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This opulent interior was created by our client who chose Illingworth Ingham Ltd to supply the Sapele that they then machined and finished as part of the fit-out of this impressive venue.
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https://goo.gl/D9icZq #Grand #Pacific #bar #restaurant #Manchester #Hardwood #Softwood #TimberMerchants #WoodSupplier #Illingworth #Ingham #Sapele #Machined #iitimber #HardwoodManchester
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https://goo.gl/D9icZq #Grand #Pacific #bar #restaurant #Manchester #Hardwood #Softwood #TimberMerchants #WoodSupplier #Illingworth #Ingham #Sapele #Machined #iitimber #HardwoodManchester
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Black out #GrandCherokee #Jeep Hood in #Satin Black for @friendlyauto #Grand #Cherokee #HoodWrap #Wrap #HoodDecal #HoodCowl #HoodWrap #Cowl #Decal #Decals www.customtouchaccents.com/trucks/
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Ekta & Neeraj Grand Destination Wedding at Brand Venue Pune’s Pride Sunny’s World
#Ekta #Neeraj #Family #Grand #DestinationWedding #BrandVenue #PunesPride #SunnysWorld #WeddingHalls #BanquetHall #DestinationWeddingIdeas #DestinationWedding #Wedding
#Ekta #Neeraj #Family #Grand #DestinationWedding #BrandVenue #PunesPride #SunnysWorld #WeddingHalls #BanquetHall #DestinationWeddingIdeas #DestinationWedding #Wedding
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13/12/2018
19 صورة - عرض الألبوم
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New to market - 2004 #Cessna #Grand #Caravan #208B at JetHQ
Always hangared
No damage history
More details at: http://ow.ly/6jSx30mXfZL
#bizjet #bizav #aircraftforsale #privatejet #privateflying #jetforsale #businessaviation
Always hangared
No damage history
More details at: http://ow.ly/6jSx30mXfZL
#bizjet #bizav #aircraftforsale #privatejet #privateflying #jetforsale #businessaviation
Leader Luxury
news.leaderluxury.com
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Rare Pleyel Grand by Ruhlmann - 1929
Émile-Jacques Ruhlmann (28 August 1879 – 15 November 1933), his first names often seen reversed as Jacques-Émile, was a #renowned #French #designer of #furniture and #interiors , epitomising for many the glamour of the French Art Deco style of the 1910s and 1920s.
He was born in Paris to Alsatian parents who were in the general decorating business. When his father died in 1907 he took over the family firm.
In 1919 Ruhlmann founded, with Pierre Laurent, the company Ruhlmann et Laurent, specializing in interior design and producing luxury home goods that included furniture, wallpaper and lighting. By this time, Ruhlmann was making formal elegant furniture using precious and exotic woods in combination with #ivory fittings, giving them a classic, timeless appeal.
Ruhlmann's legacy as a designer was the subject of a major retrospective exhibition at the New York Metropolitan Museum of Art in 2004. In 2009, he was called the "Art Deco's greatest artist" by the New York Times.
- - - - https://palacepianos.com/
For #Sale - Please contact us for more information.
#rare #Pleyel #Art_Deco #Grand #antique #piano #art #pianos #collection #palacepianos #europe #middleeast #artcase #پیانو #چنگ #آنتیک #decoration #instrument #ArtDeco
Émile-Jacques Ruhlmann (28 August 1879 – 15 November 1933), his first names often seen reversed as Jacques-Émile, was a #renowned #French #designer of #furniture and #interiors , epitomising for many the glamour of the French Art Deco style of the 1910s and 1920s.
He was born in Paris to Alsatian parents who were in the general decorating business. When his father died in 1907 he took over the family firm.
In 1919 Ruhlmann founded, with Pierre Laurent, the company Ruhlmann et Laurent, specializing in interior design and producing luxury home goods that included furniture, wallpaper and lighting. By this time, Ruhlmann was making formal elegant furniture using precious and exotic woods in combination with #ivory fittings, giving them a classic, timeless appeal.
Ruhlmann's legacy as a designer was the subject of a major retrospective exhibition at the New York Metropolitan Museum of Art in 2004. In 2009, he was called the "Art Deco's greatest artist" by the New York Times.
- - - - https://palacepianos.com/
For #Sale - Please contact us for more information.
#rare #Pleyel #Art_Deco #Grand #antique #piano #art #pianos #collection #palacepianos #europe #middleeast #artcase #پیانو #چنگ #آنتیک #decoration #instrument #ArtDeco
12/12/2018
صورتان (2) - عرض الألبوم
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Tomkison, Thomas #early #grand piano circa 1815 #London
An early grand piano made by #Thomas #Tomkison serial number 1112 year circa 1815. Piano is in #untouched #original #condition and would need work to bring it back into playing order. Quotes can be given with restoration work. This is a real #museum #piece .
