Jermite - ← If T.S. Eliot wasn’t dead, I would kill him with my bare hands right now, I would strangle him to death. He would end not with a bang but with a whimper.
TractorHag - ← I hate this poem. It is a self-indulgent wallowing, vomited onto the page by a deliberately faithless, total downer of a person. It reminds me of "The Day of the Locust." Yuck. What is the point of this kind of thing? Where the Hell is my hair shirt? I will need it, when I succumb to this kind of stuff. Speaking of stuff, I badly need to go breathe some night air. Maybe a bath in the creek. Something to help me feel alive again. God save me from gloomy poetry.
Pedulla6 - Laurie rose!! Your writing is exquisite! It is like reading a fine poem in itself! I would love to see this comment somehow in poetic form! Have you considered doing this? I would love to read it!!
Pedulla6 - But to read it as a testament to the men whom the war hollowed out is an act of love, and Eliot is giving them the sacred respect for their harrowing suffering. I know how you feel, and in no way am I trying to criticize you, but think of it as a biographical anecdote told to you by a ninety-year old man thinking back on what horrors he experienced, and maybe it will not seem self-indulgent to you. Poetry transforms the ugly into the beautiful—I don’t mean subject matter—by being passed through the lens of another’s mind, in this case Eliot’s. He is hoping we don’t forget the tragedy of the Great War. We owe it to those who suffered so terribly. Uh
- What a highly profound work of art. Eliot's style was so far ahead of it's time and is such a joy to read. It meanders along and carries you off into a wonderful place where intricacies and syllables scarcely matter.
ImperfectFALLENangel - T S Eliot's poetry is featured repeatedly in "The Taking" by Dean Koontz. As a result of reading this book, I began to entertain the idea of reading some of Eliot's work. I thought he was a decent poet; I was wrong. He has a style to rival that of Edgar Allan Poe. This is the very DEFINITION of the term 'masterpiece'.
- From guest eamarti (contact)
One of my favourite poems of all time. I remember reading it in high school and it was only recently that I understood what the hollow men were. Has amazing depth and very clever use of language.Love the way he uses repetiition to enhance his point - brilliant.
SeanJ - Good call, that's along the lines of most critical interpretation of Heart Of Darkness (though I could site sources and make an arguement against it). Either way, I think the footnote is itself inaccurate through its speculation. I'll take care of it.
- I take extreme exception to the first foot note regarding "Mistah Kurtz". That is a complete misreading of "Heart of Darkness" (a work of genius if there ever was one). Kurtz was not corrupted by "primitive" Africans because of his weakness. In reading the work, it is clear that Kurtz's own "civilization" is indeed what is barbaric. Pay attention to how whites treat the Africans throughout the book. Indeed, Kurtz's behavior is just an extreme extension of what the whites were doing in the Belgian Congo in general, and it was not an exception to an otherwise "civilized" endeavor. This is one of Conrad's main points, and this is one of the huge ideas that FF Coppala captured so masterfully in the film adaptation "Apocolypse Now".
Touchof1der - I have not read this piece in such a very long time. I am still just as entralled with it today as I was when I first read it. I had completely forgotten this!
♥ Kimberly
Mr. Numi Who- - My Impression:
People lost in the world of commerce become 'quiet and meaningless
As wind in dry grass' and when they speak it is with empty mind, as in 'rat's feet over broken glass, in our dry cellar'... and Joseph Conrad's 'Heart of Darkness'- very poetic prose... Edited on Jan 28, 7:05 p.m. because '...of a penchant for fiddling...'.
- Read this in the 10th grade and loved it.. especially hearing T.S. Eliot himself reading it.. we never let that go as a laugh... He says it in monotone but when he gets to the prickly pear.. well, we all had a good laugh. Love this poem. One of my all time faves
- I have bits of this written on my wall. It's one of my favorites of his. I mean, DANG it's beautiful. The lyrical-ness of it just gets me every time. I think I'm gonna go read it now.
Silverarm - After reading Heart of Darkness, my English professor was definitely trying to push this poem on this. Completely unnecessary, as I'm a huge fan of Eliot's poetry anyway... I just couldn't pass by this poem without throwing up a huge shout-out to the author of my favorite poem (not this one, but "Love Song of J. Alfred Prufrock")
- I can remember reading this as a literature assignment in my senior year of high school or either my first year of college.
There is so much depth in this poem that it needed much explaination for me then, and now. I am glad to see the authors comments. They help to anaylize the poem. The form and structure is that of free verse, and is well formatted for the rendering of such a wondrous word tapestry. This poem has inspired me to write something with this type of depth. Let the muse surface. I thank you Mr. Eliot for your superb guidence.
Myron Lysenko - i remember doing this poem in high school when i was a teenager...many years ago...the final section is the one i remember most vividly from those days ...& readiung it again tonight, saw just what a wonderful piece of poetry it is...
thanks for rekindling this...prufrock was my favourite poem for many years...
Judas Denied - Eliot rocks!!! That said, I have to say the fifth section of this poem is what really truly endears it to me. The somewhat apathetic, nonchalant tone at the beginning that drifts into madness is what really grabs me in this piece. The last two lines are by far(in my opinion) the most profound things I have ever read. I first read this piece in eleventh grade and have since committed it to memory. There is something in it that rings so true to me that it almost makes me choke. /"We are the hollow men. We are the stuffed men."/ Beautiful to me, and his sources for this piece only make the abstract nature of it more concrete.