A brilliant selection of fuzzy dream jams that are ripe for the picking by everyone into the Trilogy Tapes, Mood Hut and Modern Love sound.

Song of the summer. All aboard!

‘Rabona’ maintains a similarly old-skool flavour, though one more rooted in Paradise Garage and The Warehouse.

Inspired by futurism, anime and abandoned places.

Smalltown Supersound rally up two of their biggest artists Bjørn Torske and Prins Thomas to set the scene for a collaborative album that perfectly encapsulates the imprint's signature deep disco with a Nordic dub sound.

The piece starts off with a half time drum break and some mournful strings that quietly builds momentum while the bassline takes hold.

Flako who created our Album of the Year in 2015 returns with a track from his forthcoming EP.

Mitchel Van Dinther aka Jameszoo calls his music “naive, computer jazz”, which perfectly sums this masterful music up, sitting alongside the LA label’s catalogue of twisted, modern avant-jazz

The grooves of the track cruise along with their electro-funk basslines and Bear’s nasal croon sheened with reverb and packed into tight song structures.

Rolling hills of jazz drums and psychedelic guitar strings set the tone for a slowed down Kamasi Washington style breakdown.

A new expansive sound of ethereal broken beat sound design in part influenced by French Dada artists and continuing his exploration of hypnagogia and furthering it to reach into the limbo space between life and death.

Guiding us through his world, Washed Out turns to the "classic millennial fashion" of young adults trapped within the prism/prison of distraction via social media, drugs and fantasy whilst viewing the world they inhabit within an over-dramatized to the point of absurd view point.

Principe's leading lady Nidia Minaj brings us Nídia É Má, Nídia É Fudida.

A track of classic junglism, though the wash of reverb that colours everything here pulls the beat out of the rave in a manner reminiscent of early Burial.

Packing in a wide variety of oddball beats and abstract raps, outright punk/noise and folk/blues.

Speed Wagon Night Bridge is the first glimpse in to Patricia's new album coming out on Spectral Sound, and is on repeat.

A driving analogue jam taken from Karen Gwyer's brilliant new record Rembo.

Another single coming from the debut album by Lunice on Bleep favourite, LuckyMe.

Scuba Rondo sees Porter Ricks armouring their trademark aquatic score with a fresh array of dynamic studio techniques that shine strong through the mist.

MT starts with a field recording that recalls the opening seconds of Surgeon's Fabric 53 mix before being overtaken by more gabba kick drums effervescent of Mumdance's aforementioned Kazzt remix before melting into shapes resembling an electrocuted deep blue techno number.

Batu’s idiosyncratic percussion workouts are an apt choice for Hessle - indeed, one spin of Marius and you’ll be surprised that the Bristolian hasn’t made it over to the label sooner.

Dust sees Laurel Halo uncovering her love of more traditional song structures, albeit with a rather loosely applied pop sensibility.

Matthew Herbert's take on To Stay gives the track a tropical house shuffle, the vocals providing a platform for the slick 4x4 bounce, primed to do the business in the right DJs hands.

Radiating with a glacial shroud of lost futurism whilst also being continually uplifting within its search and escape from longing, hope, anxiety, and triumph.

Planet Mu's now in-house sonic scientist Ekoplekz returns in a fresh coat of low-fi kosmiche dub and wildly twisted 303 mayhem.

A track that uses analog synthesisers, effects units and the interference sounds from his phone and hard drive.

Sheffield mainstay CPU spins a curveball our way with an album of seriously spaced out electro from Swedish chipmusic champ Goto80.

Flowering in Threes comes across like Unique 3 playing live at DMZ, sub's kickin' while the techno textures give the track a raw stability.

A breakbeat flip that breaks out almost instantly into a melancholy-drenched out and out banger, primed for peak time deployment while Xing Tian closes things in a purest Daphni style.

For anyone expecting a straight up club album please leave your assumptions at the door, this one really does go in deep.

Distilling his recent albums downtempo vibes into a compact size follow up, Samurai stems from the same session yet provides a new landscape to explore.

Lanark Artefax. Channelling the spirits of Drexciyan electro and Gescom hip-hop, Lanark has carved out an EP destined for primetime play by those who know.

The influences come thick and fast - opener ‘Swurlk (snarlfingercroak mix)’ brings to mind Boards of Canada, Aphex Twin, Grimes and the music from the Wipeout games within the first couple of minute.

Bleep favourite Alva Noto takes Pantha Du Prince's track on to the operating table

Ikonika's production takes on a more funk-heavy stance that runs parallel to the recent Night Slugs x Fade To Mind axis.