Information by courtesy of Mr. Tim Harding, Mr. David Hackett, And Mr. Norman Macsween who have collected, researched what we know of this important maker which had not been documented till now, Thomas Tomkison, London Piano Maker
You may have looked up Thomas Tomkison in the reference books, and been disappointed to find not much more than that he operated from 55/77 Dean Street Soho between 1799 and 1851. We now have a lot of new light on his background, his family, and what his contemporaries thought about him, which we are looking to write up in accessible form. Frustratingly little has emerged on his apprenticeship, which we know started in 1778, or on how he practiced his trade before he set up shop in Dean Street (when he would have been a man of 35). Recent research shows, however, that in late 1798/early 1799 Tomkison emerged as successor to the bankrupt piano-making business of James Henry Houston, and that there are striking similarities between the first products of Tomkison’s workshop and surviving #instruments of Houston. Within a few years of operation, Tomkison succeeded in making himself s a rival respected by Broadwood and Clementi for the sheer quality of his pianos. He made instruments not only for the Prince Regent, later #GeorgeIV , but for at least two other #royal courts in Europe, knew all the leading makers and pianists in London, was on friendly terms with the Erard and Pleyel dynasties in Paris, and enjoyed a reputation as a connoisseur of pictures as well as music. Though we do not know of any technical improvements to the mechanism of the piano that he himself innovated, we can document his inventive use of distinctive and often striking elements, such as half size dust-boards, pioneering the use of four, not six, leg square pianos (and three, not four on grands), making a remarkable 6.5 octave square as early as c.1824 and exploiting the string plate as a striking decorative feature. As witness to his commercial acumen as well as their structural stability, his pianos were widely exported to India, the Americas and Australia. Contemporary sources regularly class him with the leading English builders Broadwood, Clementi and Stodart. Thomas Tomkison serial number 1112 is the earliest of five known surviving Tomkison grands in the ‘French style’, having decorative fretwork or metalwork at the keyboard ends, and three rather than four legs or a stand. These five instruments are:
serial number 1112 : FF-f4 : Undivided bridge Current Palace Pianos collection
Serial number 1152 : CC-c4 : Divided bridge
Serial number 1216 : CC-c4 : Divided bridge Missing its French frets
Serial number 1236 : CC-c4 : Divided bridge
Serial number 1329 : CC-c4 : Divided bridge The famous piano made for George IV. Tuned June 1821 and dedicated December 1821
https://palacepianos.com/produkt/tomkison-thomas-early-grand-piano-circa-1815-london/
For #Sale : We accept paypal and credit card payment. Please contact us for more information.
#antique #piano #art #pianos #collection #palacepianos #europe #middleeast #artcase #پیانو #چنگ #آنتیک #decoration #instrument
An early grand piano made by #Thomas #Tomkison serial number 1112 year circa 1815. Piano is in #untouched #original #condition and would need work to bring it back into playing order. Quotes can be given with restoration work. This is a real #museum #piece .
Information by courtesy of Mr. Tim Harding, Mr. David Hackett, And Mr. Norman Macsween who have collected, researched what we know of this important maker which had not been documented till now, Thomas Tomkison, London Piano Maker
You may have looked up Thomas Tomkison in the reference books, and been disappointed to find not much more than that he operated from 55/77 Dean Street Soho between 1799 and 1851. We now have a lot of new light on his background, his family, and what his contemporaries thought about him, which we are looking to write up in accessible form. Frustratingly little has emerged on his apprenticeship, which we know started in 1778, or on how he practiced his trade before he set up shop in Dean Street (when he would have been a man of 35). Recent research shows, however, that in late 1798/early 1799 Tomkison emerged as successor to the bankrupt piano-making business of James Henry Houston, and that there are striking similarities between the first products of Tomkison’s workshop and surviving #instruments of Houston. Within a few years of operation, Tomkison succeeded in making himself s a rival respected by Broadwood and Clementi for the sheer quality of his pianos. He made instruments not only for the Prince Regent, later #GeorgeIV , but for at least two other #royal courts in Europe, knew all the leading makers and pianists in London, was on friendly terms with the Erard and Pleyel dynasties in Paris, and enjoyed a reputation as a connoisseur of pictures as well as music. Though we do not know of any technical improvements to the mechanism of the piano that he himself innovated, we can document his inventive use of distinctive and often striking elements, such as half size dust-boards, pioneering the use of four, not six, leg square pianos (and three, not four on grands), making a remarkable 6.5 octave square as early as c.1824 and exploiting the string plate as a striking decorative feature. As witness to his commercial acumen as well as their structural stability, his pianos were widely exported to India, the Americas and Australia. Contemporary sources regularly class him with the leading English builders Broadwood, Clementi and Stodart. Thomas Tomkison serial number 1112 is the earliest of five known surviving Tomkison grands in the ‘French style’, having decorative fretwork or metalwork at the keyboard ends, and three rather than four legs or a stand. These five instruments are:
serial number 1112 : FF-f4 : Undivided bridge Current Palace Pianos collection
Serial number 1152 : CC-c4 : Divided bridge
Serial number 1216 : CC-c4 : Divided bridge Missing its French frets
Serial number 1236 : CC-c4 : Divided bridge
Serial number 1329 : CC-c4 : Divided bridge The famous piano made for George IV. Tuned June 1821 and dedicated December 1821
https://palacepianos.com/produkt/tomkison-thomas-early-grand-piano-circa-1815-london/
For #Sale : We accept paypal and credit card payment. Please contact us for more information.
