Drive-In Movies LES BAXTER

FRIDAY NIGHT DRIVE-IN MOVIE
Pharaoh’s Curse (1957)
+ LES BAXTER Music Out Of The Moon (1947)


PHARAOH’S CURSE (1957) A marginal twist on the well-known lumbering Mummy tale. In this variation, the spirit of (or dust of, or mojo of) a long-buried mummy inhabits an archeology crew-member, who then becomes a lumbering mummy… without the raggedy-ass bandaging, thereby successfully side-stepping any Universal copyright claims in the process. Pharaoh’s Curse is actually a well-made, if little known, find. But, it’s as dull as the day is long, with very little actual mummy action… and some weird plot ideas that, for whatever reason, don’t seem all the weird to the participants. Like the army guys on desert detail who are joined by a sweat-less Egyptian princess who arrives out of nowhere and manages to keep up with the caravan – on foot – without food, water or sleep. Proving once again that it doesn’t pay to think about these things logically. Music by Les Baxter. EXCLAMATION-MARKED TAG LINE!: A Blood-Lusting Mummy That Kills For A Cat-Goddess! DIALOG ALERT: “If you ask me, that beautiful mirage is a walking nightmare.” Find Pharaoh’s Curse at Amazon, HERE. New Movies, Fridays ‘Round Midnight.

TOTALLY UNRELATED BONUS:
MOOTM1LES BAXTER
Music Out Of The Moon
(1947)
For No Particular Reason…

Hearing Les Baxter’s soundtrack music in Pharaoh’s Curse prompted me to search the HD files for the man’s debut LP release (actually, a 6-song, 3-10″ EP set), 1947’s weirdly intoxicating Theremin/vocal choir/piano concoction, Music Out Of The Moon. The compositions are by Harry Revel, while the Theremin is performed by Dr. Samuel J. Hoffman. Baxter himself later admitted, “It was a little weird. I didn’t know what popular records were. I didn’t know what I was doing.” Find the CD at Amazon, HERE.
Lunar Rhapsody (3:05)
Moon Moods (2:58)
Lunette (2:56)
Celestial Nocturne (3:08)
Mist O´ The Moon (2:47)
Radar Blues (3:11)

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DAVE DAVIES KINKS MOJO PRESENTS Various Artists TRIBUTE

MOJO PRESENTS: Something Else – A Tribute To The Kinks (2017) + 20 More MOJO LP Tribs & MORE Kinks

Something Else – A Tribute To The Kinks (March 2017)
Their Classic 1967 Album Covered…

The latest free CD from the March, 2017 issue of MOJO Magazine (#280) is another in their growing series of tributes to classic albums. This one… The Kinks’ 1967 release, Something Else. Like most of these types of gatherings, there are hit and miss offerings, but a few of the artists are good to hear from again. We’ve got all of MOJO’s past tribute LPs linked below (from the magazine’s first, 2006’s Revolver Reloaded, to their most recent, 2016’s Blonde On Blonde Revisited). We’ve also got oodles of Kinks (and some Dave Davies solo) buried in the archives, including 2CD Deluxe Editions and a 5CD BBC box. There’s reading material, too, if you know where to look. For every MOJO freebie CD dating back to 1997, go HERE.

American Wrestlers David Watts (3:38)
Wreckless Eric
Death Of A Clown (3:21)
Les Liminanas (Featuring Anton Newcombe)
Two Sisters (2:12)
Boogarins
No Return (3:26)
Modern Studies
Harry Rag (3:39)
Declan McKenna
Tin Soldier Man (2:39)
Chuck Prophet
Situation Vacant (3:17)
Grumbling Fur
Love Me Till The Sun Shines (3:53)
Jacco Gardner
Lazy Old Sun (5:31)
Max Jury
Afternoon Tea (3:42)
Mick Harvey
Funny Face (2:22)
Nada Surf
End Of The Season (3:26)
Ty Segall
Waterloo Sunset (3:39)
Gaz Coombes
This Time Tomorrow (Bonus Track) (3:04)

MORE KINKS IN THE ARCHIVES… (Click A Cover)




MORE EXCLUSIVE MOJO FULL ALBUM TRIBUTES… (Click A Cover)
All of MOJO’s full cover albums, celebrating classic LPs like Sticky Fingers, Dark Side Of The Moon, Revolver, The White Album, Harvest, The Wall, The Madcap Laughs, Physical Graffiti, Power Corruption & Lies, The Songs Of Leonard Cohen, Pet Sounds, Rumours, Yellow Submarine, Let It Be and others.




BEATLES JOHN LENNON

JOHN LENNON Imagine (1971/2000) & Mind Games (1973/2002) – Yoko Ono’s Outstanding Remixes


Imagine (1971/2000)
Mind Games (1973/2002)
Remixed, Remastered And Better For It


FROM 2010: I’m a big fan of the remixed remasters Yoko Ono has created from John Lennon’s catalog. Subtly, she has dealt with Lennon’s well-known over-production in such a way as to not tamper with the memories also associated with the music. Clean, bright and energetic… with fresh accents that pop out of the mix to provide new wrinkles to music long etched in stone. These two offerings are not unlike those side by side refurbished paintings you sometimes see – more colorful and detailed that ever before. For all the clamor from Orthodox Beatlemaniacs about their precious scrolls being maligned (and, as a reminder, they’re all welcomed to just stick with the previous LP & CD issues), I bless Ms. L for braving the slings and arrows to provide these two, Imagine and Mind Games – a taste of things to come which, to these ears, supersede all previous versions… even Lennon’s originals. Imagine is the more faithful of the two, adhering to the premise of the original mix to the point that no bonus tracks are added, while Mind Games‘ often cluttered original production benefits most from the audio goosing. Minds have already been made up about the music itself, but for those that skipped these 2000/2002 reissues, you can now hear for yourselves. We’ve got Imagine and Mind Games outtakes in the archives. Get Imagine (HERE) or Mind Games (HERE) at Amazon.

