TV, eh? | What's up in Canadian television
TV,eh? What's up in Canadian television

Michael: Every Day returns to CBC after a five-year hiatus

Matt Watts had finally gotten over the cancellation of Michael: Tuesdays & Thursdays when Bob Martin called, saying CBC wanted a Season 2. Yes, five years after the events of the first season, the comedy renamed Michael: Every Day is back.

Returning Sunday, Jan. 15, at 9 p.m., the first two episodes find Michael—David’s (Martin) former patient—in full control of his life and enjoying success in a new city. The same can’t be said for David, whose home and psychiatry practice are in a shambles. It doesn’t take long, however, for Michael to call on David for help, leading to darkly comic moments over the course of six episodes. Written by Watts, Martin, Don McKellar (who also directs) and Lynn Coady, and co-starring Jennifer Irwin (Eastbound & Down) as Sammy, Tommie-Amber Pirie (Bitten) as Claire and Ed Asner as Dr. Wasserman, we spoke to Watts and Martin about the circumstances surrounding the series’ revival and what viewers can expect.

Clearly, Tuesdays and Thursdays wasn’t enough. It has to be every day now.
Bob Martin: We’re kind of embracing the idea that each season, if we do a third, is a standalone and you don’t have to have watched each previous season.

Maybe Wednesdays next season…
BM: Or maybe space! We don’t know.

Did you always, in the back of your minds, hope Michael would come back?
BM: After we completed the first season, we were working on a second season and were outlining it in great detail. And, for certain reasons, that didn’t happen. So, no, we didn’t think it would come back. We thought that was it, that was the end, and we were very happy with the first season and glad we had made a serialized show that had closed on the story beat. It didn’t feel like an open-ended show, necessarily. But then, yes, we were very surprised to be invited back.

Matt Watts: There was a lot of behind-the-scenes string-pulling that I’m not privy to. There were conversations between very important people and then a phone call to you and then you made a phone call to me.

BM: Yeah, that’s right. It was a surprise. It was out of the blue. Speaking for myself, I had booked a lot of other stuff to survive. I was like, ‘Oh my God. I love these characters and would love to revisit them.’ It was a bit of a logistical problem to get all of the creative together to do it. But, they knew we were excited about continuing to explore these characters. And you had an idea about doing a TV-movie version of Michael as a revisit.

MW: I always like this idea of one of the first lines is about the 15-year relationship. It kind of sets itself up about a relationship over a long period of time, so you could revisit these characters like what they did in the Seven Up series or Boyhood. It was always in the back of my mind that we could go that route. It took me a long time to let go of the show. We were both upset and you buried yourself in work. I got kind of depressed and anxious and spoke to the press about everything that was going on. And then I took a few more years and finally let it go, and then I get a phone call from Bob going, ‘We’re doing it again!’

BM: This feels like a bonus season.

MW: Also, a lot of the crew came back. When we wrapped the first season, I didn’t have a great last day on set. But I figured I’d see them again next season and then I didn’t get that. It was getting to revisit camp again.

When we start the season, Michael is the one that has it together and it seems David’s life is falling apart because he’s trusted someone and got burned.
BM: That’s my favourite scene of the two seasons. David finally thinks he’s found someone he can trust.

MW: The question we asked ourselves this season is, ‘Why this patient and why is he so special?’ We answer that this season. There is a revelation that comes later to explain all that.

How different is the original Season 2 from what became Every Day?
BM: We had to condense the episodes down to six.

MW: And we had to pick up five years later, so we took that into affect. The original second season picked up six months later. This was a five-year gap, so we had to make a lot of adjustments and changes. The last two episodes stay the same because we always had this idea for the season that we really wanted to do and that’s in the show. The show builds to this event in the fifth episode that carries into the sixth.

Michael: Every Day airs Sundays at 9 p.m. on CBC.

Image courtesy of CBC.

Facebooktwittergoogle_plusredditlinkedinmail

Link: Don McKellar on resurrecting the CBC comedy show Michael

From Brad Wheeler of the Globe and Mail:

Don McKellar on resurrecting the CBC comedy show Michael
The second season of CBC Television’s Michael: Tuesdays and Thursdays begins with back-to-back episodes on Sunday, Jan. 15. The half-hour comedy series about an often anxious psychiatrist (played by Bob Martin) and his titular, troubled patient (Matt Watts) has a new name, Michael: Every Day. No, your mind’s not playing tricks on you – the original series was cancelled after its debut season in 2011. We spoke to the actor and series co-creator Don McKellar about the resurrected show. Continue reading.

