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Loading... Never Let Me Goby Kazuo Ishiguro
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Best Dystopias (10) » 67 more Booker Prize (5) Unread books (11) Books Read in 2015 (21) Favourite Books (126) Genre Benders (7) School Stories (7) Five star books (37) Books Read in 2013 (253) Read This Next (14) Books Read in 2014 (1,596) One Book, Many Authors (231) 2000s decade (29) A Novel Cure (173) Academia in Fiction (49) Best of Brit Lit (115) Dark Fiction (39) Books Read in 2016 (1,105) Clones! (3) No current Talk conversations about this book. I'm not sure why, but this novel resonated with me on a number of different levels. Despite the sometimes irritating backtracking and diverging of the narrator, I liked her generally unreliable memory, which lent itself to the idea that the students at Hailsham were always (intentionally for some, unintentionally for others) blind to the truth about their own existence. I thought it worked as an allegory for existentialism or for the relations between first- and third-world nations (where Hailsham students represent the first world, able because of its relative privilege to entertain the illusion that their own deaths might be deferred). sadly by some premonition I figured out what it was all about half way down the first page and never recovered from that. Was sorry I kept with it by the end. This book was like 2lbs of potatoes in a 10lb bag: a little bit of good stuff, but mostly stuff that didn't need to be there to get the story across. This book was weird. I was left with almost as many questions at the end as I had at the beginning. I just picked this book up at a bookstore because it had one of the "employee recommendation" tags. I didn't know the plot. I hadn't seen the movie. I was aware that it was scifi, or at least had something weird going on, but I didn't really know what to expect. Well, this book is even more angsty than teenage Harry Potter, and the boarding school setting doesn't even have the benefit of magic. But it was interesting to see Western culture through an outsider's (the clones') lens. And there were big questions about what it means to be a human, or whatever. I think this book was a little too pessimistic for me. I don't know. This is why I should always wait before reviewing books. It takes a while for something like this to sink in, especially something weird like Never Let Me Go. I can tell this is going to be the kind of book that I think about on and off for a long time. But I also feel like I didn't understand the point. It was written as a memoir of sorts, but, as much time as I had spent inside Kathy's head, I was left questioning her humanity in the end as in the beginning. Takeaway: it was interesting to read, but I'm not sure I changed as a person by reading it, even though I think I should have? Maybe time will reveal the true impact of this book.
Ishiguro is extremely good at recreating the special, oppressive atmosphere of school (and any other institution, for that matter)—the cliques that form, the covert rivalries, the obsessive concern with who sat next to whom, who was seen talking to whom, who is in favor at one moment and who is not. The eeriest feature of this alien world is how familiar it feels. It's like a stripped-down, haiku vision of children everywhere, fending off the chaos of existence by inventing their own rules. "Never Let Me Go" is marred by a slapdash, explanatory ending that recalls the stilted, tie-up-all-the loose-ends conclusion of Hitchcock's "Psycho." The remainder of the book, however, is a Gothic tour de force that showcases the same gifts that made Mr. Ishiguro's 1989 novel, "The Remains of the Day," such a cogent performance. This extraordinary and, in the end, rather frighteningly clever novel isn't about cloning, or being a clone, at all. It's about why we don't explode, why we don't just wake up one day and go sobbing and crying down the street, kicking everything to pieces out of the raw, infuriating, completely personal sense of our lives never having been what they could have been. Has the adaptation
References to this work on external resources.
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Offsetting the bizarreness of these revelations is the placid, measured voice of the narrator, Kathy H., a 31-year-old Hailsham alumna who, at the close of the 1990s, is consciously ending one phase of her life and beginning another. She is in a reflective mood, and recounts not only her childhood memories, but her quest in adulthood to find out more about Hailsham and the idealistic women who ran it. Although often poignant, Kathy's matter-of-fact narration blunts the sharper emotional effects you might expect in a novel that deals with illness, self-sacrifice, and the severe restriction of personal freedoms. As in Ishiguro's best-known work, The Remains of the Day, only after closing the book do you absorb the magnitude of what his characters endure. --Regina Marler
(retrieved from Amazon Thu, 12 Mar 2015 18:25:35 -0400)
Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it. Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it's only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.… (more)
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The terms carer, completed and donor and several others are eventually understood by the reader, though they're descriptive enough to hint at the meaning. The story is personal, about the three people involved, and the emotions and thoughts of these three, the interpersonal relationships, are revealed with stark reality. Their situation is anything but reality, at least at this point in time.
Fascinating book. The author stayed in voice the entire book, in character. The story is odd enough with several unanswered questions that I didn't feel it was a 5, though it could be for the writing alone. And for the fact that it's memorable. Ishiguro has his own unique writing style, which I love.
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