LuckyMe's Lunice goes in deep for his new track Mazerati.

Dauwd debuts on Ninja Tune's club-focused Technicolour Records with his first full-length offering Theory of Colours.

This is a raucous affair, it's hi-life licks and pounding Afro-house rhythm sounding like something from Soundway Records after a shot in the arm.

Beachfires sets its way down a path of blurred memories from the rave a decade before, a howling wind blows out the last flick of the night's clipper while a rumbling bassline builds with momentum like the last night tube rumbling to a stop while you try and draw the last toke before descending down into the darkness.

Sounds perfectly placed as if it has been pored over time and time again until it is absolutely ripe, and ready to be pieced into the puzzle.

Everything within is built on rock-solid foundations of 808s and 303s, and each track bristles with intent as it makes a bee-line for the dancefloor.

It recalls his classic Minimal Nation in the way each track gets the groove by the throat early and refuses to let go for the duration.

A fine demonstration of the one born Tom Ford’s winning combination of focus and finesse.

Daphni knocks out a boogie indebted disco groover for Jiaolong.

Brothers Tessela and Truss once again join forces as Overmono to remix Nathan Fake’s ‘DEGREELESSNESS’.

Huge, yet utterly beautiful sounds that seemingly fold in on each other as the record evolves, creating a melting pot mixture of off-tempo snares that ricochet like a machine gun snare firing carnivorous springs around the stereo field, while testones add a touch of techno to that pure peak time in the dance void.

Loke Rahbek’s City of Women bridges extreme electronics, sparse and meditative noise excursions and deep settled atonalities.

Ghostly's in-house ambient visionist Christopher Willits returns with a tranquil journey to an ambient horizon.

Despite such a long time away, Stubborn Persistent Illusions doubles down on the same widescreen sonic approach that has made the band so celebrated in their field.

New track by Kutmah featuring Warp's own Gonjasufi, and produced by Bleep favourite, Flako.

Coolverine builds on the group's past achievements while cementing itself as the crowning glory within the post-rock legends' sprawling discography.

Mapping out the collective vision that pairs Rob's organic instrumentation using a variety of tones and tesselations drawn from wood, stone, bone and shell with FIS' post-DNB dynamics and feedback drenched soundscapes.

Dark ambient analord Biosphere dives deeper into his fascination with Archie Mayo’s 1936 film The Petrified Forest, a tale of escapism from a life spent in an isolated, weather-beaten desert.

patten's Requiem takes in demented footwork, fractured trance and haunted trap to confound a strong new sound that retains the pair's signature knocks, yet points the way forward to some darker, edgier sounds ahead.

Maze takes the genre in bold new directions, removing the comfort of 140 to reveal new depths and beauty in hitherto harsh sounds.

The VIP mix of Halcyon that is even more bracing and abrassive than the original.

A fiercely unique post-hardcore computer rave banger that sounds like something Bernard Parmegiani might have come out with had he gotten involved in the club circuit.

Sawing strings, thrumming double-bass and a cornucopia of sounds from the traditions of jazz, folk and British classical music.

Luaka Bop gift us with this special double pack of some of Alice Coltrane's most transcendental work.

The sparseness works in Craig’s favour, giving tracks like the eight minute ‘Contain’ a strikingly ethereal edge.

Composed as a response to the current state of the world as seen through his eyes, Compassion is a perfectly formed transmission from the mid-point between ecstasy and melancholy, a call to arms for togetherness in times of hardship.

Andy Mac's second volume of dubwise Diving Bird's rolls around with three tracks brilliantly mirroring classic Smith & Mighty styles yet updating them with a vast knowledge and many a Saturday afternoon spent stood at the counter of Idle hands.

Christopher Ramos is a Korean/Filipino musician operating on the fringes of contemporary electronics, with Pansori taking in the computer works of Rian Treanor as much as stark Ruff Sqwad instrumentals.

Tarquin brings forth two more offerings that will only add to the label’s reputation. ‘Grease (Chord Mix)’ is classic Gobstopper, coaxing pain and strength from the Eski sound while still offering plenty of huge kicks and rattling snares.

Edinburgh’s Proc Fiskal is at the forefront of Scotland’s counterpart to the ‘Ruff Sound’ that Novelist and Mumdance have been giving legs to in recent months.

While the source material is lifted from Jelinek's extensive research into jazz, the record sort of reflects a sort of cross-pollination between Basic Channel's Radiance and the stripped back garage axis that was central to the early SND records, released around the same time.