Facebooktwittergoogle_plusredditlinkedinmail

Canadian Screen Awards announce special award winners

From a media release:

Academy Announces Special Award Winners and
the Inaugural John Dunning Discovery Award

  • Tantoo Cardinal, Simcha Jacobovici and Randall Okita
    to be honoured

The Academy of Canadian Cinema & Television today announced three Special Award recipients for the 2017 Canadian Screen Awards. Artist and filmmaker Randall Okita will be honoured with the inaugural John Dunning Discovery Award for The Lockpicker and additional Special Awards will be presented to prolific actor Tantoo Cardinal (Earle Grey Award), award-winning filmmaker and journalist Simcha Jacobovici (Gordon Sinclair Award for Broadcast Journalism). The Canadian Screen Awards will be broadcast live on CBC from Toronto’s Sony Centre for the Performing Arts on Sunday, March 12, 2017 at 8 pm (9 pm AT; 9:30 pm NT).

“Each year, the Academy recognizes a uniquely talented group of people for their indelible contributions to the Canadian media landscape,” said Beth Janson, CEO, Academy of Canadian Cinema & Television. “This year’s winners embody the spirit of Canadian artistry and we are honoured to celebrate their outstanding achievements, creativity and talent.”

“The Academy is proud to recognize this year’s recipients for their contribution to our screen-based industries. Voices such as theirs are reflective of Canada’s diverse range of talent and narratives,” said Academy Chair Martin Katz.

The John Dunning Award was created in collaboration with his son Greg Dunning to honour the legacy of the pioneering Canadian producer who co-founded Cinepix, the forerunner of Lionsgate, and boosted the careers of David Cronenberg and Ivan Reitman.

“My father always gave young people the opportunity to work in his productions. I am grateful to the Academy that we can continue his legacy with this award. This is a wonderful way to keep his enthusiasm alive by helping the careers of a new generation of filmmakers,” said Greg Dunning.

These Academy Special Awards—as well the previously announced Lifetime Achievement Award (Christopher Plummer) —will be presented during Canadian Screen Week (March 6 –12, 2017).

Facebooktwittergoogle_plusredditlinkedinmail

City Announces Cast and Production Wrap of Original Limited Series Bad Blood

From a media release:

City Announces Cast and Production Wrap of Original Limited Series Bad Blood

  • Inspired by true events, Bad Blood follows the life and death of notorious underworld figure Vito Rizzuto

Rogers Media announced today the completion of principal photography of City’s original limited event series, Bad Blood. The six-part, 60-minute scripted series stars Anthony LaPaglia (Without a Trace) as Montreal crime boss Vito Rizzuto, Kim Coates (Sons of Anarchy) as Vito’s right-hand man Declan Gardiner, Paul Sorvino (Goodfellas) as family patriarch Nico Rizzuto Sr., and Enrico Colantoni (Flashpoint) as Bruno Bonsignori. Produced by New Metric Media and Sphère Média Plus in association with DHX Worldwide, Bad Blood will debut this fall on City.

Directed by Alain DesRochers (Bon Cop Bad Cop 2, Nitro), production began in Montreal and wrapped in Sudbury, Ont. this past December. The series is inspired by reputed mobster Vito Rizzuto and based on the best-selling book, Business or Blood: Mafia Boss Vito Rizzuto’s Last War by world-renowned organized crime experts Antonio Nicaso and Peter Edwards. Nicaso and Edwards both served as consultants on this true-crime event series.

Bad Blood is a story of family, loyalty, deceit, power, greed and ultimately revenge. Montreal Mafia boss Vito Rizzuto is a criminal anomaly – the only man to bring peace among the disparate wings of the Montreal crime world who would serve as a de facto CEO while ensuring a lucrative payday for all. When Rizzuto is suddenly arrested and extradited to Colorado’s Supermax Prison for the 1981 murders of three Bonanno crime family members, the powerful empire he built begins to crumble. Rizzuto watches helplessly as his family and friends are killed one by one. Upon his release from prison in October 2012, a Shakespearean-level revenge tale unfolds, leading to the brutal murders of his closest companions, and ultimately, to the death of Rizzuto himself.

Additional cast includes Brett Donahue (The Kennedys: After Camelot), Maxim Roy (19-2), Tony Nappo (Shoot The Messenger), Frank Schorpion (Arrival), Joris Jarsky (The Art of More), Michelle Mylett (Letterkenny), Clauter Alexandre (Trauma) and Vincent Leclerc (19-2).

Bad Blood makes it world-wide debut on City and FX this fall, followed by a Radio-Canada broadcast in French. The series is distributed internationally by Sky Vision.

Facebooktwittergoogle_plusredditlinkedinmail