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  • Tuesday, 8 January, 2019
    Review
    Contemporary Dance Festival at the Japan Society, New York — grief, butoh and a South Korean ‘Greek chorus’

    This adventurous annual showcase featured works from Japan and east Asia

  • Tuesday, 8 January, 2019
    Review
    English National Ballet’s Swan Lake unfolds with admirable clarity

    Derek Deane’s production at the Coliseum is unashamedly traditional, rich in drama and spectacle

  • Friday, 28 December, 2018
    Review
    Something for all dance tastes in Edinburgh

    A pedigree production of ‘Cinderella’ from Scottish Ballet and ‘The Mother’, a piece based on a Hans Christian Andersen story

  • Friday, 21 December, 2018
    Review
    Franchir la nuit brings young migrants to the stage at the Théâtre de Chaillot, Paris

    Rachid Ouramdane’s new work harnesses the visual power of a large group

  • Friday, 21 December, 2018
    Review
    Swizzling speed and beautiful shapes at the Royal Opera House, London

    The Royal Ballet performs a seasonal triple bill of works by Ashton, Robbins and MacMillan

  • Wednesday, 19 December, 2018
    Review
    Wildly entertaining: The Hard Nut at BAM, New York

    Mark Morris’s Nutcracker variation is anarchic and electric

  • Tuesday, 18 December, 2018
    Review
    The Trocks at the Joyce Theater, New York — banana feet and feminine grace

    The travesti troupe’s programme includes slapstick parodies and loving revivals

  • Monday, 17 December, 2018
    Review
    An intermittently enjoyable Nutcracker at the Coliseum, London

    Wayne Eagling’s production for English National Ballet has moments of magic

  • Friday, 14 December, 2018
    Ballet star Alina Cojocaru: ‘I have to like my roles’

    Becoming a mother at the age of 36 hasn’t stopped the dancer from reaching the top of her game

  • Promoted Content
  • Friday, 14 December, 2018
    Review
    Matthew Bourne’s Swan Lake gets a major makeover and a sizzling swan

    Matthew Ball is irresistible in New Adventures’ Sixties-set staging at Sadler’s Wells

  • Tuesday, 11 December, 2018
    Review
    Premieres at Ailey, City Center, New York — steps in the right direction

    New repertory from Ronald K. Brown and Wayne McGregor outshines older material

  • Tuesday, 11 December, 2018
    Review
    Splendid dancing at every level in the Royal Ballet’s Nutcracker

    Emma Maguire was among the stars of Peter Wright’s production

  • Thursday, 6 December, 2018
    Review
    Michelle Dorrance’s deeply charming Elemental at BAM, New York

    The choreographer’s tap-dance piece explores different surfaces and spaces — including a bathtub

  • Thursday, 6 December, 2018
    Review
    Rudolf Nureyev’s Cinderella at Paris’s Opéra Bastille is a production that has turned into a pumpkin

    Despite the dancers’ best efforts, this is a tired, dated staging

  • Thursday, 6 December, 2018
    Review
    Paysage d’ensemble, Théâtre National de Chaillot, Paris — the show must go on

    Undaunted by gilets jaunes, a community dance project presses ahead

  • Monday, 3 December, 2018
    Review
    The nightmarish and the exhilarating meet in Rennie Harris’s ‘Lazarus’

    A powerful take on African-American history performed at New York’s City Center

  • Friday, 30 November, 2018
    Review
    Dystopian Dream, Sadler’s Wells, London — dance theatre taken to another level

    Two dancers and a singer explore the themes of destiny, loss, mortality and surrender of Nitin Sawhney’s 2015 album

  • Tuesday, 20 November, 2018
    Review
    Paris’s Festival d’Automne spotlights Anne Teresa De Keersmaeker

    Two collaborative works showcased the more engaging side of an often austere choreographer

  • Tuesday, 20 November, 2018
    Review
    Ripping up floors and playing the Mexican border fence: Interpassivities at BAM, New York

    Jesper Just challenged audience expectations with the help of former Sonic Youth musician Kim Gordon

  • Friday, 16 November, 2018
    Review
    Layla and Majnun at Sadler’s Wells — taking romance to the next level

    Mark Morris and the Silkroad Ensemble find a universal message in a Persian folk tale

  • Friday, 16 November, 2018
    Review
    Twyla Tharp Dance at the Joyce Theater, New York — from the embarrassing to the delectable

    The choreographer’s Eight Jelly Rolls was the highlight of a programme of early work

  • Friday, 9 November, 2018
    Rosie Kay’s MK Ultra is more persuasive than ever

    As her dizzying study of brainwashing comes to London’s Queen Elizabeth Hall, the dance-maker discusses future plans

  • Thursday, 8 November, 2018
    Review
    Rambert2/Rambert at Sadler’s Wells — young dancers in search of worthwhile choreography

    The group’s cadets were able to give glimpses of their potential

  • Wednesday, 7 November, 2018
    Review
    Natalia Osipova and Marianela Nuñez battle it out in the Royal Ballet’s La Bayadère

    The star principals display astounding technique and irresistible charm as they exchange roles at the Royal Opera House

  • Monday, 5 November, 2018
    Review
    Sasha Waltz’s Kreatur at BAM, New York, has plenty of ideas but they seldom add up

    The German choreographer’s piece is striking chiefly because of its groundbreaking costumes

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