The Karl Goldmark Philharmonic Orchestra of Interwar Cluj
There have been a lot of surprising discoveries in Cluj - you can read about the artwork and zincographs found in the synagogue attic here. Another unexpected collection of material found in the Neologue synagogue was extensive sheet music belonging to the library of the Karl Goldmark Philharmonic. The Goldmark orchestra, named after a popular 19th century Hungarian-Jewish composer, existed in Cluj / Kolozsvár from 1934-1942. It was founded by conductor and composer Alexander Boskovich, as a response to Romanian legislation curbing Jewish participation in cultural organizations. Boskovich directed the orchestra from 1934-1938, when he was invited to attend the premiere of his composition “Chansons Populaires Juives” (later renamed “The Golden Chain“) in Tel-Aviv and decided to remain in Palestine. Boskovich went on to become a well-known Israeli composer; the decision to spontaneously remain in Palestine probably saved his life as the vast majority of Cluj Jews, including Boskovich’s parents, were deported in spring 1944 to Auschwitz.
Though an amateur group composed of members from the Jewish community, the orchestra performed at a very high level. Perhaps due to the fact that “in another life” I performed several of the pieces in the library, I have been particularly drawn to the story of the orchestra and its members. Unfortunately there is very little written about the orchestra and, other than the scant facts about Boskovich’s life in Cluj, no information available on its members at all. Probably most of the members perished in the Holocaust though it is also likely that at least a handful of those who were conscripted earlier on in the war for forced labor survived.
One question I consider constantly throughout my work is how archival material can be made relevant for the public today. The discovery of the sheet music of Cluj’s interwar Jewish orchestra presents an excellent opportunity to engage the public with its past : the current Cluj philharmonic could perform one or more “Goldmark” concerts, using the original sheet music, in conjunction with an exhibition on the orchestra and its members. A plaque could be erected on Boskovich’s house, surviving family of orchestral members could be invited to Cluj for the performances and exhibition. A website could be created devoted to the orchestra. As a small starting point, I created a playlist of all the pieces found in the library, though a few were not on youtube and indeed one, an arrangement by Boskovich of a piece by Stutschewsky, was probably never recorded.
Credit and Sources:
Many thanks to Miriam Boskovich for providing the photograph of the Goldmark Orchestra, circa 1937.
Gidó, Attila. Două Decenii: Evreii din Cluj în perioda interbelică. Cluj-Napoca, 1914.
Hirschberg, Jehoasch. “The Music of Alexander U. Boskovich (1907-1964) as Representation of Ideology of Israeli Music.” In Studia Judaica XIV, 2006.







