Golden Exits (2018)
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Critic Consensus: Golden Exits tells a small-scale tale whose seemingly mundane trappings belie a satisfying handful of finely tuned observations about modern life and relationships.
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as Naomi
as Nick
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All Critics (38) | Top Critics (18) | Fresh (26) | Rotten (12)
While you'll salute Golden Exits for never going full-on Fatal Attraction, it ends up feeling cagey, trapped in the realm of the theoretical and too hip to raise its tensions above a simmer.
The movie seems to be slowly pushing a needle into the lives that it scrutinizes, as if to draw a blood sample and learn what ails the characters.

These narcissists declaim their insecurities and grievances in the language of personal essays. What they're saying may be petty and small, but the rhetoric and imagery are transfixing.

Think early Whit Stillman without the archness, or Woody Allen without the schtick, self-seriousness or need for post-screening steel-wool shower, and you're almost there.

But to what end? Bergman, Cassavetes, and Allen excavated this material decades ago, and there are no new insights uncovered amid the interior lives of these husbands and wives.
The steadfast refusal to follow through on the premise condemns the film to a state of dramatic constipation.

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