labelledeneuve: “ Catherine Deneuve on the set of Belle de Jour (1967) ”

labelledeneuve:

Catherine Deneuve on the set of Belle de Jour (1967)

labelledeneuve
1316 Notes
sunsetgun: “via Reddit ”

sunsetgun:

via Reddit

sunsetgun
215 Notes
arrestedwesteros: “Gene Parmesan: Uh, I’ve got some bad news. I’m… Gene Parmesan. How you doing? ¡Amigos! - 2x03 ”

arrestedwesteros:

Gene Parmesan: Uh, I’ve got some bad news. I’m… Gene Parmesan. How you doing?

¡Amigos! - 2x03

arrestedwesteros
860 Notes
Photos

nobrashfestivity:

The University of Washington, The Commission on College Physics, and the Polytechnic institute of Brooklyn, Symmetry, 1960′s

(via profgrewbeard)

nobrashfestivity
371 Notes
Watch
reginaldjuice
41 Notes
Photos

don56:

Greatest movie villains

Boris Karloff as Hjalmar Poelzig in “The Black Cat” (1934)   Submitted by thatsbelievable  http://thatsbelievable.com/

(via thatsbelievable)

don56
88 Notes

cooper

part 15. put it in your diary. circle it. i’m right.

28 Notes
Photos

woshibai:

A pile of lattice

(via altcomics)

woshibai
290 Notes
olivier-serrano: “Dawn of the Dead, George A. Romero ”

olivier-serrano:

Dawn of the Dead, George A. Romero

(via mudwerks)

olivier-serrano
1500 Notes
Watch

joz-stankovich:

tastefullyoffensive:

If this isn’t art, I don’t know what is. (via jbillinson)

@megadweebus

(via saltyoldgrandpa)

tastefullyoffensive
88600 Notes

(via trembling-colors)

everythingisterrible
301 Notes
tonights-episode: “tonight’s episode: DIDGERIEDON’T ”

tonights-episode:

tonight’s episode: DIDGERIEDON’T

tonights-episode
324 Notes
yesterdaysprint: “ Pittsburgh Weekly Gazette, Pennsylvania, August 16, 1905 ”

yesterdaysprint:

Pittsburgh Weekly Gazette, Pennsylvania, August 16, 1905

(via apocalypanties)

yesterdaysprint
58108 Notes
Photos

criterioncollection:

Andrei Tarkovsky’s final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide—the Stalker—leads a writer and a scientist into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere. A religious allegory, a reflection of contemporaneous political anxieties, a meditation on film itself—Stalker envelops the viewer by opening up a multitude of possible meanings.

STALKER

criterion.com
1408 Notes
Photos

mydarkenedeyes:

Mia N

Flickr / mianyx
7665 Notes
Next »
note: loading more posts will reset any filters applied
More