Septa Media/Elwyn Line (R3) Schedule [pdf]
Septa Trip Planner
Grand rising w/ Karen! is about cultivating intentionality. By making each part of your morning meaningful and intentional to you and for you, you will begin your day with a completely different kind of innergy (energy).
This exhibition features student work from Spring 2019 classes: Drawing Architecture, Ceramics II, and Photo I. Led by Randall Exon, Syd Carpenter, and Ron Tarver, respectively, the students created architectural drawings, ceramic pieces, and photography reflecting on and interacting with the city of Chester, PA. The work was made in collaboration with Devon Walls of Chester Made, an artist collective based in Chester along the Avenue of the States with support from the Mellon Foundation and The Lang Center for Civic and Social Responsibility.
Black Excellence in the Book Arts highlights artists’ books in the Libraries’ collection by black artists as part of the year’s celebration of Black Excellence at Swarthmore College.
This lecture by Eban Goodstein is about how to get a job saving the planet. Eban, the Director of Graduate Programs in Sustainability at Bard College, will discuss sustainability careers in business, NGOs, and government.
From Wikipedia: Eban Goodstein is an economist, author, and public educator who directs both the Center for Environmental Policy and the MBA in Sustainability at Bard College. He is known for organizing national educational initiatives on climate change, which have engaged thousands of schools and universities, civic institutions, faith groups, and community organizations in solutions-driven dialogue. He is the author of three books and numerous journal articles.
https://www.swarthmore.edu/list-gallery/jan-baltzell-drawings https://www.swarthmore.edu/list-gallery/sue-hettmanspergerThe List Gallery, Swarthmore College is pleased to present concurrent exhibitions: Sue Hettmansperger, Iterations: Painting and Collage and Jan Baltzell: Drawings.
The Department of Art and Art History is pleased to celebrate Sue Hettmansperger's long career by naming her the 2019 Marjorie Heilman Visiting Artist. She has already been recognized with fellowships from the Guggenheim Foundation and the National Endowment for the Arts for elaborating traditions established by early 20th century American Modernists such as Marsden Hartley, Arthur Dove, and Georgia O’Keefe. Using a limited palette, abstracted forms, flattened spaces, and inventive gestures, she creates transcendental and emblematic representations of nature. Her varied sources of inspiration include southwestern deserts, human anatomy, botanical forms, topology and mapping, Photoshopped images, and the by-products of industrial technology. Studying such diverse imagery through the lenses of drawing, printmaking, painting, and collage, she has developed an idiosyncratic vocabulary of forms, textures, and gestures.
Comparing her collages with their painted counterparts, we see her ideas evolve through translations of scale, media, and color. Her complex grids of similarly sized canvases simultaneously read as still lifes, landscapes, and successive states of mind. Intimate in scale, but ambitious in scope, her works offers elegies in response to our lost connection to nature.
During the past forty years, Jan Baltzell has exhibited her vibrantly colored paintings in more than twenty solo exhibitions in the Philadelphia region, and her works have been featured in group exhibitions both regionally and nationally. Her masterful compositions reflect varied artistic influences, from the gestural abstractions of Joan Mitchell and Willem de Kooning to the structured geometries and soft surfaces of frescos by Piero della Francesca. Although she has been rightly celebrated for her compelling use of color, Baltzell's List Gallery exhibition calls attention to the way drawing has been fundamental to her creative practice. Comprised of ten drawings made during the past three years, Jan Baltzell: Drawings and an accompanying catalog offer viewers a chance to understand the expressive immediacy and elasticity of the artist's drawing.
Since 1985, Jan Baltzell has taught at the Pennsylvania Academy of the Fine Arts, where she has served in the B.F.A., Post-Baccalaureate, and M.F.A. programs. She has also taught art as a visiting instructor or critic at diverse institutions, including Towson State University, Drexel University, and Art Institute of Philadelphia.
Extern Etiquette Meeting - Planning for Extern Week
Thursday 12:30 - 1:15 Sharples Dining Hall, Room #4, 1st floor
This lecture by Eban Goodstein is about how to solve the climate crisis by 2030. Eban, the Director of Graduate Programs in Sustainability at Bard College, will discuss the issue of global climate change and how to avoid its worst impacts through dramatic change in the next 10 years.
From Wikipedia: Eban Goodstein is an economist, author, and public educator who directs both the Center for Environmental Policy and the MBA in Sustainability at Bard College. He is known for organizing national educational initiatives on climate change, which have engaged thousands of schools and universities, civic institutions, faith groups, and community organizations in solutions-driven dialogue. He is the author of three books and numerous journal articles.
