This Clement World, a new work by the refreshingly original, Herb Alpert Award-winning multidisciplinary artist Cynthia Hopkins, emerged from her three-week journey through Arctic waters where she documented stunning landscapes from aboard a century-old, double-masted Dutch ship.
Guggenheim Fellow Jane Gillooly introduces her mesmerizing and original Suitcase of Love and Shame, a tender, erotic and heartbreaking collage woven from 60 hours of reel-to-reel audiotapes discovered in a suitcase purchased on eBay.
The deranged British cult band The Tiger Lillies serves up its sinister blend of corrosive lyrics, astonishing vocals and Brechtian cabaret for this wonderfully gruesome concert.
The innovative new music quintet Now Hear Ensemble presents Made in California, an exciting collaborative concert series of works by 11 composers located throughout the state.
Bruce Baillie is one of the great figures in American avant-garde filmmaking. Since 1960, he has produced a body of films unsurpassed for their lyrical sensuality, expressive honesty and formal inventiveness.
Choreographer Gregory Maqoma returns to REDCAT with the exceptional South African vocal ensemble Complete, blending theater and dance in a new production inspired by Maqoma’s ancestral past.
This award-winning documentary invites audiences into the sensory overload of Empire’s interactive digital adaptations, consisting of a series of overlapping vignettes designed for an immersive experience.
Electronic music legend Morton Subotnick performs his seminal work Silver Apples of the Moon (1967), the first album of all-electronic music featuring exotic timbres and dance-inspiring rhythms.
The CalArts MFA Creative Writing Program hosts an intimate evening with MacArthur Fellow and Man Booker International Prize winner Lydia Davis, a remarkable writer and a true innovator known for her very short fiction.
This two-day conference organized by Matthew Poole and Manuel Shvartzberg brings together a range of international experts from architectural practice and theory to explore urgent questions that concern the social and political ramifications at stake in the evolution of design.
Exploring the political dimensions of domestic materials, architect Andrés Jaque assembles architectural and household elements seen in the yards of L.A. County residents in a new project that highlights the usage of water in Los Angeles, consuming the exhibition space in the form of a model garden city home.
Eyal Weizman returns to REDCAT to present a set of investigations and critical reflections that employ the term forensis to designate a condition by which intensified forms of material and spatial analysis transform the ways political struggles are understood and engaged with.
