Activism (177)
Architecture (285)
Art (891)
Automotive (106)
Business/Finance (152)
Education (466)
Entertainment (424)
Event (544)
Fashion/Apparel (356)
Film/TV (434)
Food/Beverage (776)
Governmental/Civic (174)
Graphic Design (973)
Health/Fitness (183)
Home/Interior (239)
Industrial Design (118)
Institutional (199)
Kids (188)
Lifestyle (283)
Literature (816)
Local (204)
Men (83)
Music (1008)
News (265)
Performing Arts (177)
Politics (201)
Product (326)
Religion/Spirituality (81)
Retail/Shopping (287)
Science/Nature (181)
Services (302)
Social Media (96)
Sports (163)
Technology (379)
Transportation (106)
Travel (205)
Women (103)

Advertising (617)
Album Art (556)
Art/Illustration (195)
Booklets/Pamphlets (473)
Books (1564)
Branding/Identity (1689)
Ephemera (189)
Exhibition/Installation (176)
Film/Video (193)
Infographics/Maps (176)
Magazines (647)
Mobile (105)
Newspapers (121)
Object/Product (219)
Packaging (526)
Posters/Flyers (1110)
Signs (557)
Software (94)
Tablet/iPad (82)
Web (1270)

Abril Text (18)
Adelle (26)
Adelle Sans (18)
Adobe Caslon (32)
Akkurat (35)
Akzidenz-Grotesk (114)
Albertus (33)
Alright Sans (28)
Alternate Gothic (50)
ITC American Typewriter (20)
Antenna (34)
Antique Olive (34)
Aperçu (24)
Archer (27)
Arial (57)
ITC Avant Garde Gothic (87)
Avenir (37)
Avenir Next (19)
Baskerville (32)
FF Bau (22)
Bello (23)
Benton Sans (65)
Bickham Script (23)
Block (25)
Bodoni (63)
Bookman (20)
Brandon Grotesque (50)
Brothers (25)
Bureau Grot (34)
Calibre (20)

Gotham (120)
Graphik (34)
GT Sectra (22)
GT Walsheim (34)
Harbour (40)
Harriet Series (19)
Hellenic Wide (18)
Helvetica (276)
Helvetica Condensed (19)
Hobo (20)
Interstate (69)
Kabel (36)
Kabel Black (31)
Knockout (71)
LL Brown (35)
LL Circular (33)
Lydian (26)
Lyon (29)
FF Mark (19)
Mercury (19)
FF Meta (28)
FF Meta Serif (22)
Miller (37)
Minion (27)
Mistral (22)
Monotype Grotesque (34)
National (23)
Neue Helvetica (80)
Neutraface (53)
Neuzeit S (19)

News Gothic (52)
Open Sans (21)
Optima (33)
Palatino (19)
Plantin (20)
Platform (19)
Proxima Nova (60)
Replica (22)
Rockwell (19)
Sabon (20)
FF Scala Sans (19)
Sentinel (H&Co) (18)
ITC Serif Gothic (47)
Skolar (18)
ITC Souvenir (29)
Suisse Int’l (25)
Telefon (26)
Tempo (22)
Tiempos (41)
Times (29)
Times New Roman (51)
Trade Gothic (82)
Tungsten (24)
unidentified typeface (136)
Univers (134)
Univers Ultra Condensed (20)
Venus (24)
Verlag (30)
Whitney (26)
Windsor (32)

These are the most common typefaces in the database, but there are many more. Try a search!

Review by Stephen Coles
Mar 6th, 2017

Hold, Sold, & 2nd Grade Butterfat

Mid-century shop tags showcase the rough-and-ready utility of Ludlow’s Tempo.

Review by Blythwood
Sep 28th, 2016

Haüy’s Essay on the Education of the Blind (1786)

One of the earliest forms of sans serif type ever seen in a book was designed for those who couldn’t see at all.

Haüy’s <cite>Essay on the Education of the Blind</cite> (1786)

Review by Stephen Coles
Aug 13th, 2016

Massimo Vignelli’s A Few Basic Typefaces

Vignelli presented his (now famous) type philosophy at an SVA exhibition in 1991, revisiting it 20 years later for his Canon.

Massimo Vignelli’s <cite>A Few Basic Typefaces</cite>

Review by Stephen Coles
Jul 14th, 2016

Mastercard identity (2016)

Pentagram hits the Mark in an iconic brand’s return to simplicity. (Still, a few words of warning to geo-sans fans.)

Review by Ivar Sakk
Jun 1st, 2016

Zhurnalnaya Roublennaya: A Poor Man’s Futura

An unusual geometric sans, born out of necessity in a Soviet Union of limited type choices, sparks new study and revivals.

Zhurnalnaya Roublennaya: A Poor Man’s Futura

Review by Andreas Kofler
Apr 22nd, 2016

Stedelijk Museum identity (2012)

Four years after the dust settled, a look back at the controversial rebranding of Amsterdam’s home for contemporary art.

<cite>Stedelijk Museum</cite> identity (2012)

Review by Stephen Coles
Apr 13th, 2016

Charlie Rose

One of the strongest talk shows on television finally has a typographic identity that carries as much weight.

Review by Stephen Coles
Mar 20th, 2016

Design Museum identity (2003, 2016)

The British institution gets a new home and refined look, but still speaks with that Swiss/German accent we’ve grown to love.

Review by Florian Hardwig
Jan 4th, 2016

Tourism Ireland, c. 2010–2014

Bram de Does’ elite typefaces are usually found in work of the highest standard. This bizarre mangling of Trinité is a rare exception.

Review by Stephen Coles
Dec 14th, 2015

VELOCIDADE by Ronaldo Azeredo (1957/8 & 1968)

After more than a half century, the work of this Brazilian concrete poet is as vital as ever.

<cite>VELOCIDADE</cite> by Ronaldo Azeredo (1957/8 & 1968)

Review by Stephen Coles
Dec 4th, 2015

Tasting Table (2015 redesign)

The foodie site tastes much better with fresh type, but it’s still just slightly undercooked.

Review by Stephen Coles
Nov 29th, 2015

Tomy Blip / World Tennis / Blip-o-mat

This odd little Pong wannabe was a microcosm of video game typography, using all three MICR-style fonts popular in the ’70s.

Review by Stephen Coles
Nov 19th, 2015

Konst & Teknik (2015)

The Stockholm studio reaches a new maturity with a portfolio site as thoughtful and attractive as their work.

Review by Florian Hardwig
Sep 1st, 2015

New Zealand banknotes (Series 7)

The Kiwis’ catch-all currency illustrates the danger of appeasing too many interests.

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Industries▼

Formats▼

Typefaces▼

Hold, Sold, & 2nd Grade Butterfat

Haüy’s Essay on the Education of the Blind (1786)

Massimo Vignelli’s A Few Basic Typefaces

Mastercard identity (2016)

Zhurnalnaya Roublennaya: A Poor Man’s Futura

Stedelijk Museum identity (2012)

Charlie Rose

Design Museum identity (2003, 2016)

Tourism Ireland, c. 2010–2014

VELOCIDADE by Ronaldo Azeredo (1957/8 & 1968)

Tasting Table (2015 redesign)

Tomy Blip / World Tennis / Blip-o-mat

Konst & Teknik (2015)

New Zealand banknotes (Series 7)