Brainwaltzera wears the '90s electronica influence on his sleeve with the Aescoba EP, a one to watch artist f you are plugged into any AFX'ian channels.

‘Iodine’ ups the tempo without letting the eeriness drop. The dubby electronics are here wed to a minimal techno groove, underneath which a kick and hi-hat are augmented by a set of modulating minor chords.

Convenience Trap, Pt. 4 ends things on a rather experimental note, even by Surgeon's standards. The drums thwack out with a breakbeat styling that calls to mind Oris Jay's early grime classic Nocturnal, yet the melodies shuffle along to sort of slow things down while at the same time slicing them up.

Narkopop is a truly immersive journey into the deepest, darkest corners of the Königsforst from which the inspiration for the project stems - sure to be one of the most life-affirming albums of 2017.

Black Mesa is the first taster of Biosphere's eagerly awaited follow-up to 2016's crowning glory Departed Glories, two tracks of lush ambient techno shot through a sphere of early '90s bleary-eyed post-rave sampladelia.

Walter plays the EVI (Electronic Valve Instrument) with prowess, bringing to mind the delicate work of Suso Saiz or Brian Eno yet still sounding so impressively singular.

Twisting the sounds into his singular pallet with CYN, the opening burst of rap bars builds into a shuffling garage swing that mirrors his Wiley remix from a while back.

‘Bayefal’ is a heady broth of yelped vocal samples, keys and sub bass over a pounding rhythm track.

Kahn & Neek's VIP of Sir Spyro's sublow banger Topper Top featuring Teddy Bruckshot, Lady Chann + Killa P finalllllly gets a full pressing via Deep Medi.

Four Tet works his magic once more on The xx, twisting and stretching out the track to almost double its length in to a house track that sparkles with loops and riffs and haunted vocals driven along with his chugging drum patterning.

Kamasi Washington unveils his new partnership with Young Turks by turning in what most will crown as already this year's very best whacked-out psychedelic jazz track on Truth.

Letting his voice take centre stage within the sonic sphere of his electrolysis sound design, he tops off this new found melancholic croon with his usual highest standard nexxx level pop sensibility.

Cevdet Erek remixes Ascent from Emptyset's hard as nails Borders album.

A track that has an erratic quality, yet is crafted to be streamlined in for prime Funktion 1 activity, building on the same off-kilter chaos that made Punters Step Out by Joe such a dizzying success.

Brilliantly honed experiment of which the mechanical makeup and mathematical equations far outrange any scope of human understanding.

Coasting in on halcyon-glow synth-strings before the hyper-jungle that has become a Special Request trademark ratchets up the intensity.

Warm, well-structured techno that also nods to the post-dubstep of early Mount Kimbie and James Blake.

Whities 010 is Coby Sey’s first EP and manages to blend Sensational esque hip-hop beats, trippy house motifs and stark grime rhythms together with expertise

Following his fling with Ninja Tune, Space Dimension Controller returns to R&S with his first new gear for the imprint since 2013.

Tracing out a journey of carefully constructed tech-house, Geotic carefully funnels in vast waves of positive emotion and bright neon-heavy sparks that give the record an illuminating feel throughout.

Mount Kimbie are back with a new track featuring James Blake.

Volker Bertelmann returns to his cherished Hauschka project for the carefully constructed modern classical harmonics of What If.

Debut full-length from Daniel Brandt from the trio Brandt Brauer Frick.

Magical piano works, vocal manipulation reminiscent of Robert Ashley’s ‘Automatic Writing’ and tribal percussion all come together on this fantastic double LP.

Filtering a vision of abstract synthesis with a well-trained ear for melody.

Plaid’s version of ‘Actress’ twists and turns gracefully, channelling the spirit of Boards of Canada and Nigel Godrich.

A mixture of death-dub, free-style-three-wheel jazz-composition, greyscale sheet metal and electronik mind muzak that comes together in a sort of primordial soup, to make the best DIY do-or-die radioactive b-movie music that you could ever hope to stumble upon.

The sounds within coil around a tight-fisted backdrop of drone-metal surroundings and fierce, chopped out dancehall riddims that reflect a sort of infected Blade Runner style L.A. amid an urban decay of sandblasted global warming blues.

Hard as nails, built on kick and snare grooves that threaten to break free of the speakers at any moment.

Insatiably catchy club music with depth beyond dancefloor.

Finding influence within these passages, and seeing the opportunity to sculpt a backlog of previously unreleased recordings—warm-blooded samples, lonesome synth lines, pared-down guitar parts—begging for proper arrangements and dynamic mixdown, KWIATY was born.