By Tosyn Bucknor on November 20, 2018
By Tosyn Bucknor on 20 November 2018 in
AUDIO
Nigerian singer Temi DollFace finds herself on a «one-woman mission to put the theatrics back into live music». In the podcast she talks about fashion, being a female artist in Nigeria, and the gap between critical acclaim and mainstream chart success.
Posted in AUDIO | Tagged Desire, Fashion, Nigeria, Nostalgia, Pata Pata, Retro, Seismographic Sounds, Seismographic Sounds Podcasts, Temi Dollface, Tosyn Bucknor |
By Angie Balata on November 6, 2018
By Angie Balata on 6 November 2018 in
STORIES
In Egypt, the high amount of digitalization has not translated into monetization for most musicians. This is not just because most families live at or below the poverty line. So what does this mean for the future of local artists?
Posted in STORIES | Tagged alternative music scene, Angie Balata, BandCamp, Cairo, digital, digitalization, Digitisation, e-commerce, Egypt, Go! Save the Hostages!, Live Shows, Monetization, Money, Music Business, Nour Khan, piracy, Seismographic Sounds, Social Media, SoundCloud |
By Serge Yared on October 30, 2018
By Serge Yared on 30 October 2018 in
STORIES
In Beirut every gunshot has a different meaning. There are sounds of war and of celebration. The lebanese musician Serge Yared explains how they are used in music and aestheticised.
Posted in STORIES | Tagged Beirut, Civil War, explosions, Hizbullah, Lebanon, Noise, Punk, Saturation, Seismographic Sounds, Serge Yared, Soundscape, Starry Night, taboo, volcano, War |
By Audio Pervert on October 23, 2018
By Audio Pervert on 23 October 2018 in
BLOG
Bollywood has been dominated by men and patriarchal values for decades. But things are changing slowly. Bollywood composer Audio Pervert presents emerging female artists aiming for recognition in a nation of 662 million women.
Posted in BLOG, STORIES | Tagged Alka Yagnik, Alokananda Dasgupta, Anuradha Paudwal, Anurag Kashyap, Anwar Ka Ajab Kissa, Audio Pervert, Batti Gul Meter Chalu, Bollywood, Buddhadeb Dasgupta, Censorship, Chennai, female composers, female presence, film music industry, Gender Equality, India, Lata Mageshkar, Mohini Dey, Mukkabaaz, Mumbai, Music Business, Nayan Srivastava, Netflix, New Delhi, Newton, Rachita Arora, Samrat B, Shala, Shreya Ghoshal, Sneha Khanwalkar, Trapped, Tung Tung Da Sound Karda, Vishal Dadlani |
By Dylan Culhane on October 20, 2018
By Dylan Culhane on 20 October 2018 in
BLOG
In this photo series South African photographer Dylan Culhane stages artist Umlilo in collage portraits and evokes a sense of multiplicity. A photo series from the Norient book and exposition «Seismographic Sounds».
Posted in BLOG | Tagged Desire, Dylan Culhane, Hybridity, Multiplicity, Queer, Queer Culture, Seismographic Sounds, Seismographic Sounds Photo Series, Shizophonia, South Africa, Umlilo |
By Ali Gul Pir on October 19, 2018
By Ali Gul Pir and Taimoor Salahuddin on 19 October 2018 in
AUDIO
An impressive and moving testimonial of rapper and comedian Ali Gul Pir from Karachi, Pakistan, who is faced by death threats due to his art. In the podcast he talks about what makes him feel lonely when living and working as a musician in Pakistan.
Posted in AUDIO | Tagged Ali Gul Pir, Change, Death, Freedom, Freedom of Expression, Hip Hop, Hope, Karachi, KholoBC, Loneliness, Manal Khan, Mooroo, Pakistan, Protest, religion, Seismographic Sounds, Seismographic Sounds Podcasts, Taimoor Salahuddin, YouTube, YouTube Ban |
By Henriette Gunkel on October 18, 2018
By Henriette Gunkel on 18 October 2018 in
VIDEO
What reads at first sight as a rather classic «coming out» story is not a linear narrative. In the music video «Magic Man» South African artist Umlilo and director Jasyn Howes produce a temporal and spatial disorder through fragments of moving images.
