This is the cover of the November 1937 issue of an American pulp magazine called Dare-Devil Aces. I vaguely knew about the existence of these aviation adventure magazines, or air pulps, but I'd assumed they were filled with stories of chivalric air combat of the Great War. Many undoubtedly were, but that's not what this cover illustrates. The biplane in RAF colours is a Hawker Fury II (I think; a Nimrod could also fit [edit: actually a Fairey Fantôme]); the bombers are German Dornier Do 23s. And the ocean liner looks to be RMS Queen Mary. In other words, this is all 1930s technology and it's a scene from the next war, not the last one. ...continue reading →
Perhaps the best-known example of an air panic is the exodus from London in September 1938 at the peak of the Sudeten crisis. Supposedly some 150,000 middle or upper class people fled west in anticipation of a German air attack.1 Such a large movement of people represents impressive evidence for the reality of a fear of a knock-out blow from the air. But I've never looked into this in any detail, and nor, as far as I know, has anyone else. So we don't know much about what actually happened during the 1938 exodus, or why.
The 1938 exodus was not, of course, unique. (People had trekked out to the countryside to avoid air raids in the First World War.) It wasn't the only one in the British Empire. (There was one in Australia.) In fact, it wasn't even the biggest. As I was surprised to learn from reading Srinath Raghavan's India's War, numerous spontaneous evacuations due to the fear of air raids took place in India in 1941 and 1942.2 Admittedly this was during wartime, but some of these panics took place before Japan entered the war, and others from places that were never even threatened by air attack. ...continue reading →
Richard M. Titmuss, Problems of Social Policy (London: His Majesty's Stationery Office, 1950), 31. ↩
Srinath Raghavan, India's War: The Making of Modern South Asia 1939-1945 (Penguin, 2017). ↩
The State Library of Queensland identifies this image as 'R.A.A.F. Mosquito bombers, ca. 1945'; I suspect it's from a RAAF march and flypast put on for the Third Victory Loan in the centre of Brisbane on 6 April 1945. On that occasion, according to the Courier-Mail,
The veteran Lancaster bomber 'G. for George,' will lead planes flying over the city during the march. They will include 6 Liberators, 15 Beaufighters, 9 Mosquitoes, 12 Beauforts, 6 Spitfires, and 3 Kittyhawks.
It is seventy years since since 24 June 1947, when Kenneth Arnold saw nine crescent-shaped objects flying at high speed past Mt Rainier; in other words, seventy years since the emergence of the UFO phenomenon. Often, when I talk or write about phantom airships, the topic of UFOs comes up, and with good reason. The similarities are obvious: both modern UFOs and the earlier mystery aircraft are to a large extent unknown objects seen in the sky, upon which we project our own fears and fantasies. Once those fears and fantasies reflected the concerns caused by coming of flight; then they reflected the concerns of the dawn of the rocket/atomic age.
And yet, when the topic of UFOs does come up, for the most part I will do no more than note the obvious correspondences, and disclaim any interest in the modern manifestation of the phenomenon. In other words, I run the other way. So why is that? ...continue reading →
Here in Australia, yesterday, the first Sunday in June, was Bomber Command Commemorative Day. The occasion was marked with ceremonies in most state capitals. The major event, at the Australian War Memorial (AWM) in Canberra, spanned the whole weekend and included a flypast by a RAAF Hornet and a wreathlaying ceremony, which remarkably is claimed to be the third-most attended commemoration at the AWM, after Anzac Day and Remembrance Day. ...continue reading →
Walter Nessler called this painting Premonition. A premonition of what? It's clearly London, judging from St Paul's, the double deckers, and so on, but it's an unsettling version. Everything is jumbled together and smothered by blood-red clouds. But apart perhaps from the ominous sky, the only direct evidence of what's wrong with this picture is the surreal image of the giant gas mask on top of the building being constructed (or deconstructed). Nessler was a refugee from Nazi Germany, and painted Premonition in 1937, the same year that his former countrymen bombed Guernica, a known inspiration for artistic protests against aerial bombardment. Clearly we may take this as his certainty -- a premonition suggests a supernatural inevitability -- that his new home was going to suffer a similar fate to the cities of Spain. (Although back in 2005 there was some journalistic silliness over the fact that two of the buses display the numbers 77 -- 7/7 -- and 30 -- the route of the bus blown up in Tavistock Square.) ...continue reading →
A bit of aerial theatre from Dan Todman's (excellent) Britain's War: Into Battle, 1937-1941:
Newton Abbot, Devon, February 1941. The town is holding its War Weapons Week to promote the National Savings movement. It has been set the aim of increasing savings by £100,000 during seven days. To publicize the event, local organizers arrange a fly-over by RAF bombers from a nearby airbase. They drop 10,000 advertising leaflets, with instructions about how to take part in the savings drive. Each is headlined 'THIS MIGHT HAVE BEEN A BOMB'. Whether this is a plea or a threat, it works: Newton Abbot smashes its target, with £216,000 invested by the time the War Weapons Week ends.1
Unfortunately, I haven't been able to find a picture of one of these leaflets, or evidence of their use elsewhere in Britain, but the same phrase was used in other leaflets dropped on Hamilton in Ontario, Canada, in the very same month, by a member of the local aero club as publicity for War Savings Certificates:
The leaflets dropped on Newton Abbot may have been something similar, though the message here is obviously slightly different ('help destroy Hitler's murderous bombers ON THE OTHER SIDE OF THE ATLANTIC') -- and would be different again when dropped on Reedsburg, Wisconsin, in January 1944 by the Civil Air Patrol ('Join the Womens' Army Corps') and when dropped on Los Angeles in December 1951, again by the Civil Air Patrol ('These could have been REAL BOMBS! EVEN A-BOMBS!') A little bit of aerial theatre travelling a long way.