IMAGINE
Imagine
Crippled Inside
Jealous Guy
It’s So Hard
I Don’t Wanna Be A Soldier Mama
Gimme Some Truth
Oh My Love
How Do You Sleep?
How?
Oh Yoko!


MIND GAMES
Mind Games
Tight A$
Aisumasen (I’m Sorry)
One Day (At A Time)
Bring on the Lucie (Freda People)
Nutopian International Anthem
Out The Blue
Only People
I Know (I Know)
You Are Here
Meat City
Aisumasen (I’m Sorry) (Home Version) (Bonus Track)
Bring on the Lucie (Freda People) (Home Version) (Bonus Track)
Meat City (Home Version) (Bonus Track)

ELTON JOHN

ELTON JOHN Elton John (1970/2004) & Tumbleweed Connection (1970/2004)


Elton John (1970/2004)
Tumbleweed Connection
(1970/2004)
Introducing Elton John…


FROM 2010: These days, it’s easy to forget what a unique and immense talent Elton John possessed. He hit the 70s like a fireball, with a melodicism unmatched by almost anyone else the post-Beatles landscape had to offer. He wasn’t for everybody’s tastes, but he had mainstream marketability and a distinctive individualism that made him a double threat. Like many teens, I saw those first pictures of him that surfaced – flying horizontally while pounding the piano – and thought, ‘I gotta see this guy.’ In St. Louis, he was scheduled to open a small theater show for Clapton’s Derek & The Dominos, but he exploded so big, so fast, he canceled out and came back a few months later headlining Kiel Auditorium. I was disappointed on both counts. First, missing him at Kiel Opera House (replaced on The Dominos bill by Toe Fat), then second, finding out those mad flying kicks only took place during the show’s final song. Nonetheless… for me, he was a favorite for years, until his insane output and quickly evolving stylistic variety (kind of like early Costello in both respects) began to morph into the kind of over-the-top bombast that most associate with his name to this day. Ripped from the 2004 SACD (Super Audio) discs, with bonus tracks, these somber, piano-based albums should require no introduction. Tumbleweed was released only months after Elton John, yet Reginald and lyricist Bernie Taupin had already moved on to a new sound and style, establishing from the outset that John was unafraid to tamper with his own successful formula, even if commerciality was clearly embedded in his DNA. There are other, arguably better, EJ albums, Madman, Honey Chateau and, for those that like John’s inner Liberace, Goodbye Yellow Brick Road. But these two albums (the early recordings, Empty Sky, notwithstanding) are where it all begins. Find SACD Hybrids of Elton John (HERE) and Tumbleweed Connection (HERE) at Amazon.

ELTON JOHN
Your Song (4:05
)
I Need You To Turn To (2:34)
Take Me To The Pilot (3:47)
No Shoe Strings On Louise (3:33)
First Episode At Hienton (4:49)
Sixty Years On (4:37)
Border Song (3:22)
The Greatest Discovery (4:14)
The Cage (3:31)
The King Must Die (5:24)
Bad Side Of The Moon (3:16) (Bonus Track)
Grey Seal (3:37) (Bonus Track)
Rock And Roll Madonna (4:53) (Bonus Track)

TUMBLEWEED CONNECTION
Ballad Of A Well-Known Gun (4:59)
Come Down In Time
(3:26)
Country Comfort (5:07)
Son Of Your Father (3:48)
My Father’s Gun (6:21)
Where To Now St. Peter? (4:13)
Love Song (3:42)
Amoreena (5:00)
Talking Old Soldiers (4:09)
Burn Down The Mission (6:37)
Into The Old Man’s Shoes (4:05) (Bonus Track)
Madman Across The Water (Original Version) (8:57) (Bonus Track)

JOHNNY CASH

JOHNNY CASH At Folsom Prison (1968/1999) & At San Quentin – Complete 1969 Concert (1969/2000)


At Folsom Prison (1968/1999)
At San Quentin – Complete 1969 Concert (1969/2000)
What Would JC Do?


FROM 2010: Nothing captures the essence, spirit and greatness of the late Johnny Cash like these two live prison albums from 1968 & 1969. They’re not his greatest recordings or his slickest performances, but there’s no better representation of his image, toughness, sincerity and empathy with an audience – a captive audience – than At Folsom Prison and At San Quentin. I’m partial to San Quentin, myself, which has tougher material and a rawer atmosphere, compared to Folsom Prison‘s more polished post-production (except for some of the outtake additions, which are occasionally marred by missed cues and laughter from Cash). There are poignant moments on each, including Cash’s performances of material written by inmates and his compositions dealing directly with the prisons themselves, by name – including “San Quentin,” which received a response so rousing, Cash was pressed to play it twice, and “Folsom Prison Blues,” featuring one of music’s most iconic lines (“I shot a man in Reno, just to watch him die”). Though he’d been repeatedly warned of what he couldn’t/shouldn’t say by prison officials, Cash was having none of it – conveying violent tales of murder, revenge and retribution aimed directly at the hearts and souls of the men inside. And, you can’t help but love JC’s ongoing taunts to authority, his salty language (edited from the original LPs, but not here) and drug references, both personal and in song. June Carter, Carl Perkins and The Statler Brothers appear (among others) and Cash introduces “Wanted Man,” a song co-written with Bob Dylan a week before this performance. As great as both of these expanded editions are, Columbia has also released At Folsom Prison (HERE) and At San Quentin (HERE) as 2CD/1DVD box sets.

