Review: Christopher Nolan’s ‘Dunkirk’
“As a portrait of differing wartime experiences, ‘Dunkirk’ is too plot-oriented to be successful.”
Advertisements
A Musical Necropic: Todd Haynes’ ‘Superstar: The Karen Carpenter Story’
“It’s done critically, sympathetically and with a demand from the viewer to take responsibility for their role in the story, too.”
Review: Esteban Crespo’s ‘Amar’
“‘Amar’ is passionate without being pretentious.”
Vague Visages Is FilmStruck: Jeremy Carr on Federico Fellini’s ‘La Strada’
“Fellini’s films often flourished with acute ruminations on life and society, but rarely would his work achieve this degree of pure emotion.”
Uncovering the Mysteries of Andrei Tarkovsky’s ‘Stalker’
“‘Stalker’ is less concerned about the actual plight of these men and more about the philosophical questions their journey brings to the forefront.”
Once Upon a Time… Victor Erice
“His filmography is framed nostalgia. It’s a journey to the past and an ode to the imagination.”
My Summer of Dunst: Volume 2
“Dunst’s roles from 1998 to 2002 illustrate her need to conform to studio standards of femininity, balanced with her own personal desire to stretch her wings as a performer.”
Recent Comments