Rae Senarighi is a transgender painter, activist, parent and spouse. He’s travelled all over the country working to increase trans and non-binary visibility in the fine art world.
When he was diagnosed with cancer in 2015 he dedicated his daily art practice to compassion and gratitude and his life was transformed. Rae hopes to inspire other artists, creators, and compassionate souls to generate self-love by sharing his practices in this program.
Join us for an hour of radical self-love, compassionate meditation, and creative play. Stay for a Q&A with the artist about his practice and journey.
Fall 2019 Faculty Lectures
All lectures begin at 4:30 p.m. in Scheuer Room, Kohlberg Hall
October 3
Erin Bronchetti (Economics)
Making Plans, Paying Attention, and Following Through: Some Economic Theory and Experimental Evidence
November 14
Tristan Smith (Department of Physics)
From Precision to Tension: Cosmology at a Crossroads
December 5
Alan Baker (Department of Philosophy)
Mathematics-Free Worlds
For more information, please contact Jean-Vincent Blanchard jblanch1@swarthmore. edu
Off-Campus Study Intercultural Workshop.
meeting
Turn old books into pumpkins and apples. A super easy craft, no skills necessary! There will be food and all materials provided during this autumnal study break.
Open to Swarthmore students
Come join Multi for our weekly dinners -- good food, great conversation, and the best people!
Join WIPS for dinner this week! Tell us about how your classes are going and hear from others as you plan ahead for next semester. See you soon!
Come and play the Pride Month edition of Sex Toy Bingo! There are lots of fun prizes, so try your luck!
Sunrise Hub Meeting
Welcome back to the IC Arthouse! This month we're featuring our own student artists who will present their work and chat with all who participate. Come to see your fellow classmates show off their art in this exciting event.
“Finding Home: Parallels in Mythology and Bridging Cultures” is an illustrated presentation by the artist Siona Benjamin. Benjamin is a painter, raised in Mumbai and currently living in the US, whose work reflects having been brought up Jewish in a mostly Hindu and Muslim India.
Event is sponsored by the Religion Department, Beit Midrash & McCabe Library, Gender and Sexuality Studies Program, Asian Studies Program, Deshi, and Religious & Spiritual Life.
Seniors! Celebrate your final year at Swat and the launch of your Senior Class Gift with delicious (and free!) pub food and drink. This is your opportunity to hear a special announcement about our class gift, win some raffle prizes, and get your official Class of 2020 pint glass!
Join ORAA for this open community conversation about the impact of white environmentalism in API/A communities! Drawing from case studies such as the price of eco-tourism and the global waste trade, we will discuss the role of white environmentalism’s colonial and racist legacies in displacing “Asian” communities and creating diasporic narratives in the 21st century.
ORAA= Organizing to Redefine "Asian" Activism
A representative from the Franklin Mint Federal Credit Union will be available in the Science Center, Eldridge Commons from 8:30 a.m.–12 p.m. on the following days: September 6, September 20, October 4, October 18, November 1, November 15, December 6, December 20, and January 17.
The representative will be on hand to assist Swarthmore faculty, staff, and students with:
Please note they will not be able to process any transactions related to cash and checks.
For your convenience, there are several FMFCU ATMs on campus, in Kohlberg Coffee Bar and in the lobby of the Inn at Swarthmore. You can find a complete list of FMFCU branches and hours at fmfcu.org/branch-locations.
Swarthmore faculty and staff enjoy 0.25% rate discount on Home Equity, Auto, and Personal loans! Learn more at fmfcu.org/swarthmore/.
This exhibition features student work from Spring 2019 classes: Drawing Architecture, Ceramics II, and Photo I. Led by Randall Exon, Syd Carpenter, and Ron Tarver, respectively, the students created architectural drawings, ceramic pieces, and photography reflecting on and interacting with the city of Chester, PA. The work was made in collaboration with Devon Walls of Chester Made, an artist collective based in Chester along the Avenue of the States with support from the Mellon Foundation and The Lang Center for Civic and Social Responsibility.
Black Excellence in the Book Arts highlights artists’ books in the Libraries’ collection by black artists as part of the year’s celebration of Black Excellence at Swarthmore College.
Queer Game Day
https://www.swarthmore.edu/list-gallery/jan-baltzell-drawings https://www.swarthmore.edu/list-gallery/sue-hettmanspergerThe List Gallery, Swarthmore College is pleased to present concurrent exhibitions: Sue Hettmansperger, Iterations: Painting and Collage and Jan Baltzell: Drawings.