AT FOLSOM PRISON
Folsom Prison Blues (2:43)
Busted (1:25)
Dark As The Dungeon (3:05)
I Still Miss Someone (1:38)
Cocaine Blues (3:01)
25 Minutes To Go (3:31)
Orange Blossom Special (3:01)
The Long Black Veil (3:58)
Send A Picture Of Mother (2:11)
The Wall (1:37)
Dirty Old Egg-Suckin‘ Dog (1:30)
Flushed From The Bathroom Of Your Heart (2:17)
Joe Bean (2:26)
Jackson (With June Carter) (3:12)
Give My Love To Rose (With June Carter) (2:41)
I Got Stripes (1:57)
The Legend Of John Henry’s Hammer (7:08)
Green, Green Grass Of Home (2:30)
Greystone Chapel (6:02)

AT SAN QUENTIN
Big River
(1:56)
I Still Miss Someone (1:52)
Wreck Of The Old ’97 (2:05)
I Walk The Line (3:29)
Darlin‘ Companion (3:21)
I Don’t Know Where I’m Bound (2:24)
Starkville City Jail (6:15)
San Quentin (4:07)
San Quentin (3:13)
Wanted Man (3:24)
A Boy Named Sue (3:59)
(There’ll Be) Peace In The Valley (2:30)
Folsom Prison Blues (4:24)
Ring Of Fire (2:07)
He Turned The Water Into Wine (4:01)
Daddy Sang Bass (2:43)
The Old Account Was Settled Long Ago (2:16)
Closing Medley (5:09)

JOHN HIATT

JOHN HIATT Vredenburg, Utrecht, The Netherlands – March 14, 1984 – Excellent FM UPGRADE!

john-hiatt-liveLive At Vredenburg, Utrecht, The Netherlands – March 14, 1984 (1984)
“Hiatt’s On-The-Brink Years,” Pt. 2


UPGRADED FROM 2010: Outstanding FM broadcast from The Netherlands, capturing John Hiatt and band, electric and live. Includes material from Hiatt’s just released Riding With The King, as well as others from his extensive (and extensively ignored) catalog. Some cool moments as JH gets naked, playing and singing by himself on a couple of tunes, with a noticeable looseness and fearlessness. The crowd is appreciative, however, and seems to be better acquainted with his older material than American crowds. Great sound. We had 192 files up for years (Since His Penis… Came Between Us) and have finally gotten around to upgrading to 320 with new source files. Give a listen to “Death By Misadventure,” below. This era is when Hiatt went balls-to-the-wall on everything he did. Part 2 of Hiatt’s “On-The-Brink” Years… get all 6 parts HERE.

john-hiatt-live-back

IKE TURNER

IKE TURNER Rhythm Rockin’ Blues (1951-1956)

Rhythm Rockin’ Blues (2004)
Something I’ve Been Meaning To Write About But Haven’t Had The Time… And Still Don’t.

FROM 2010: A collection of Ike Turner-related material from 1951-1956. Some tracks recorded under guises, stage names and with various vocalists fronting an Ike-led outfit, including “Rocket 88,” routinely cited by many as the first “rock ‘n roll” song, though… there are a hundred precedents depending on how you define R&R. If I had the time, I’d tell you how great this is. Find it at Amazon, HERE.

JACKIE BRENSTON & HIS DELTA CATS Rocket 88 (2:50)
LOVER BOY The Way You Used To Treat Me (2:39)
DENNIS BINDER I Miss You So (3:11)
DENNIS BINDER Nobody Wants Me (2:38)
IKE TURNER & HIS ORCHESTRA Loosely (a.k.a. The Wild One) (2:31)
IKE TURNER All The Blues, All The Time (Medley) (8:44)
J. W. WALKER Sitting And Wondering (2:43)
DENNIS BINDER Early Times (2:30)
JOHNNY WRIGHT/IKE TURNER’S ORCHESTRA The World Is Yours (2:53)
JOHNNY WRIGHT/IKE TURNER’S ORCHESTRA Suffocate (2:46)
LITTLE JOHNNY BURTON Talkin’ About Me (2:30)
LITTLE JOHNNY BURTON Walk My Way Home (2:38)
LONNIE THE CAT I Ain’t Drunk (2:30)
LONNIE THE CAT The Road I Travel (2:07)
BILLY GALE Night Howler (2:13)
BILLY GALE My Heart In Your Hands (2:34)
BILLY GAYLES A Woman Just Won’t Do (2:16)
BILLY GAYLES I’m Tired Of Being Dogged Around (2:26)
DENNIS BINDER You Got Me Way Down Here (2:45)
LOVER BOY Love Is Scarce (2:19)
LOVER BOY Nobody Seems To Want Me (2:33)

 

TODD RUNDGREN UTOPIA

TODD RUNDGREN & UTOPIA Oblivion (1983)

Oblivion (1983)
Something I’ve Been Meaning To Write About But Haven’t Had The Time… And Still Don’t.

Most of my Todd/Utopia stuff is still on vinyl, but I surprised myself seeing this Utopian slab on the CD shelf. If I had the time to write about it, I’d tell you how great it is. It typically goes for about $50 at Amazon, HERE.
 

 

 

 
Itch In My Brain (4:31)
Love With A Thinker (3:16)
Bring Me My Longbow (3:19)
If I Didn’t Try (4:12)
Too Much Water (4:42)
Maybe I Could Change (4:11)
Crybaby (4:22)
Welcome To My Revolution (5:06)
Winston Smith Takes It On The Jaw (3:20)
I Will Wait (4:44)

BEATLES GEORGE HARRISON JOHN LENNON PAUL McCARTNEY RINGO STARR

THE BEATLES: THE CAPITOL ALBUMS VOLS. 1 & 2 (Original US Albums 2004/2006) – Meet The Beatles, The Beatles’ Second Album, Something New, Beatles ’65, The Early Beatles, Beatles VI, Help!, Rubber Soul