Posted in VIDEO | Tagged body, dance, Desire, Gender, Magic Man, Queer, Queer Culture, Seismographic Sounds, South Africa, Umlilo |
By Norient on October 17, 2018
By Norient on 17 October 2018 in
VIDEO
Wie und warum benutzen Musiker*innen Samples? Wie positionieren sie sich durch ihre Wahl? Können Samples ein gesellschaftlicher Kommentar sein? Solche Fragen stellt der Musikwissenschaftler Hannes Liechti in seiner Doktorarbeit.
Posted in VIDEO | Tagged Communicating Music Research, digital ethnography, Electronic Music, Ethnomusicology, Experimental Music, Hannes Liechti, Lara Sarkissian, MusicResearch, Sampling, SNF Agora |
By Umlilo on October 15, 2018
By Umlilo and Leila Dee Dougan on 15 October 2018 in
AUDIO
For rapper Umlilo music is freedom and therapy at the same time. In his music he addresses issues of homophobia and bends the common images of gender. «Gender has always been something very natural to me to fuck with», he explains his approach.
Posted in AUDIO | Tagged Activism, Bedroom Producing, Cape Town, Class, Desire, DIY, Freedom, Gender, Queer, Queer Culture, Seismographic Sounds, Seismographic Sounds Podcasts, South Africa, Township, Umlilo, Xhosa |
By Percy Mabandu on October 2, 2018
By Percy Mabandu on 2 October 2018 in
STORIES
Percy Mabandu takes us through a maze of hit music videos to study the genre’s fascination with performed exotica. African clichés or a re-connection with tradition and the past by nostalgic modern taste-makers?
Posted in STORIES | Tagged 3XTshi, Afrika, Big Nuz, Bruce Patterson, Clichés, DJ Cleo, DJ Fisherman, dj ganyani, Exotica, FB, G'Sparks, Heritage, House, Human Zoo, Identity, Jacob Zuma, Liquideep, Lucie Bdt, Mustache, Nostalgia, Othering, Percy Mabandu, Performed Exotica, Pilot Films, Saartjie Baartman, Seismographic Sounds, Shangaan, South Africa, South African House, Stereotypes, Südafrika, Sue Williamson, Tony Mikimi, Tradition, Tribal, Tribal Life, Wedding, Zulu |
By Tendai Chari on September 25, 2018
By Tendai Chari on 25 September 2018 in
STORIES
Zimbabwe has some of the richest pastors in the world who made their money by preaching the gospel of prosperity. Music has become an effective discourse for hegemonic constructions of the current social order.
Posted in STORIES | Tagged Activism, Africa, African youth, afro-beat, Amen, bankruptcy, carpenter, Cash Moni, christian life, church, comedy, David Bishau, discursive, Emmanual Makandiwa, Farai Sam Monroe aka Comrade Fastso, Ghana, god, gospel, hypocrisy, Mo Li Little Swaggery, Money, Moral, Parody, Pastors, PHD, poor, poverty, Prophetic Healing and Deliverance, prosperity, Protest, religion, religious elite, Richest Pastors in the World, Seismographic Sounds, sermon, Tendai Chari, The Pidgin Prince, The Prosperity of the Gospel, UFIC, United Family International Church, West Africa, Yaa Pono, Zimbabwe |
By David Verbuč on September 18, 2018
By David Verbuč on 18 September 2018 in
ACADEMIC
Various American music scenes are not identified in terms of genres but more in terms of space. The example of DIY touring in the US delineates this. From the Norient book «Seismographic Sounds» (see and order here).
Posted in ACADEMIC | Tagged 3 Moons, alienation, bands, BerkeleyCalifornia, cock rock, communities, community, David Verbuč, DIY, DIY scenes, DIY spaces, dominant society, exclusion, Experimental Music, Fans, Folk, friendship, Fugazi, Gilman 924 club, group mind, Heather Blotto, homophobia, Ian MacKaye, imagined community, indie rock, Kimya Dawson, Loneliness, Metal, micro-social, Minor Threat, My Rollercoaster, network of favors, place, Portland, Punk, Queer, racism, repression, revolutionary underground movement, Seismographic Sounds, Sexism, social groups, Straight Trippin, Taxpayers, touring musicians, translocal, transphobia, warehouse shows |
By Andy Bennett on September 11, 2018
By Andy Bennett on 11 September 2018 in
ACADEMIC
The relationship between music and place has a long history. This article discusses the academic discourses regarding the relationship between music and place. From the Norient book «Seismographic Sounds».
