Our Rhinoceros Year

In the play called Rhinoceros by the Romanian dramatist Eugene Ionesco, two men are sitting in a cafe in a small French town when the improbable news arrives that a rhinoceros was seen in town. Soon the two men look out the window to see several rhinoceroses rampaging through the streets. They are surprised at this development, of course ... and then one of the two men starts transforming into a rhinoceros as well.
Eugene Ionesco had grown up in Romania, one of several Eastern European nations shattered by the first World War that eagerly allied with Hitler for the second. Ionesco's Rhinoceros is about Romania, of course — about decent citizens of a modern society who transform into witless, delirious fascists, and about one decent citizen, the protaganist Berenger, who does not catch the disease but cannot cure those who do.
Rhinoceros presents a blunt metaphor, but Ionesco has also delivered subtler messages about the dangerously thin veneer of civil society during his long career as a Romanian absurdist playwright in French exile. His earlier play The Bald Soprano offers a polite dinner party in which a few friends and romantic partners discover that language has ceased to be a connective tissue between them. They all know each other, and yet they suddenly find themselves unable to discern their relationships and even their own identities. The more they try to talk, the more they teeter towards complete estrangement.