41n4dPP4jpLNOW INCLUDING THE TRUE MONO 2nd PRESSINGS OF RUBBER SOUL & BEATLES VI ! NOTE: These are NOT the 2014 re-issues that inexplicably used 2009 remastered files instead of the original, very different, Capitol masters we all remembered. These are the Capitol/Apple 2004 & 2006 box sets that were “compiled from the original U.S. master tapes.” The Brits must think we’re daft for dragging these mangled, reverb-laden old Capitol Records releases back from oblivion and into the digital age. For youngsters not acquainted with the peculiarities of Beatlemania in America, Capitol Records took George Martin’s original tapes and doused them in reverb, then chopped the British albums into smaller, differing LP configurations, all to squeeze a few extra albums, and a lot more sales, out of a fad that was practically guaranteed to expire before the last lunch box or bubblegum card could roll off the assembly line. That’s how the The Beatles’ UK debut morphed into their 5th LP in the States, how The Beatles’ Second Album ended up being almost a ‘covers’ album, and how Capitol was able to squeeze out five Beatles albums in 1965 alone, Beatles ’65 (actually issued in December ’64), The Early Beatles, Beatles VI, Help! and Rubber Soul. For disciples, there are oddities to be found buried in these digital grooves; like the false start on “I’m Looking Through You” and the original score music from Help! (first time on CD). It should be noted that the first pressing of Beatles VI and Rubber Soul were marred by using “folded down” mono versions, 51JN6M0E24Lby lazily “folding” two stereo tracks into one. But the 2nd pressings of the Vol. 2 box corrected that stupidity. We’ve now got both mono versions for those LPs available. For all their faults, Capitol did do one thing right for the new millennium crowd… they fit both stereo and mono versions onto one disc. Something that would have been nice for the 2009 reissues, but there was too much money involved to allow that to happen. A Hard Day’s Night is not included in the first Capitol box, as it was originally issued on United Artists Records – though Something New closely approximates it. As for Yesterday And Today and Revolver, I’m not really sure of the reasoning for leaving them out. So… why is it we Yanks seem to be clinging to these clearly inferior versions, oh-so-many decades later? Well, truth is… we’re not. Capitol was merely filling a minor marketing void with these re-issues, so except for those rabid collectors that just must have it all, there’s really only one reason all this stuff could hold any interest for the average Joe… memories. Those misty, water-colored memories of the way we were. Personally, I like the nifty cover reproductions. Of course, we’ve got dozens of Beatles-related posts hiding in the archives… just click HERE. You can get the 2004/2006 Capitol boxes at Amazon, HERE & HERE. File Under: The Beatles – Pop Rock, Vocal Group.
1front1back
I Want To Hold Your Hand
I Saw Her Standing There
This Boy
It Won’t Be Long
All I’ve Got To Do
All My Loving
Don’t Bother Me
Little Child
Till There Was You
Hold Me Tight
I Wanna Be Your Man
Not A Second Time

2front2back
Roll Over Beethoven
Thank You Girl
You Really Got A Hold On Me
Devil In Her Heart
Money
You Can’t Do That
Long Tall Sally
I Call Your Name
Please Mr.Postman
I’ll Get You
She Loves You

3front3back
I’ll Cry Instead
Things We Said Today
Any Time At All
When I Get Home
Slow Down
Matchbox
Tell Me Why
And I Love Her
I’m Happy Just to Dance With You
If I Fell
Komm, Gib Mir Deine Hand

4front4back
No Reply
I’m A Loser
Baby’s In Black
Rock And Roll Music
I’ll Follow The Sun
Mr. Moonlight
Honey Don’t
I’ll Be Back
She’s A Woman
I Feel Fine
Everybody’s Trying To Be My Baby

5front5back
Love Me Do
Twist And Shout
Anna (Go To Him)
Chains
Boys
Ask Me Why
Please Please Me
PS I Love You
Baby It’s You
A Taste Of Honey
Do You Want To Know A Secret

6front6back
Kansas City
Eight Days A Week
You Like Me Too Much
Bad Boy
I Don’t Want To Spoil The Party
Words Of Love
What You’re Doing
Yes It Is
Dizzy Miss Lizzie
Tell Me What You See
Every Little Thing

7front7back
Help!
The Night Before
From Me To You Fantasy (Instrumental)
You’ve Got To Hide Your Love Away
I Need You
In The Tyrol (Instrumental)
Another Girl
Another Hard Day’s Night (Instrumental)
Ticket To Ride
The Bitter End / You Can’t Do That (Instrumental)
You’re Gonna Lose That Girl
The Chase (Instrumental)

8front8back
I’ve Just Seen A Face
Norwegian Wood (This Bird Has Flown)
You Won’t See Me
Think For Yourself
The Word
Michelle
It’s Only Love
Girl
I’m Looking Through You
In My Life
Wait
Run For Your Life

MOJO PRESENTS

MOJO PRESENTS: Good Times, Bad Times (2010)

Good Times, Bad Times (September 2010)
15 Original Blues Classics

Seeing as this is another one of those old blues compilations masquerading as an influence primer, I considered not posting it. But, after spending some time in the car with it, it reminded me why I like old blues in the first place. The latest free CD to accompany the September issue of Mojo Magazine is a 15 track collection of the greats that inspired the greats, from Son House to Muddy Waters to John Lee Hooker to Leadbelly. Hard copies are at Amazon, HERE. Get ALL our MOJO’s HERE.

LI’L MILLET & HIS CREOLES Rich Woman
LITTLE JUNIOR PARKER Mystery Train
BO DIDDLEY Pretty Thing
JIMMY REED Big Boss Man
BIG JOE WILLIAMS Baby Please Don’t Go
LITTLE WALTER Mellow Down Easy
MUDDY WATERS (I’m Your) Hootchie Cootchie Man
BIG BILL BROONZY Key To The Highway
JOHN LEE HOOKER I’m Gonna Kill That Woman
SON HOUSE Death Letter Blues
SLIM HARPO I Got Love If You Want It
JOHN LEE HOOKER Crawling King Snake
MEMPHIS MINNIE When The Levee Breaks
MISSISSIPPI SHEIKS Sitting On Top Of The World
LEADBELLY The Bourgeois Blues

Various Artists

VARIOUS ARTISTS Cold Heat: Heavy Funk Rarities 1968-1974 (2005)

Cold Heat: Heavy Funk Rarities 1968-1974 – Vol. 1  (2005)
From The Black Underground


Here’s another one from the recesses of the hard drive. An excellent collection of long lost sides from equally long lost bands from the late 60s/early 70s heyday of soul/funk/psychedelia experimentation. Lots of grungy rhythms, tattered riffs and funky expression. The All Music Guide states that Cold Heat’s focus is absolutely given to the groove, the beat, and almost all the songs have a breakdown where the rhythm section — the tinny guitar, the frenzied drums, the syncopated bass — is allowed to show off its chops. And while everything definitely falls within the deep funk realm, influences vary from psychedelic soul to blues to rock (in the instrumental version of “Drugs Ain’t Cool” by Ebony Rhythm Band, the house band for the Indianapolis-based LAMP Records during the label’s golden years).” It’s @ Amazon, HERE.

