“Because, 1st. Good penmanship of itself adds greatly to our happiness. The consciousness to the lady or gentleman of being able to write a letter that shall win the admiration and praise of the friend to whom it is written is a source of unspeakable pleasure to the writer, and to possess this ability throughout our lifetime is to be proficient in an accomplishment which adds to our happiness, as does excellence in oratory, painting or music. Good writing is a fine art, and that is to the eye what good language is to the ear.
“2nd. Good writing is of great benefit to us pecuniarily. The person who may apply for a situation as teacher, clerk, or any position where intellectual ability is required, finds a beautifully written letter the best recommendation that can be sent when applying for that position. Hundreds of instances are on record, many doubtless within the knowledge of the reader, where lucrative situations have been obtained through good penmanship, that could never have been secured had the applicant not had a good handwriting.
“And, 3rd. A mastery of the art of writing is of great service to us intellectually. Persons who can write well, taking pleasure in the practice, will write more than they otherwise would. Every time they write a word they spell it, and thus improve in spelling. Every time a sentence is written, an application is made of grammar; and thus knowledge is obtained of how to speak correctly. The subject they write about, they become familiar with; and thus, in the act of writing, they are intellectually improved. The most intelligent and influential in any community are those who can express thought most easily and correctly on paper.”
- Thomas E. Hill, Hill’s Manual of Social and Business Forms: A Guide to Correct Writing with Approved Methods in Speaking and Acting in the Various Relations of Life, pub 1888.
Two new items in “Screentone TV Distro!”
I am so happy to present a new risograph print from Hiller Goodspeed. Let’s Go To The Park. Red and blue on soft pink paper. Hand torn edges. 13.5cm x 19cm. Signed and numbered by the artist in pencil. Edition of 176. $5. You can buy it here.
Nika Vodvud has finished a wonderful English translation of her cool zine Puppy 2. Because I love her work so much, I asked if I could sell her work to US customers in my online store. This book is a perfect gift for friends. 16 pages. Full color with very very nice texture. A5 size: 15 x 21cm. You might remember Nika from our interview in Zine Field Supplement #2. You can buy her zine here.
I am such a fan of these artists and I want to share their work with others. It’s good to buy directly from Hiller and Nika! But I hope my store is another convenient option for you.
I think about book formatting *a lot.* I’m evaluating some of my recent books as I plan a couple of new ones. I bet I’m not the only person who thinks this way?
Footnotes:
Why 10cmm x 13.5cm? Because it lets me print 8 pages on an A3 sheet of paper (which is 210x297mm) and be able to trim all the edges so the book is trim and nice.
I like that the dimensions are roughly a 3x4 ratio. Which looks nice. IIRC, Tintin books are about the same…
Why 8cm x 5.2cm? Actually it’s 7.8cm to be precise… and that’s a 2x3 ratio. Which is nice visually, and also makes it easier think about compositions, especially when I combine double panels. If you stack two 2x3’s on top of each other, they are 3x4 (approximately). Which is nice.
A big lesson I’ve slowly learned over many books is: tight margins might look cool, but they’re a pain in the ass to print, because if you make a mistake you chop the eges of the artwork. So bigger margins are better.
My Dream Comic, maybe debuting at CALA if I’m quick enough!
My next zine, My Dream Comic, trying to get it ready for CALA…
Never Scan “Photos and Text”
Just a lil process talk from me. I have slowly learned the rules for scanning with my nice big network photocopier at work. And I am pretty good about zeroing in on the right settings with new scanners. Anyway I made a mistake and accidentally scanned the “Original Type” as “Photos and Text” with a different photocopier yesterday, and it wasn’t until I came home and tried to edit the files, that I discovered the mistake. Oops. I must be careful! I will show you what happened.
The first image is scanned the wrong way, “Photos and Text.” You see, when the scanner is scanning for “photos and text,” it’s trying to detect which parts are typed text (like from a book), and then it makes the edges crisper for you. This is fine for scanning books for a homework assignment but it messes up my artwork. Can you see all the little jagged bits, especially at the edges of the pages? Compare that to the second image, which is just scanning “Photos” correctly, in which everything is much smoother - you *might* say it looks blurrier, but the fact is that is way easier to edit into a usable file, either black-and-white (100% contrast) or with smoother grey tones.
So the moral of the story is always scan Photos, not Text or Photos and Text.
Bonus Fact: Do NOT go into advanced settings and use “Photographs” mode, which as far as I remember edits glare off of your phots, and therefore screws up your color contrast in your drawing. The best scanning mode for an artist doesn’t edit the image AT ALL, but all of these modes are trying to edit in different ways, so we want to keep them off.
Regramming @kylefewell - the multipacks are arriving! I’ll be expanding the prints and the booklet so I hope you’ll lemme know if you have any Q’s or if there’s something you think I should have gone into more, etc. Hope you dig this and find it useful.