#antique #piano #art #pianos #collection #palacepianos #europe #middleeast #artcase #پیانو #چنگ #آنتیک #decoration #instrument
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#Bosendorfer Small #Imperial #Grand 275 in Black High gloss case
#Bösendorfer, one of the oldest piano manufacturers, was established in 1828 by Ignaz Bösendorfer. It has a #history of producing highly respected #instruments ; in 1830, it was granted the status of official piano maker to the Emperor of Austria. Ignaz’s son Ludwig Bösendorfer (15 April 1835 – 9 May 1919) assumed control in 1859, operating from new premises from 1860. Between 1872 and its closure in 1913, the associated Bösendorfer-Saal was one of the premier concert halls of Vienna. In 1909, Carl Hutterstrasser purchased the company and was succeeded by his sons Alexander and Wolfgang in 1931. In 1966, the Jasper Corporation (later renamed Kimball International), parent company of Kimball Pianos, assumed control of Bösendorfer, where it remained before returning to Austrian hands, when the BAWAG PSK Gruppe purchased it in 2002. #BAWAG signed an agreement to sell all stock in Bösendorfer to Yamaha on 20 December 2007.
Revered and desired by many of history’s most prominent #musicians , Bösendorfer pianos have secured a lasting reputation as some of the finest instruments ever built, which persists to this day. Following a suggestion by Ferruccio Busoni, intending to facilitate more accurate transcriptions of pieces by J.S. Bach, Bösendorfer constructed a unique instrument with an expanded range of 97 keys to match the lower registers of the organ’s bass pedals. This innovation not only provided for a piano with #extraordinary capabilities, but also an expanded pallet of overtones that serve to bolster a signature sonority that is already known for its unrivaled dark richness. The expanded register was later put into production on the model 290 “Imperial” grand, as was a 92 note register given to the models 225 and 275, of which the present example represents, from its final years of production.
https://palacepianos.com/produkt/bosendorfer-small-imperial-grand-275-in-black-high-gloss-case/
For #Sale : We accept paypal and credit card payment. Please contact us for more information.
#antique #piano #art #pianos #collection #palacepianos #europe #middleeast #artcase #پیانو #چنگ #آنتیک #decoration #instrument
#Bösendorfer, one of the oldest piano manufacturers, was established in 1828 by Ignaz Bösendorfer. It has a #history of producing highly respected #instruments ; in 1830, it was granted the status of official piano maker to the Emperor of Austria. Ignaz’s son Ludwig Bösendorfer (15 April 1835 – 9 May 1919) assumed control in 1859, operating from new premises from 1860. Between 1872 and its closure in 1913, the associated Bösendorfer-Saal was one of the premier concert halls of Vienna. In 1909, Carl Hutterstrasser purchased the company and was succeeded by his sons Alexander and Wolfgang in 1931. In 1966, the Jasper Corporation (later renamed Kimball International), parent company of Kimball Pianos, assumed control of Bösendorfer, where it remained before returning to Austrian hands, when the BAWAG PSK Gruppe purchased it in 2002. #BAWAG signed an agreement to sell all stock in Bösendorfer to Yamaha on 20 December 2007.
Revered and desired by many of history’s most prominent #musicians , Bösendorfer pianos have secured a lasting reputation as some of the finest instruments ever built, which persists to this day. Following a suggestion by Ferruccio Busoni, intending to facilitate more accurate transcriptions of pieces by J.S. Bach, Bösendorfer constructed a unique instrument with an expanded range of 97 keys to match the lower registers of the organ’s bass pedals. This innovation not only provided for a piano with #extraordinary capabilities, but also an expanded pallet of overtones that serve to bolster a signature sonority that is already known for its unrivaled dark richness. The expanded register was later put into production on the model 290 “Imperial” grand, as was a 92 note register given to the models 225 and 275, of which the present example represents, from its final years of production.
https://palacepianos.com/produkt/bosendorfer-small-imperial-grand-275-in-black-high-gloss-case/
For #Sale : We accept paypal and credit card payment. Please contact us for more information.
#antique #piano #art #pianos #collection #palacepianos #europe #middleeast #artcase #پیانو #چنگ #آنتیک #decoration #instrument
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