CARLEEN & THE GROOVERS The Thing (2:41)
AMNESTY INTERNATIONAL Free Your Mind (5:50)
DETROIT SEX MACHINES The Stretch (Edit) (5:02)
MICHAEL LIGGINS & THE SUPERSOULS Loaded To The Gills (4:41)
THE LOVELITERS Go For Your Self (Edit) (5:17)
DAYTON SIDEWINDERS Slipping Into Darkness (4:34)
APOLLO COMMANDERS James Brown Medley (Edit) (4:44)
LIL’ LAVAIR & THE FABULOUS JADES Cold Heat (2:44)
SOUL SEVEN The Cissy’s Thang (2:22)
L.A. CARNIVAL Color (Original 7″ Version) (2:35)
ARISTOCRATS ORGANIZATION Don’t Go (2:24)
EBONY RHYTHM BAND Drugs Ain’t Cool (2:45)
SOUL SEVEN Mr. Chicken (4:41)
LEON MITCHISON Street Scene (2:49)
KASHMERE STAGE BAND Scorpio (4:40)
LEROY & THE DRIVERS The Sad Chicken (3:00)

BEARS RAISINS

THE BEARS Rise And Shine (1988) – Adrian Belew + The Raisins = Pure Pop Manna

Rise And Shine (1988)
Pope Pop The 2nd

The Bears were created when guitarist Adrian Belew discovered The Raisins in a Cincinnati bar, and he offered to produce their debut 1983 album. Afterwards, he liked them so much he joined the newly re-christened band and went on to create two, long out-of-print power pop classics in the late 80s. Both Rise And Shine and their debut, The Bears, are now available on iTunes after decades of neglect, though… Belew states on his website that the band is receiving zero royalties for iTunes sales. He doesn’t sound bitter, just glad the albums are being made available to fans. So don’t feel guilty about grabbing either of The Bears’ first two pop classics, bristling with ringing guitars, mouth-watering harmonies and youthful, energetic pop smarts. Rise And Shine introduces some new, varied elements into the mix, probably Belew’s newly embedded influence on The Raisins, who had created the blueprint long before Adrian first noticed them. Rise And Shine also includes reworked versions of two songs from the debut, “Man Behind The Curtain (Revisited)” and “Figure It Out.” More Bears in the archives. Find Rise And Shine at Amazon, HERE.

Aches And Pains (3:20)
Save Me (3:42)
Robobo’s Beef (3:41)
Not Worlds Apart (3:32)
Nobody’s Fool (2:57)
Highway 2 (0:52)
Little Blue River (3:04)
Rabbit Manor (2:48)
Holy Mack (3:21)
Complicated Potatoes (2:36)
You Can Buy Friends (2:39)
The Best Laid Plans (3:00)
Old Fat Cadillac (3:05)
Girls With Clouds (3:16)
Man Behind The Curtain (Revisited) (4:12)
Figure It Out (3:31)

JOHN HIATT

JOHN HIATT Riding With The King (1983) +
Warming Up To The Ice Age (1985)

Riding With The King (1983)
Hiatt’s “On-The-Brink Years,” Pt. 1


A lesser man would probably have just given up. By the mid-80s, John Hiatt had already suffered over a decade of audience indifference – releasing 7 albums on 3 labels, without so much as a blip on the charts. His frustration found him frequently shedding his musical skin, trying folk, roots rock & new wave on albums that clicked with fellow musicians (his songs were often hits for others), but not with the public at large. By 1983, Hiatt had succumbed to alcohol addiction, while his marriage was about to end in suicide a year later. Somehow, despite it all, Hiatt managed to record his first great album, Riding With The King. It’s a difficult one to pigeonhole, however, mixing bluesy pop and caustic R&R with a dash of brittle new wave, all filtered though Hiatt’s emerging R&B sensibilities. There are plenty of recognizable influences (Costello, Zevon, Jersey Bruce) mashed by 3 different producers (Nick Lowe, among them) into a surprisingly tough and coherent album. In keeping with tradition, however, Riding With The King didn’t sell for shit, while the title track, a backhanded homage to Elvis Presley, became better known from the 2000 cover by Eric Clapton & BB King. Fun Fact: Hiatt wrote 3 Dog Night’s 1974 hit, “Sure As I’m Sittin‘ Here.” Find it at Amazon, HERE. Get all 6 of Hiatt’s “On-The-Brink” years, HERE.

I Don’t Even Try
Death By Misadventure
Girl On A String
Lovers Will
She Loves The Jerk
Say It With Flowers
Riding With The King
You May Already Be A Winner
Love Like Blood
The Love That Harms
Book Lovers
Falling Up

——————————————————————————————————————————————–

Warming Up To The Ice Age (1985)
Hiatt
‘s “On-The-Brink Years,” Pt. 3

John Hiatt had hit rock bottom during the recording of Warming Up To The Ice Age – a fantastically rich collection of confessional songs that vaguely chronicled his loves, losses (Hiatt’s wife committed suicide during this period) and out of control spiral into alcohol abuse. Commercially, the album went nowhere. Critics appreciated it but radio had no place for it, and the album earned him only his walking papers from Geffen Records. Yet… despite all that, Ice Age may still be Hiatt’s meatiest work. He had, by this time, abandoned the new wave trappings he had toyed with for years and headed straight towards rock/R&B – with a horn section and a lyrical fragility that belied his hard-drinking persona. On the opening track, “The Usual,” Hiatt confronts his demons head on: “She was good, I was unkind, I’m not thirsty but I’m standing in the line – I’ll have the usual.” Dylan even covered it. Elvis Costello duets on “Living A Little, Laughing A Little.” Despite the unimaginable hardship Hiatt endured during these years, Warming Up To The Ice Age proved both vital and strong. And, after losing his recording contract, Hiatt’s vindication (and sober rebirth) would soon taste sweet. Bring The Family, his acoustic follow-up for A&M, found both an appreciative audience and the charts, initiating a string of Grammy nominations and Billboard successes. Ice Age is at Amazon, HERE. Get all 6 of Hiatt’s “On-The-Brink” years, HERE.