Posted in ACADEMIC | Tagged Andy Bennett, Anglo-American, Belonging, British folk, Canterbury Scene, Chicago School, Clarke, clubs, Cohen, community, DJs, Ethnomusicology, Hafeneger, Laneways, Liverpool, local, memory, memory-scapes, metro-centric, mods, Popular Music, punks, Rogers, scene, Seismographic Sounds, Serbia, skinheads, sociology, study, Subculture, Theory, Todorovic, Toronto, traditional, Turbo Folk |
By Derek Walmsley on September 4, 2018
By Derek Walmsley on 4 September 2018 in
STORIES
Violence may be a frequent theme in UK grime music, but its influence on the aesthetics of the music is stronger than its connection to real life disputes. War is everywhere in grime lyrics, but violence is fictionalized.
Posted in STORIES | Tagged Butterz, Crazy Titch, Derek Walmsley, Destruction VIP, Devilman, Dizzee Rascal, Dub, dubstep, Elijah & Skilliam, Eskimo Vocal, explosions, Flow Dan, Forward Rhythm, gat, glock, God´s Gift, grime, gun fingers, guns, heat, Hip Hop, Jammer, Lethal B, Logan Sama, London, Lord Of The Mics, Mc, Noise, Othering, Pow, pumpy, rapper, Rinse.fm, Roll Deep, Ruff Sqwad, Seismographic Sounds, shotty, skeng, Skepta, Slix, The Essentials, The Wire, Tinchy Stryder, UK, UK garage, Violence, War, weapons, Wiley |
By Hannes Liechti (Norient) on August 28, 2018
By Hannes Liechti (Norient) on 28 August 2018 in
BLOG
Berlin-based producer Kritzkom rarely works with samples and, accordingly, on her 2016 techno track «Inner March for Utopia» synth basses and melodies dominate. But if one digs deeper one can find the traces of a sample of the Kurdish national anthem.
Posted in BLOG | Tagged Ableton, Advocacy, female:pressure, Glokale Sounds, Hannes Liechti, Kritzkom, Kurdish, Kurdistan, Marine Drouan, Music and Politics, Music Production, Rojava, Sampling, Sampling Motivations: Politics, Sampling Stories, SNF, Techno, War |
By Beatriz Hernández Caraveo on August 22, 2018
By Beatriz Hernández Caraveo on 22 August 2018 in
BLOG
Music scenes can serve as safe spaces for marginalized groups. In Mexico, reggaetón underground parties are an important home for the country’s LGBTIQA+ community to express their discontent against a sexist society and lack of female empowerment.
Posted in BLOG | Tagged Beatriz Hernández Caraveo, body, Brun OG, Desire, empowerment, Gender, Gender Roles, intersectionality, La Gozadera, LGBTIQA, Mami Slut, Mexico, Mexico City, Perreo, Queer, Queer Culture, reggaeton, reggaeton underground, Resistance, Sex, T.Y., Tomasa del Real |
By Philipp Rhensius (Norient) on August 14, 2018
By Philipp Rhensius (Norient) on 14 August 2018 in
AUDIO
The musician Cedrik Fermont cuts lanes through the imagined landscapes of our world. The 2018 compilation «Uchronia» from his label «Syrphe» consists of 49 songs from artists of 32 Asian countries. We asked him about his five favorite songs.
Posted in AUDIO | Tagged Başar Ünder, Belonging, C-drík, C-Drik Fermont, Cedrik Fermont, Central Asia, Children Of Cathode Ray, Europe, Experimental Music, Fag Boy Jesus, Gülce Özen Gürkan, Kazakhstan, Kei Watanabe, Middle East, New Geographies, Noise, North Africa, Philipp Rhensius, Philippines, Phu Pham, Saadet Türköz, South Asia, Southeast Asia, Sri Lanka, Syrphe, Turkey, Uchronia, Zeynep Sarıkartal |
By Jeremy Wallach on August 7, 2018
By Jeremy Wallach on 7 August 2018 in
STORIES
Performing, listening, and recording underground rock shapes an oppositional consciousness among Indonesian youth. This spirit found expression in the grassroots protest movement responsible for toppling the autocratic Soeharto regime in 1998.
