The optimist sees a light at the end of the tunnel,
the realist sees a train entering the tunnel,
the pessimist sees a train speeding at him, hell for leather,
and the machinist sees three idiots sitting on the tracks.
"The optimist proclaims that we live in the best of all possible worlds; the pessimist fears this is true."
— James Branch Cabell, The Silver Stallion.
Which best solves problems?
The Power of Friendship, or a
bullet between the eyes?
The answer depends on where the series falls in the Sliding Scale Of Idealism Versus Cynicism.
A story can be idealistic or cynical towards any idea. In general, if the story values or is hopeful for a particular ideal, then it is idealistic. If the story criticizes, assaults, and
accentuates the negative about that expectation, then it is cynical.
For a simple, archetypal example, let's assume that the idea to believe in is
Humans Are Good/
Rousseau Was Right. In idealistic series,
those who believed it got
lots of friends and a
Happy Ending (therefore,
Right Makes Might), while cynical series are
Crapsack Worlds where
those who believed it got ruthlessly bullied by
everyone else (therefore,
Might Makes Right). Of course, the definitions of "Right" and "Crapsack" in the above can technically mean whatever one wants them to mean.
However, be careful not to confuse idealism with
straw optimism, cynicism with
straw pessimism, and the scale as a whole with the
Sliding Scale of Silliness Versus Seriousness. Also note that when this applies to characters, this does not mean good or evil. After all, it's perfectly possible for an idealist to be
evil, and a cynic to be
good. Likewise, a very cynical series could be quite
lighthearted (see also:
Crapsaccharine World), conversely a very idealistic series could be extremely
dark. It's also true that
comedies can be cynical as all hell (see also:
Satire), and dark dramas can end
idealistic (see also:
A World Half Full).
See also:
The Idealist and
The Cynic for the archetypal characters. For how both sides often portray each other, see
Wide-Eyed Idealist/
Silly Rabbit, Idealism Is for Kids!, and
Grumpy Bear/
Silly Rabbit, Cynicism Is for Losers!. See
Cynicism Tropes, and
Idealism Tropes for lists of each.
This particular sliding scale can be the topic of fierce debate. Each person will have a different point which they tend towards. Therefore, this scale is most useful in targeting demographics and those who are sympathetic to a certain world view, and identifying where on the spectrum one's own work is.
Cerebus Syndrome describes a shift from comedy to drama and this often also results in a shift from idealism to cynicism.
Reverse Cerebus Syndrome is the inversion. When shows
Zig Zag between the two, they're on a
Cerebus Roller Coaster.
Examples