The Usual
The Crush
When We Ran
She Said The Same Things To Me
Living A Little, Laughing A Little
Zero House
Warming Up To The Ice Age
I’m A Real Man
Number One Honest Game
I Got A Gun

JOHN HIATT

JOHN HIATT Bug Demos (1983/1985) – Demos From Riding With The King & Warming Up To The Ice Age

Bug Demos (1983/1985)
Hiatt’s “On-The-Brink Years,” Pt. 4

I’ve written about my favorite John Hiatt period before. The era during his last two, chart-repellent albums for Geffen Records which – after a severe battle with alcohol abuse and the suicide of his wife – left Hiatt without a label, without a job and without much of a life that wasn’t covered by the catch-all phrase, rock bottom. There’s a happy ending to this tale, fortunately. Hiatt turned his life around after 1985, signing with a new label, recording his first charting album (Bring The Family) and finally getting clean and sober. Anyone who’s ever appreciated the guy knows he deserved a break more than most. As connoisseurs are aware, however, sometimes artists on drugs, or on the brink, record some of their most interesting material. Hiatt’s no exception. His two albums from this period, Riding With The King and Warming Up To The Ice Age aren’t universally acclaimed, but represent some of Hiatt’s ballsiest, most personal writing. Just recently, this batch of demos from 1983-85 hit the torrents, capturing Hiatt and band (sometimes with a drum machine) sketching out some of Hiatt’s contending work. The sound quality is quite good, but not studio perfect, while the performances are record-ready, even if the sonics aren’t quite there yet. Because of the rarity of the material and the vintage of these sessions, I didn’t mind. If you revere this period in Hiatt’s career like I do, you probably won’t either. Hiatt’s latest, 2010’s The Open Road, is at Amazon. Get all 6 of Hiatt’s “On-The-Brink” years, HERE.

The Truth About Money (4:40)
Trudy and Dave (3:58)
Where Is The Next One Coming From (3:49)
Kick Out Of Nothing (2:30)
She Don’t Love Nobody (3:26)
The Penny Dropped (4:49)
Mercy Don’t Know My Name (4:17)
New Fingerprints (4:16)
Tennessee Plates (2:37)
Everybody’s Girl (4:00)
Confidence Man (3:20)
Real Emotion (4:19)
Right Now (4:12)
Angel Eyes (5:00)
Tip Of My Tongue (5:01)
Wild World (3:46)
Lipstick Sunset (4:11)
Falling Apart At The Dreams (3:48)
Someplace Where Love Can’t Find Me (4:06)
Two Hearts Like Ours (3:04)
Kick Out Of Nothing 2 (solo) (2:57)

BRUCE SPRINGSTEEN MOJO PRESENTS

MOJO PRESENTS: Boss Sounds! (2010)

Boss Sounds! (August 2010)
Compiled From Springsteen’s Own Playlists

The latest free CD to accompany the August issue of MOJO Magazine includes 15 tracks that Bruce Springsteen uses as audience warm-up tunes before his concerts. As you might guess, there’s a wide cross-section of styles, ranging from boogie woogie pianist Amos Milburn to legendary country stalwarts The Stanley Brothers. Not to mention, relative newer artists ranging from Bright Eyes to Neko Case to… Alan Vega? If The Boss says so, it’s alright. At Amazon, HERE. Get ALL our MOJO’s HERE.

JOE STRUMMER & THE MESCALEROS Coma Girl (3:46)
AMOS MILBURN Chicken Shack Boogie (2:28)
ALAN VEGA Dujang Prang (5:31)
CALIXICO Across The Wire (3:20)
BRIGHT EYES We Are Nowhere And It’s Now (4:04)
RON SEXSMITH Comrades Fill No Glass For Me (3:04)
THE STANLEY BROTHERS The Drunkards Hell (2:34)
MISSISSIPPI SHEIKS The World Is Going Wrong (3:21)
DAVE VAN RONK Did You Hear John Hurt? (2:25)
THE HANDSOME FAMILY Fallen Peaches (2:56)
EVAN DANDO Hard Drive (3:04)
NEKO CASE This Little Light (2:32)
JIMMY REED Take Out Some Insurance (2:15)
RAMBLIN’ JACK ELLIOTT Roll On Buddy (1:57)
BUKKA WHITE Fixin’ To Die Blues (2:48)

 

BLIND FAITH STEVE WINWOOD TRAFFIC

STEVE WINWOOD BBC Maida Vale Studios June 17, 2010

BBC Maida Vale Studios June 17, 2010
An Intimate Evening With Stevie

FROM OUR 2010 ARCHIVES: A cool, live Steve Winwood show from just a few weeks ago on The BBC’s Radio 2. The ageless, 62 year-old Winwood is in good form and the sound here is pretty outstanding. I was attracted to the set’s percussive elements, as well as the sparse instrumentation (Winwood, with sax, guitar, percussion & drums). The stripped down band offers a synth-heavy hit like “Higher Love” a new lease, while the extended jamming on “Light Up And Leave Me Alone” and many of the other tracks has a casually intimate vibe. There are some lulls but, overall, this is a good showing from Winwood. Because of the intimacy, I prefer this to last year’s superstar pairing with Eric Clapton at Madison Square, which I didn’t even bother to keep.