Posted in STORIES | Tagged Asia, Balcony, Betrayer, Burger Kill, Cherry Bombshell, Cokelat, Cryptical Death, Death Vomit, Democracy Movements, Eternal Madness, Indonesia, Jakarta, Jeremy Wallach, Koil, MTV Culture, Out of the Absurdity of Life, Padi, Pas, Protest, Puppen, Purgatory, Sheila on 7, Step Forward, Suckerhead, Superman Is Dead, Tengkorak, Trauma, Underground Rock, youth culture |
By Samčo Brat Dáždoviek on July 31, 2018
By Samčo Brat Dáždoviek on 31 July 2018 in
STORIES
Grown on the Czech music platform bandzone, anti-music is a trashy music wave that is about music that nobody wants to listen to: amateurish lo-fi recordings made by funny and nerdy «musicians» who play old and broken music instruments.
Posted in STORIES | Tagged anti-music, Chlapiksxichtemwlka, CT, Czech Republic, Dagmar Andrtová-Voňková, Depressive Directions, DIY, Dycky se můžem přejmenovat, Easterndaze, Jebem-Trepem, Ladislav Meliško, lo-fi, MC Bunny, Nová Dubnica, Okamžitý odjezd, Pilsen, Prague, Prievidza, Psychodelikum Alkoholikum, Rychnov nad Kněžnou, Slovakia, Štětí, sub-underground, Topoľčany, Trash, Vysušené embryá, Zle, Ztělesněná zoufalos |
By Sandeep Bhagwati on July 24, 2018
By Sandeep Bhagwati on 24 July 2018 in
STORIES
Sandeep Bhagwati works in various musical traditions and has roots in Asia, Europe and North America. He self-identifies as a Native Alien and claims: to feel unquestioned ties to one’s own place.
Posted in STORIES | Tagged Adorno, alienation, alternative world, Asia, Authenticity, Avant-Garde, Belonging, classical, commercial, cultural gambit, dharma, Europe, Home, home-addict, immigrants, Loneliness, musical nativist, musicking, Native Aliens, North America, participant observers, place, Seismographic Sounds, Spotify, styleprogress |
By Shayna Silverstein on July 17, 2018
By Shayna Silverstein on 17 July 2018 in
ACADEMIC
For centuries dabke was a local tradition in Syria, but in the late 1990s, it has become urban. Thereby, the popular dance music was reimaginated and globalized. Under the name «new wave dabke» special stylistic idoms have become noticeable.
Posted in ACADEMIC | Tagged Abu Hussein, Ali El Dik, Arab World, Bashar Assad, Beirut, Belonging, Dabké, Dalida, Ethnomusicology, Hasan Nasrallah, Iraq, Lebanon, Lourd Sound, Mohammed Iskander, Musiqa Shaʿbiyya, Naim El Sheikh, Nos Tefaha, Omar Souleyman, Out of the Absurdity of Life, place, Popular dance music, Popular Music Studies, Rabieh El Asmar, Rotana, sahaliyya dialect, Sampling, Saria Sawas, Shayna Silverstein, Syria, Tradition, Urban Music, Walid Sarkis, Zeina Saqar |
By Thomas Burkhalter (Norient) on July 11, 2018
By Thomas Burkhalter (Norient) on 11 July 2018 in
BLOG
The Egyptian Revolution of 2011 and the political turmoil in the years since have changed the country. How did underground musicians, DJs and songwriters from Cairo react, and how did the events influence their art?
Posted in BLOG | Tagged Activism, After Eight club, Ahmad Basiony, Cairo, Dina El-Gharib, Egyptian Revolution, Epic 101, Hussein El-Sherbini, Irhal, Islam Chipsy, Mahmoud Refat, Maryam Saleh, Protest, Ramy Essam, Revolution, Seismographic Sounds, Sherine Amr, Tahrir Square, Thomas Burkhalter, War |
By Cande Sánchez Olmos on July 5, 2018
By Cande Sánchez Olmos on 5 July 2018 in
STORIES
The ways in which music videos generate money have changed since the days of MTV. The rise of YouTube came along with the hope for democratization, but this as been diluted due to corporatization. Is this a threat to cultural diversity?
Posted in STORIES | Tagged Cande Sánchez Olmos, corporatization, digitalization, entertainment, Funding, Grammy Award, independent musicians, Media Semiotics, Money, MTV, music video, musical diversity, platform music video, Seismographic Sounds, Vevo, video culture, Xandra Garsem, YouTube |
By Norient on June 28, 2018
By Norient on 28 June 2018 in
VIDEO
Which form of musical protest is most effective to provoke change? This we asked musicians and scholars around the world, from composer Dave Philipps to the ethnomusicologist Martin Daughtry. Their answers are quite different. A virtual debate.
