Isaac Albéniz, Béla Bartók, Benjamin Britten, Mario Castelnuovo-Tedesco, Abram Chasins, Aaron Copland, Claude Debussy, Ernö Dohnányi, George Enescu, Manuel de Falla, Samuel Feinberg, Jean Françaix, George Gershwin, Enrique Granados, Vincent d'Indy, John Ireland, Charles Ives, Aram Khachaturian, Erich Wolfgang Korngold, Dinu Lipatti, Frank Martin, Nicolai Medtner, Olivier Messiaen, Darius Milhaud, Federico Mompou, Francis Poulenc, Sergei Prokofiev, Sergei Rachmaninoff, Maurice Ravel, Camille Saint-Saëns, Erwin Schulhoff, Rodion Shchedrin, Dimitri Shostakovich, Igor Stravinsky, Karol Szymanowski, Alexander Tcherepnin, Heitor Villa-Lobos play their own works on piano (no piano-rolls included!)
Claude Debussy's Prélude No. 12, Second Book, "Feux d'artifice", played by three different pianists: 1. Marcel Ciampi (1891-1980), rec. 1931 at 0:00 2. Rudolf Firkušný (1912-1994), rec. 1958 at 4:0...
Béla Bartók (1881-1945) From Eight Improvisations on Hungarian Peasant Songs Opus 20: I. Molto moderato II. Molto capriccioso VI. Allegro moderato, molto capriccioso VII. Sostenuto, rubato (à la mé...
Frédéric Chopin (1810-1849) From Quatre Mazurkas Opus 41: No. 1 in E minor, Andantino, dedicated to Chopin's close friend Stefan Witwicki (1801-1847) Played by Mieczyslaw Horszowski in 1977 (live),...
Walter Gieseking (1895-1956) plays Edvard Grieg's Lyric Piece Opus 43 No. 6, "To (the) Spring" Acoustic recording, 1925 Painting: Ivan Yakovlevich Bilibin, "Spring" (1909)
Wolfgang Amadeus Mozart (1756-1791) Piano Concerto No. 14 K 449 in E flat major (1784) 1. Allegro vivace 0:00 2. Andantino 8:54 3. Allegro ma non troppo 16:18 Mieczyslaw Horszowski (1892-1993), pia...
There's no doubt that at his prime, Alexander Brailowsky (1896-1976) was a very fine pianist and a great Chopinist. However, his recordings are a mixed bag...the early ones (made in the 1920s and 1...
Sergei Rachmaninoff: 1. Polka de W.R. in A flat major 2. Waltz in A major Opus 10 No. 2 at 3:53 3. Mélodie in E major Opus 3 No. 3 (from Morceaux de fantaisie) at 7:53 Played by the Lithuanian-born...
Frédéric Chopin's First Sonata Op. 4 in C minor I. Allegro maestoso 0:00 II. Menuetto 8:07 III. Larghetto 12:40 IV. Finale. Presto 16:15 Robert Goldsand (1911-1991), piano Recorded in 1959 A most i...
Ferruccio Busoni (1866-1924): From Elegies: No. 4, Turandots Frauengemach (Intermezzo) ["Turandot's Zenana" (Intermezzo)] Played by the Portugese pianist José Vianna da Motta (1868-1948), who studi...
Franz Liszt's Piano Concerto No. 2 in A major Claudio Arrau (1903-1991), piano New York Philharmonic conducted by Dimitri Mitropoulos (1896-1960) Live recording, 1943
Claude Debussy (1862-1918) La boîte à joujoux (The Toybox) Orchestration by André Caplet (1878-1925) Orchestre National de la Radiodiffusion française Conducted by André Cluytens (1905-1967) Record...
Teodor Leszetycki (mostly referred to by the germanised name used by himself Theodor Leschetizky, June 22, 1830 -- November 14, 1915) was a Polish pianist, teacher and composer. He was born in Łańcut, Poland (at the time part of the Austro-Hungarian Empire).
From an early age he was recognized as a prodigy, and after studying in Vienna with Karl CZERNY and Simon Sechter he became a teacher at fourteen; by the age of eighteen he was a well-known virtuoso in Viennese music circles. Besides performing, he became a very influential piano teacher, first at the St. Petersburg Conservatory, which he co-founded with Anton Rubinstein, and subsequently in Vienna. His students included many of the most renowned pianists of their time, including Ignaz FRIEDMAN, Benno MOISEIWITSCH, Elly NEY, Ignacy PADEREWSKI, Artur SCHNABEL, Mark HAMBOURG, Mieczysław HORSZOWSKI and many others.
In this playlist you can hear the acoustic recordings made in 1922 by Ferruccio Dante Michelangiolo Benvenuto Busoni (1866-1924), as well as a selection of the recorded legacy of nine of his pupils: Guido Agosti (1901-1989) Etelka Freund (1879-1977) Rudolf Ganz (1877-1972) Frida Kwast - Hodapp (1880-1949) Egon Petri (1881-1962) Mieczayslaw Munz (1900-1976, a rare clip without sound) Leo Sirota (1885-1965) Michael Zadora (1882-1946) Carlo Zecchi (1903-1984)
Busoni on the importance of details in piano playing:
"If a truly great work of art in the form of a stained glass window should be accidentally shattered to little bits, one should be able to estimate the greatness of the whole window by examining one of the fragments even though all the other pieces were missing. In fine piano playing all of the details are important. I do not mean to say that if one were in another room that one could invariably tell the ability of an artist by hearing him strike one note, but if the note is heard in relation to other notes in a composition, its proportionate value should be so delicately and artistically estimated by the highly trained performer, that it forms part of the artistic whole."
CLARA SCHUMANN (1819-1896) - The widow of Robert, friend and spiritual mentor to Johannes Brahms, expert and often eloquent minor composer and, by all accounts, a great pianist and teacher - was one of the most remarkable women of the 19th century. For this playlist I selected some recordings made by four of her pupils: - Fanny Davies (1861-1934) - Ilona Eibenschütz (1872-1967) - Adelina de Lara (1872-1961) - Carl Friedberg (1872-1955)
Josef (Józef Kazimierz) Hofmann, 1876-1957. One of the greatest pianists of all time, startling audiences when he was six years old. Apart from having taken lessons with Eugen d'Albert, he is the best disciple of Anton Rubinstein, and although he is considered one of the first "modernists" in piano playing, his style must have been influenced by that Master. Some of his studio recordings can sound a little remote; there is much more spontaneity in his amazing live-recordings, e.g. Chopin's Ballades or the First Piano Concerto. "His style combined an aristocratical musical line, a perpetually singing tone, and a range of dynamics from the most etheral pianissimo to tigerish surges in which the piano erupted." (Harold Schonberg) Audio and video.