Center for Computer Research in Music and Acoustics
Stanford Faculty Composer Search 2017
The Stanford Music Department is hiring an Assistant Professor (tenure-track) in composition; applications welcome until October 1.
https://music.stanford.edu/news/tenure-track-composer-position-assistant...
Summer Workshops 2017 Announced!
We are happy to announce that we once again have a summer packed with great workshops for all who are interested in using computers to make music! Check out the lineup here
There will be opportunities for financial assistance for some workshops - more to come on that.
Upcoming Events
There are no events currently scheduled. Please check again soon.
CCRMA's Online Classes
CCRMA currently offers several online courses:
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Recent Events
Stanford Music and the Brain Symposium 2017: Engagement
Date:
Sat, 07/15/2017 - 9:30am - 3:00pm
Location:
CCRMA, 660 Lomita Drive, Stanford
Event Type:
Other 
Engagement is fundamental to the human experience of music, yet remains challenging to define, quantify, and bring about. This one-day symposium brings together academic and industry researchers in music, neuroscience, cognitive science, and engineering, with the aim of broadening discussions and advancing research on musical engagement. Speakers include Jacek Dmochowski (City College of New York), Douglas Eck (Google), Blair Kaneshiro (Stanford University), and Sageev Oore (Saint Mary's University (Canada)/Google). Talks will be followed by a poster session featuring current CCRMA research. Lunch will be provided.
Register here (free event, space is limited): http://bit.ly/mab2017
Register here (free event, space is limited): http://bit.ly/mab2017
FREE (registration required)
Open to the Public
Séverine Ballon - Clay Theatre San Francisco
Date:
Fri, 07/07/2017 - 7:00pm - 9:00pm
Location:
Clay Theatre San Francisco
Event Type:
Concert 
Directed by Joao Pedro Rodrigues (2016, Portugal, France, Brazil, DCP, Color, 117' ), the movie was awarded a best director prize at Locarno International Film Festival 2016.
10.50 - Tickets from Landmark Theatres
Open to the Public
Sounds in Remembered Spaces
Date:
Tue, 06/20/2017 - 1:00pm - 2:00pm
Location:
CCRMA Stage
Event Type:
Guest Lecture 
FREE
Open to the Public
Party Electric
Date:
Tue, 06/06/2017 - 8:00pm - 9:30pm
Location:
CCRMA Stage
Event Type:
Concert 
Diana Wade. maker of strange sounds. sometimes on the viola. Los Angeles. twitter.com/violanerd
FREE
Open to the Public
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Recent News
Oakum - Eoin Callery
Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.
File Attachment:
Jonathan Berger Première
Congratulations to our very own Jonathan Berger for a terrific write-up of the première of a new piece!
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
Mystery of 101-year-old master pianist who has dementia
Way to go, Dr. Selfridge-Field! Very interesting article about her work with master musicians suffering from dementia.
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...
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