Posted in VIDEO | Tagged Acoustic Mirror, Annette Schmucki, Antye Greie-Ripatti (AGF), Blablabor, Dave Philipps, Filastine, İpek İpekçioğlu, Johannes Kreidler, Kamen Nedev, Keith Kahn-Harris, Kimi Kärki, Martin Daughtry, Minuit De Lacroix, Music and Politics, Protest, Protest Music, Reto Friedmann, Rona Geffen, Rudolf eb.er, Seismographic Sounds, Seismographic Sounds Debates, Trullesand |
By Kommando Himmelfahrt on June 20, 2018
By Kommando Himmelfahrt on 20 June 2018 in
BLOG
Im Zeitalter der universellen Verfügbarkeit sind einzelne Menschen obsolet geworden. Dafür jedoch, sagt das Hamburger Künstlerkollektiv Kommando Himmelfahrt, sind sie weniger einsam, oder nicht?
Posted in BLOG | Tagged Aura, Digitalisierung, digitalization, Einsamkeit, Hamburg, Jan Dvorak, Jan Plewka, Julia Warnemünde, Kommando Himmelfahrt, Loneliness, Musiktheater, Reproduzierbarkeit, Seismographic Sounds, Thomas Fiedler, Utopie, Walter Benjamin |
By Norient on June 16, 2018
By Norient on 16 June 2018 in
EVENTS
From October 18 to 20, 2018, Norient co-presents a research conference around popular music in times of global networks. Featuring Ali Gul Pir (Karachi, Pakistan) and Umlilo (Johannesburg, South Africa).
Posted in EVENTS | Tagged Ali Gul Pir, Anja Brunner, Antti-Ville Kärjä, Bern, Bern 2018, Bern University of the Arts, Call for Papers, Dahlia Borsche, Hannes Liechti, Helena Simonett, HKB, Hochschule der Künste Bern, IASPM D-A-CH, Jenny Fatou Mbaye, Johannes Ismaiel-Wendt, Kerstin Klenke, Maria-Hanáček-prize, Music Research, Oliver Seibt, Pop – Power – Positions, Popular Music Studies, postcolonial, Research Area Interpretation, Research Conference, Stefanie Alisch, Umlilo, Universität Bern |
By Philipp Rhensius (Norient) on June 15, 2018
By Philipp Rhensius (Norient) on 15 June 2018 in
BLOG
Often, the politics of a song are carried in its lyrics. However, can instrumental electronic music also create concrete criticism? An investigation of D. Glare’s song «Gentrification Death Certificate».
Posted in BLOG | Tagged acoustics, City, D. Glare, Drone, Gentrification, instrumental music, Leeds, Philipp Rhensius, Political Music, Protest, Zona Watusa |
By Julian Bonequi on June 8, 2018
By Julian Bonequi on 8 June 2018 in
AUDIO
For the Norient exhibition «Seismographic Sounds – Visions of a New World» the Mexican hybrid artist and label owner Julian Bonequi compiled a mixtape taken from live performances, radio shows, and studio recordings from his label Audition Records.
Posted in AUDIO | Tagged (SIC), AG Davis, Aimée Theriot, Anaïs Tuerlinckx, Audition Records, Camille Mandoki, Jealousy Party, Juanjose Rivas & Jorge Ramirez, Julian Bonequi, mixtape, Okkyung Lee, Registros de Audicion, Seismographic Sounds, Seismographic Sounds Mixes, Senyawa, ZOO |
By Thomas Burkhalter (Norient) on June 6, 2018
By Thomas Burkhalter (Norient) on 6 June 2018 in
BLOG
Karachi-based rapper and YouTube star Ali Gul Pir wants to be a man who matters. He attacks powerful warlords with satire and opposes the YouTube ban in Pakistan. For this he received death threats.
Posted in BLOG | Tagged Ali Gul Pir, Arab World, Censorship, death threat, feudal system, Humor, Karachi, Kholo BC, Loneliness, Muslim, Pajero, Pakistan, Parody, satire, Seismographic Sounds, Taliban, Thomas Burkhalter, US Supreme Court, Waderai Ka Beta, YouTube, YouTube Ban |
By Deforrest Brown Jr. on June 2, 2018
By Deforrest Brown Jr. on 2 June 2018 in
BLOG
The electronic musician Tim Hecker is like an aesthetic engineer whose visceral live concerts deconstruct musical meanings. Read a sonic fiction in advance of his audiovisual live show at our new concert series.