Introduction (1:17)
I’m a Man/Hungry Man (13:35)
Dirty City (8:56)
Can’t Find My Way Home (4:52)
Light Up (15:26)
Higher Love (8:04)
Dear Mr Fantasy (8:00)
Band Introductions (0:37)
Gimme Some Lovin (5:11)
Crowd/Outro (0:43)

DAVE EDMUNDS EVERLY BROTHERS

THE EVERLY BROTHERS EB ’84 (1984) & Born Yesterday (1986) – Both Produced By Dave Edmunds

EB84Everly
EB ’84 (1984)
Born Yesterday (1986)
Dave Edmunds Resurrects The Everlys

Not many fireworks, but a fine retro-fit by Dave Edmunds in bringing The Everly Brothers back from the brink for a new generation. First brush won’t wow you like it might on paper, and if these albums have a fault, it’s that producer Edmunds is a tad too respectful of the Brothers’ legacy, dousing the sound in a familiar reverb that DE pinched directly from The Everlys‘ era in the first place. Personally, I might have preferred hearing the boys more naked… or backed by a vital variation of Rockpile, which they do come close to on a couple of rockers (“Danger, Danger” and “I Know Love”). Paul McCartney donates “On The Wings Of A Nightingale,” which the Everlys effortlessly make into their own. Repeated listens will bring out the beauty of the song selection and The Brothers’ timeless abilities with a melody… the 80s/50s production values, be damned. The haunting Don Everly original, “Asleep,” dignifies their aging compositional chops, and their two Dylan covers, “Lay Lady Lay” and “Abandoned Love,” are a cut above the norm, too. Find EB’84 (HERE) and Born Yesterday (HERE) at Amazon. Both are out of print, so collectors’ prices are in effect.

EB ’84
On The Wings Of A Nightingale
Danger Danger
The Story Of Me
I’m Takin‘ My Time
The First In Line
Lay Lady Lay
Following The Sun
You Make It Seem So Easy
More Than I Can Handle
Asleep

BORN YESTERDAY
Amanda Ruth
I Know Love
Born Yesterday
These Shoes
Arms Of Mary
That Uncertain Feeling
Thinkin‘ Bout You
Why Worry
Abandoned Love
Don’t Say Goodnight
Always Drive a Cadillac
You Send Me

ELVIS PRESLEY

ELVIS PRESLEY He Touched Me: The Gospel Music Of Elvis Presley (1999)

He Touched Me: The Gospel Music Of Elvis Presley (1999)
God’s Vig For Services Rendered

If ever a talent could be considered God-given, consider Elvis Presley’s. It’s a testament to his ambition that Presley didn’t wind up being just another vocalist in just another southern gospel group. Because Elvis lived gospel – from childhood ’til death – befriending touring harmony groups long before he became famous and participating in private, all-night gospel singalongs long after his success. As hard as it is to reconcile, rock and roll was not Elvis Presley’s first music of choice… it was gospel. And, while it may have pissed off The King Of Rock ‘N Roll that his only Grammy awards were for gospel performances, it may have also validated his senses. On a personal note, besides his 50s Sun & RCA sides, the only other Elvis I own is his gospel work. It just rings truer than much of his post-50s output, “Viva Las Vegas” notwithstanding. This out-of-print, 1999 2CD collection features live sessions alongside E’s studio recordings and might be all you’ll ever need… unless you’re a fanatic, in which case you can turn to the 3CD version, Peace In The Valley: The Complete Gospel Recordings (HERE), or the 4CD box, I Believe: The Gospel Masters ( HERE). This one should suffice, however, since even this smaller collection still has filler. It has been reissued (with a crappy, generic cover) and is at Amazon, HERE.

1
Crying In The Chapel
His Hand In Mine
Joshua Fit The Battle Of Jericho
So High
If We Never Meet Again
Milky White Way
Stand By Me
Somebody Bigger Than You And I
I Believe In The Man In The Sky
In The Garden
Mansion Over The Hilltop
Farther Along
Where No One Stands Alone
I’m Gonna Walk Dem Golden Stairs
Without Him
Working On The Building
You’ll Never Walk Alone
Swing Down Sweet Chariot
Where Could I Go But To The Lord
In The Ghetto

2
(There’ll Be) Peace In The Valley (For Me)
I Believe
Take My Hand, Precious Lord
It’s No Secret (What God Can Do)
I, John
Bosom Of Abraham
You Better Run
Lead Me, Guide Me
Turn Your Eyes Upon Jesus/Nearer My God To Thee
He Touched Me
I’ve Got Confidence
Amazing Grace
A Thing Called Love
Put Your Hand In The Hand
Reach Out To Jesus
If That Isn’t Love
Bridge Over Troubled Water
An American Trilogy
Why Me Lord
How Great Thou Art

 

PRINCE

PRINCE 20Ten (2010)

20Ten (2010)
Is This The Future… Or The Past?

FROM OUR 2010 ARCHIVES: We don’t usually post brand new stuff here. Draws too much heat. But, after reading a comment from Prince about this month’s free release of 20Ten – only available in newspapers and magazines across Europe (Daily Mirror, Daily Record, Rolling Stone, Het Nieuwsblad) – it seems The Purple One is no longer concerned about the music industry… or the effects of downloading on his career. He told The Mirror that releasing 20Ten in this fashion was “the best way to go… no charts, no internet piracy and no stress.” Further, since he has no label to hunt down piracy on his behalf, it seems ludicrous that he’d bother to do it himself, which is a long way from the days he threatened fan sites over the use of his mere visage. As of today, there’s been no mention of legal download availability… or even a North American release (free or otherwise). And, when you think about it, it’s a brilliant approach (2007’s Planet Earth was issued in a similar way). 20Ten is just 40 minutes long, a quantity that Prince can routinely knock out before brunch. So, for the price of a skimpy 10 track disc, he’s getting press in all the aforementioned publications (and more), keeping his name current with the public, and generating more interest in his music (and profitable tours) in one month than in all the years he was battling Warners to release 3 hour sets like Emancipation (HERE), only to find it in the cutout bins within a year. Last year’s 3CD exclusive for Target, Lotusflow3r (HERE), was originally just $12, but is now discounted to as little as $4.99. Showing that even “dirt cheap” doesn’t seem to move units anymore. So, this model makes sense to someone who can afford to invest in himself.