Daniel Todman, Britain's War: Into Battle, 1937-1941 (London: Allen Lane, 2016), 603. The source is given as TNA, NSC 7/78, 'War Weapons Weeks: Items of Special Interest'. ↩
Yes, it's our old friends, the wooden bombs! A number of people linked either to me or to one of my posts on the topic -- the first one trying to pin down the reality of the story in response to a Snopes debunking, the second one reviewing Pierre-Antoine Courouble's book which, for my money, did just about do that, and the third one passing on an appeal from Jean Dewaerheid, Peter Haas and Courouble for further eyewitnesses, which, as far as I know did not eventuate. From time to time these get linked from Reddit or some listicle site, making them probably the most popular posts on Articles, but it's all heat and no light. However, the Twitter discussion did uncover one new source of information which would seem to confirm the origin of the wooden bomb story as a British psychological warfare operation. ...continue reading →
Earlier this week I had my first article published in The Conversation, on the actual original context for the Keep Calm And Carry On poster, as opposed to the assumed original context. The Conversation is a great platform for academics to get their work and ideas out to the public, and to provide expert analysis of what is happening in the world. It's largely funded by universities and only academics, researchers or PhD students can write for it; it has a slick writing and reading interface and even actual editors who will commission articles and actively work with authors to improve them, particularly in terms of accessibility to a general audience. (There's no payment for writing, but academics are used to that.) The Conversation started out in Australia, but it has since branched out to the UK, the US, France and Africa. Here in Australia, at least, it feeds into other forms of media: everything is Creative Commons licensed, to encourage wide republication on other news sites, and three radio stations lined up interviews: I spoke to Genevieve Jacobs on 666 ABC Canberra on Wednesday (for a few days, you should be able to listen on the replay at about 1:28:44), Ali Clarke on 891 ABC Adelaide (ditto at about 37:07), and I will be speaking to Sean Britten on 2SER (Sydney) next Wednesday.
I won't go into any detail about the article itself, in part because it's a reworking of a post I wrote here at Airminded earlier this year. But I will post a bigger version of a graphic I stitched together to show Keep Calm alongside the other two posters designed by the Ministry of Information at the same time, and (unlike Keep Calm) actually displayed to the public on a large scale. It was inspired by a similar comparison which for some reason had green and blue posters as well as red. I couldn't find unambiguous evidence that these colours were used, whereas red definitely was, so I put together this version which might be of use to somebody.
People are nice. At the AHA today, I bumped into Bart Ziino, who gave me a present: the sheet music for a 1939 ballad called 'Lords Of The Air'. I'd not heard of it before, though I've probably heard it before as it was played in several episodes of Dad's Army. You can listen to that version above; it's a somewhat different arrangement as it's for an orchestra, not the piano. Here are the lyrics:
The British Empire proudly stands
As in the days of old,
Our fathers fought o'er land and sea,
Their history is told
In our new battle-field, the sky,
Prepared to do or dare
Let this be our new battle-cry
'Britannia rules the air.'
England our island home,
Land of the free,
England unconquered yet
O'er land and sea,
Lord of the heav'ns above
Answer our prayer,
God keep Britannia’s sons
Lords of the air.
Source: Michael North and Davy Burnaby, 'Lords Of The Air' (Sydney: D. Davis & Co., 1939).
'Lords Of The Air' was described as one of the 'newest compositions' in early November 1939, so perhaps it was inspired by the Wilhelmshaven raid on the second day of the war, which achieved a propaganda victory if nothing else. 'Lords Of The Air' certainly captures that sense of wishful thinking and empty boasting; it perhaps aspires to be a 'Rule, Britannia!' for the air age. By the end of 1939 it does seem to have become the most successful of several collaborations by Michael North (music) and Davy Burnaby (words), often being sung alongside better-remembered songs as 'There'll Always Be An England' (as recorded by Joe Loss and His Concert Orchestra, featuring Monte Rey) and 'We'll Meet Again'. My copy was printed for the Australasian market, and here too it was a popular choice for patriotic concerts and community singing, particularly during the period of the Battle of Britain and the Blitz (in fact, I suspect you could use its popularity as an index of concern about the progress of the air war in Europe).
So 'Lords Of The Air' turns out to be a nice little marker of patriotic airmindedness from the start of the Second World War. Thanks, Bart!