This month I released a new project: the Risograph Color Sciences Multipack. It’s a set of test charts which I use to figure out multicolor risograph prints and books. Instead of printing a few tiny charts like I usually do, I made a bunch of clear, big prints to share with others. I also wrote a little booklet explaining how and why I do this. Finally, I included a couple of sample prints. I’ll be expanding the booklet and adding new prints in the future.
What I usually do is I print a small batch of test prints, and I design them fresh on-the-fly, and I try to do it as cheaply as possible. I designed the Multipack so that next time, when I’m trying out new inks or a new way to do things, I can print my tests in this format, which costs me a little more money, but I’ll hope that I’ll make my costs back when I make it available on the store. I’ll let you know on this blog when I’m doing something new.

It’s all kinda hard to explain but I hope that some of you know what I’m generally talking about, and I hope the booklet will make my process clear. But I’ll be expanding that, too - so if you have any questions, please email me (or “ask” me on Tumblr) and I’ll see if I can help, or at least I’ll try to explain it better next time.

I am a printing nerd who loves trying new things and honing my process to create cool, beautiful, and yes efficient color possibilities.
Before every color risograph book I publish, I make small test prints to make sure the machine will do what I want it to do. Or at least to give me an idea of what’s coming. I make these little tests in small quantities and at small sizes. They’re really helpful for me!
I always want to share them but they’re usually too small, or they include little mistakes that are okay for me to deal with, but a little tricky to explain for others.
Okay! So this time I made a really great little set of these prints, at a nice size, in several colors, and with different techniques! This is the Riso Color Sciences Multipack!

The RCS Multipack contains three similar (but subtly different!) screentone dot combinations, one big graph of Copic markers separated into faux-CMYK channels, and a couple example prints! I also printed a booklet explaining how I make them and why I approach risograph color this way.
You can buy this little booklet for $12. That’s four cards, two sample prints, and the booklet. I will expand this set in the future because… I’m always compelled to try weird things! I want to make new test prints using different methods. So when I do that, I will offer them for sale on the store, and you can expand your Multipack.

What’s the point of this?
1. To share information with risograph printers or people interested in how this process books.
2. To make some beautiful little cards. They’re nice looking!
3. To encourage other people to learn from my little process, and figure out their own ways to print, or at least feel like risograph printing isn’t so inaccessible. Please let me know if you make similar things like this!
Oh yeah, also! I am including Zine Field Supplement #2 with every Multipack. It’s my zine about zines and has some reviews of cool zines and an interview with Russian cartoonist Nika Vodvud.
I hope you’re interested in this little project! You can see more pictures at my store. I’ll post more about the contents soon…. stay tuned. Oh yeah follow my Instagram for a bunch of pics too. PEACE!
Riso Color Sciences Multipack: an expandable collection of color test prints, a booklet about how to make your own, and a couple sample prints. Available soon!
Trunk Show & Hike, part 4, starring Ryan and Sayaka. part 1, part 2, part 3
Trunk Show & Hike, part 3 starring Ryan and Sayaka. part 1, part 2