The Department of Art and Art History is pleased to celebrate Sue Hettmansperger's long career by naming her the 2019 Marjorie Heilman Visiting Artist. She has already been recognized with fellowships from the Guggenheim Foundation and the National Endowment for the Arts for elaborating traditions established by early 20th century American Modernists such as Marsden Hartley, Arthur Dove, and Georgia O’Keefe. Using a limited palette, abstracted forms, flattened spaces, and inventive gestures, she creates transcendental and emblematic representations of nature. Her varied sources of inspiration include southwestern deserts, human anatomy, botanical forms, topology and mapping, Photoshopped images, and the by-products of industrial technology. Studying such diverse imagery through the lenses of drawing, printmaking, painting, and collage, she has developed an idiosyncratic vocabulary of forms, textures, and gestures.
Comparing her collages with their painted counterparts, we see her ideas evolve through translations of scale, media, and color. Her complex grids of similarly sized canvases simultaneously read as still lifes, landscapes, and successive states of mind. Intimate in scale, but ambitious in scope, her works offers elegies in response to our lost connection to nature.
During the past forty years, Jan Baltzell has exhibited her vibrantly colored paintings in more than twenty solo exhibitions in the Philadelphia region, and her works have been featured in group exhibitions both regionally and nationally. Her masterful compositions reflect varied artistic influences, from the gestural abstractions of Joan Mitchell and Willem de Kooning to the structured geometries and soft surfaces of frescos by Piero della Francesca. Although she has been rightly celebrated for her compelling use of color, Baltzell's List Gallery exhibition calls attention to the way drawing has been fundamental to her creative practice. Comprised of ten drawings made during the past three years, Jan Baltzell: Drawings and an accompanying catalog offer viewers a chance to understand the expressive immediacy and elasticity of the artist's drawing.
Since 1985, Jan Baltzell has taught at the Pennsylvania Academy of the Fine Arts, where she has served in the B.F.A., Post-Baccalaureate, and M.F.A. programs. She has also taught art as a visiting instructor or critic at diverse institutions, including Towson State University, Drexel University, and Art Institute of Philadelphia.
Bi-Weekly Meeting for students to discuss pertinent housing issues with Office of Student Engagement Staff
Eva-Maria Collins
Associate Professor of Systems Biology
Department of Biology
Swarthmore College
The Serpent’s Maw: A physics perspective on mouth function and the dynamics of Hydra regeneration
Named after the monster from Greek mythology, the freshwater polyp Hydra is famous for its regenerative abilities. While the real Hydra is a few mm small, inconspicuous looking animal, it outperforms the fictional creature by its ability to regenerate from small tissue pieces or from cell aggregates after disintegration into individual cells. This process of self-organization of an initially near-uniform cell ball into an animal with a well-defined head-foot body axis poses fundamental questions regarding the cross-talk of biochemical and physical signaling driving organismal patterning.
Hydra’s self-organizing properties following disintegration into individual cells were first recognized more than 40 years ago. However, what drives cell sorting during regeneration remained debated as existing studies failed to distinguish between different driving mechanisms. Using a combined experimental-theoretical approach, we have recently settled this debate and shown that tissue interfacial tensions drive cell sorting. Furthermore, once sorting is complete or excised tissue pieces have rounded up, the Hydra sphere hollows out and undergoes osmotically driven shape oscillations. The sphere eventually breaks shape symmetry to form an ellipsoid, defining the future head-foot polarity of the adult polyp. It has been proposed that the shape oscillations are necessary for symmetry breaking and successful regeneration. Existing mathematical models assume that a shift in the frequency of shape oscillations of regenerating Hydra spheres coincides with symmetry breaking and axis specification. Recent work in my group breaks this link and suggests that the oscillation pattern is not indicative of symmetry breaking. Instead, the oscillation pattern shift is a direct consequence of mouth function and its use in osmoregulation. As the link between oscillation dynamics and axis specification was a key assumption in current mathematical models of Hydra regeneration, our results require that we reexamine the mechanisms driving pattern formation.
Pizza lunch for those attending starting at 12:20 pm
November 15, 2019 - 12:30 pm - Cunniff Lecture Hall (SC 199)
Join us on Tuesdays in Sharples Dining Hall Room #4, 1st floor, and on Fridays in the Sharples Open Space Meeting area, 2nd floor, from 12:30 - 1:30 p.m.
From www.swarthmore.edu
Swarthmore College does not preview, review, or control the content of these publications in any way.