piece together his unknown past, La Pradera leads them to secrets as dangerous as they are magical in this stunning exploration of love, loss, and family.

FRIDA KAHLO AND HER ANIMALITOS by Monica Brown, illustrated by Pura Belpré Honor winner John Parra (North South Books, October 14, 2017). Monica Brown’s latest picture book biography takes a look at the popular and iconic female artist with a child-friendly view of the many animals that surrounded her art and her life.

TITO THE BONECRUSHER by Melissa Thompson (FSG, Winter 2017). A middle-grade debut about a boy who seeks the help of a pro-wrestler turned action star to rescue his dad from a deportation detention center, in a story about heroes, friendship, and forgiveness.

STARRING CARMEN written by Anika Denise and illustrated by Lorena Alvarez (Abrams 2017) Picture Book. About a big sister who learns to share the spotlight with an adoring (if annoying) little brother.

YO SOY MUSLIM by Mark Gonzales (Salaam Reads, 2017)

Dec 15 2016

Libros Latinxs: Furqan’s First Flat Top/El Primer Corte de Mesita de Furqan

By Sujei Lugo

Description from back cover: “Furqan Moreno wakes up and decides that today he wants his hair cut for the first time. His dad has just the style: a flat top fade! He wants his new haircut to be cool but when they get to the barbershop, he’s a bit nervous about his decision. He begins to worry that his hair will look funny, imagining all the flat objects in his day to day life. Before he knows it, his haircut is done and he realizes that his dad was right–Furqan’s first flat top is the freshest!”

My two cents: Amidst the historical outcry for children’s books that accurately and authentically represent the racial, ethnic, political, and social composition of the youth population in the United States, there are always creators advocating and opening spaces for the publication of marginalized voices and stories. Looking into small or independent publishers and daring to navigate the self-publishing wave are ways to challenge the constraints encountered in traditional and mainstream publishing houses. Recently, “crowdfunding” platforms such as Kickstarter, GoFundMe and Indiegogo are gaining momentum for radical publishing, and this was the case with Furqan’s First Flat Top/El Primer Corte de Mesita de Furqan. After a successful Kickstarter campaign, author and illustrator Robert Liu-Trujillo was able to publish his first bilingual picture book.

In Furqan’s First Flat Top, readers meet Furqan Moreno, a 10-year-old black Latino boy who always had “real curly hair” and decides it is time for a new haircut. He approaches his dad and asks him if he remembers how Marcus cut his hair last year. His dad replies, “yeah,” and that the haircut is called a flat top. Furqan’s conversation with his dad takes place in the bathroom, an enclosed and private space that certainly conveys the trust between father and son and how important this decision is for Furqan’s growth. After agreeing to visit Mr. Wallace’s barbershop, they get on the number 14 bus, embarking on a journey of bonding, trusting, and embracing each other. Furqan will gain more than a new haircut.

At first we see Furqan is shy while entering the barbershop, and a bit skeptical about how his hair is going to turn out. He keeps questioning his dad as to whether his flat top is going to look good. We know parents sometimes say we look good, no matter what. The boy starts imagining: will his hair look flat as a drum, or flat like the pancakes he had with his dad, or flat like abuelita’s tortillas, or flat like that cake that father and son tried to bake together? Or even flat like cousin Mary’s skateboard, or flat like the records his dad plays on his turntable? After every concern expressed by Furqan, dad always replies “trust me,” and “it will look just fine.” The father draws a parallel between those things they enjoy doing together and the experience and outcome of getting a new haircut. Through each experience or “step,” the dad helps Furqan to trust not only him, but also himself and his choices–an essential part of growing up and attaining individuality.

In this bilingual picture book, English-language words are presented in dark brown font, while the Spanish-language words are given a light blue hue, which can be a bit distracting. Executed in earthy and pastel watercolor, with pen and ink, Liu-Trujillo’s two-page layout illustrations portray the warmth and sincerity of this father and son relationship and their shared emotions. From the illustrated endpapers to the interior of the barbershop, there is great attention to detail: haircuts are recognizable and so are the hairstyle instruments and products. If you look closely at Mr. Wallace’s table and drawers, you will spot electric razors, hair combs, powder, gel, mirrors, and even a picture frame with a photo of a little kid.

At the end, Furqan looks in the mirror, smiles, and feels excited about his “fresh” look. The next day in school, some schoolmates and friends look at him funny, while others really like his new haircut and are vocal about it. This is a reflection that, no matter what, people will always react randomly to our choices. But Furqan loves his new hairstyle and takes pride in his black hair and identity, knowing that it doesn’t matter what others say: the important thing is his confidence in himself.

Robert Liu-Trujillo is an author, illustrator, visual artist, father, and husband, born in Oakland, California, and raised across the Bay Area. Liu-Trujillo’s art and storytelling are inspired and motivated by his cultural background, ancestors, family, dreams, and political, social, and personal beliefs. He is the co-founder of The Trust Your Struggle Collective, a contributor to Rad Dad, a zine of radical parenting, and founder of Come Bien Books. He also has illustrated several picture books such as: ONE OF A KIND/ÚNICO COMO YO, written by Laurin Mayeno; A BEAN AND CHEESE TACO BIRTHDAY/UN CUMPLEAÑOS CON TACOS DE FRIJOLES Y QUESO, written by Diane Gonzales Bertrand; and I AM SAUSAL CREEK/SOY EL ARROYO SAUSAL, written by Melissa Reyes. Robert contributed a guest post for this blog, explaining his Kickstarter campaign for Furqan’s First Flat Top. Check out his website for more information about his work.

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Carolyn Dee Flores

Christina Rodriguez

Jacqueline Alcántara

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HAPPY READING!!

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