Posted in BLOG | Tagged Affect, Aïsha Devi, Meaning, Rewire Festival, Schauspielhaus Zürich, Sonic Fiction, Tim Hecker |
By Ismael Hares alias Black Afghan Sound System on May 27, 2018
By Ismael Hares alias Black Afghan Sound System on 27 May 2018 in
VIDEO
For Usinesonore Festival on June 2, 2018, Norient collaborated on the creation of an Afghan evening. On this occasion, we asked Ismael Hares alias Black Afghan Soundsystem to select five songs that rock every Afghan wedding in the diaspora.
Posted in VIDEO | Tagged Afghanistan, Aria Band, Black Afghan Sound System, Diaspora, Farhad Shams, Ismale Hares, Panjsher, Saboor Tabish, Sameera Nasiry, series: 5 video clips from..., USINESONORE, Valy, Wedding DJ |
By Philipp Rhensius (Norient) on May 25, 2018
By Philipp Rhensius (Norient) on 25 May 2018 in
BLOG
The music of of the electronic musician and singer Aïsha Devi creates a world of unheard sounds and utopian ideas. Read a sonic fiction in advance of her audiovisual live show at our new concert series.
Posted in BLOG | Tagged Aïsha Devi, Aisha Devi Enz, Electronic Music, Houndstooth, Rewire Festival, Schauspielhaus Zürich, Sonic Fiction, Stem Cell, Utopia |
By Norient on May 23, 2018
By Norient on 23 May 2018 in
VIDEO
Today the sampling of all material from infinite sources challenges the «spectacular aura» of the pre-recorded original in order to claim autonomy. We asked musicians from the Norient network: how does the digital availability of sources change music?
Posted in VIDEO | Tagged Christoph Ogiermann, copying, Eduardo Navas, glitch, Joe Bennett, Remix Studies, sample library, Sampling, Seismographic Sounds, Seismographic Sounds Debates, Svetlana Maraš, Vladimir Lenhart |
By Isuru Kumarasinghe on May 18, 2018
By Isuru Kumarasinghe on 18 May 2018 in
AUDIO
For the Norient exhibition «Seismographic Sounds – Visions of a New World» the Sri Lanka-based musician and label owner Isuru Kumarasinghe compiled a special experimental music mixtape with sounds from mainly Asia.
Posted in AUDIO | Tagged fishclimbstree, Isuru Kumarasinghe, mixtape, Seismographic Sounds, Seismographic Sounds Mixes, Sri Lanka |
By Thomas Burkhalter (Norient) on May 15, 2018
By Thomas Burkhalter (Norient) on 15 May 2018 in
STORIES
Bishi Bhattacharya and Matthew Hardern have been working together for ten years now. Composer, artist, performer, and club impresario Hardern (aka Glamorre) tells us about the hidden politics and intentions of their project.
Posted in STORIES | Tagged Albion Voice, art, Bauhaus, Bishi, Bishi Bhattacharya, Cubists, Exotica, Glamorre, God Save the Queen, Harder Faster Louder, Irony, Islamic State, Kash Point, La Boeuf sur le Toit, Leigh Bowery London, Matthew Hardern, Multiculturalism, New Geographies, NWA Pussy Riot, One Nation (under CCTV), Power, Protest, Seismographic Sounds, Sex Pistols, Siouxsie and the Banshees, Smashing, speed darkcore, The Mint Tea Rooms, The Siren Suite, Transnationality |
By Bernard Clarke on May 11, 2018
By Bernard Clarke on 11 May 2018 in
AUDIO
War has a sound. For his mix «shots were fired» for the section «war» from «Seismographic Sounds» the Irish radio journalist Bernard Clarke combined news samples with musically deconstructed war sounds.
Posted in AUDIO | Tagged Bernard Clarke, Charlie Hebdo, Mix, Radio, Seismographic Sounds, Seismographic Sounds Mixes, War |
By Norient on May 11, 2018
By Norient on 11 May 2018 in
EVENTS
In collaboration with the Rewire festival and Schauspielhaus Zürich Norient presents a new concert series with cutting-edge acts of today’s pop music on the theater stage. Vol. 1 with Jenny Hval and Ben Frost; Vol. 2 with Aïsha Devi and Tim Hecker.
Posted in EVENTS | Tagged Aïsha Devi, Ben Frost, Jenny Hval, Kodwo Eshun, More Brilliant than the Sun, Norient, Rewire, Rewire Festival, Schauspielhaus Zürich, Sonic Fiction, Tim Hecker, Zurich |