Regular readers already know that we likes our Prince around these parts. He’s in my personal Top 5. But, I was stunned by the retro simplicity of 20Ten. It stylistically reconnects to his earliest work, mainly because Prince does virtually all the instrumentation himself, but… it doesn’t come close in quality. The Mirror called 20Ten on par with 1999 and Purple Rain, and his best since Sign Of The Times. Sadly… that’s just the business relationship talking, not the actual music. In reality, 20Ten sounds naked compared to his work of the last few decades, almost like outtakes or high quality demos. That’s probably a by-product of his one-man-band approach, or maybe just my own desire to hear Prince pushing the envelope, even when he falls short. The best news is that 20Ten is a short, sweet and consistent listen, sans the many style collisions Prince often indulges in, and I suspect that over the next month it will grow on me (as it already has). Not cheap at Amazon, HERE. Lots o’ P in the archives (HERE).

Compassion (3:57)
Beginning Endlessly (5:27)
Future Soul Song (5:08)
Sticky Like Glue (4:46)
Act Of God (3:14)
Lavaux (3:04)
Walk In Sand (3:30)
Sea Of Everything (3:49)
Everybody Loves Me (4:09)
(Hidden Track) Laydown (3:07)

ELECTRIC LIGHT ORCHESTRA JEFF LYNNE

ELECTRIC LIGHT ORCHESTRA Zoom (2001) – The 2013 Remastered Bonus Track Version

FrontZoom (2001)
The Last Word On ELO? (Apparently Not)


FROM 2010 (Before The Return Of ELO): Known as Producer To The Stars for much of the 90s, Jeff Lynne has worked his revitalizing magic for the likes of Harrison, Dylan, McCartney, Orbison, Petty and numerous others. So, in 2001, it only made sense for the ever-present ‘right hand man’ to reassert his independence via his own legacy… ELO. This 2001 version of the “official” Electric Light Orchestra is, in reality, a Lynne solo album, but it’s still a fascinating listen. With the production and big project experience he’d acquired since the last “official” ELO (1986’s Lynne-led Balance Of Power), Zoom – on paper, anyway – should have been a monster. Instead, coming out just prior to 9/11, the album’s commercial viability was dead on arrival. Curiously, it’s the production itself that I question most. Lynne’s laid back, moderately-grooved, Wilburian charm works wonders supporting Tom Petty (who “Melting In The Sun” seems to mimic) but lacks ELO’s famous pop buoyancy and spirited, ‘steal-anything’ abandon. In fact, while most of the music here sports definable, well-written hooks and immediately recognizable harmonies, the energy sounds, uh… somehow “mature.” Pop’s kiss of death? At least Zoom doesn’t sound desperate, and repeated listens will offer plenty of rewards, like the lovely “cry baby cry” lift that totally defines “Lonesome Lullaby,” or Lynne’s channeling of Graham Nash’s simplistic style for “Ordinary Dream.” Lynne’s still got the chops. Always has, probably always will. His production, however, while good enough for the superstar Traveling Wilburys, just isn’t good enough for the great ELO. Personally, I’d like to hear him take one more crack at it. A swing for the fences that I’m confident Jeff Lynne is still capable of. It’s at Amazon, HERE and there’s a live tour DVD, HERE.

Alright (3:13)
Moment In Paradise (3:36)
State Of Mind (3:05)
Just For Love (3:40)
Stranger On A Quiet Street (3:41)
In My Own Time (3:04)
Easy Money (2:51)
It Really Doesn’t Matter (3:20)
Ordinary Dream (3:24)
A Long Time Gone (3:16)
Melting In The Sun (3:11)
All She Wanted (3:14)
Lonesome Lullaby (4:02)
One Day (Bonus Track)
Turn To Stone (Live From CBS Television City) (Bonus Track)

ORCHESTRA P. HUX

P. HUX Deluxe (1995) – Parthenon Huxley’s Pure Pop

Deluxe (1995)
Unpretentious Power Pop

Parthenon Huxley is one of those indie pop guys that always seems to pop up in the oddest places – joining a post-Jeff Lynne ELO (a.k.a. The Orchestra, HERE), producing A Man Called E (of the eels) or forming this top-notch power pop trio, P. Hux. And, ever since going national in 1980, he’s been savvy enough to fit snugly into any and all working situations – usually with above-par results. Deluxe, P. Hux’s 1995 debut, is rife with respect for The Who, The Beatles, even The Bears, and almost any other power pop benchmark you can name. It’s out of print, but @ Amazon, HERE.

One More Day In the Life
Simple Things
California
Keep From Crying
Every Minute
It’ll Be Alright
Here Comes The Saviour
So Good
Live Like a King
Playing Her Guitar
Stay Where You Are

BEATLES BIG BEN BANJO BAND

BIG BEN BANJO BAND Happy Banjos Play The Beatles (1967)


Happy Banjos Play The Beatles (1967)
Actually… It’s Not Even Really Banjo Music

A pal turned me on to this oddity from the 60s by The Big Ben Banjo Band, a long-running studio outfit fronted by prolific UK producer/arranger Norrie Paramor, known for his work with Cliff Richard & The Shadows. Since the 50s, Paramor has trafficked in everything from Dixieland to rock ‘n roll to the lush & showy style of the Happy Banjos series – of which there are many, though, nearly all are long-extinct. But, don’t think for a second that this is bluegrass banjo music… as it’s not even close. In fact, if not for the title, you might miss the banjos entirely, as Paramor’s arrangements are full of brass and string-driven abandon, skittering from one melody to the next – in sets of three, covering 30 Beatles songs – creating a weird, alternate universe. The liner notes colorfully suggest that Happy Banjos Play The Beatles is “a roguishly-paced mood that blends tempos with the witty abandon of a Carnaby Street tailor mixing paisleys, plaids and prints.” “I’ll Be Back,” for instance, sounds straight out of the UK TV show, The Prisoner. The group also tackles “World Without Love,” which Lennon & (actually) McCartney wrote, but never recorded. Big-time thanks go out to our pal Mr. B @ Moondog Audio Restoration for this share (and the great cover scans). Not for everyone… except those with a taste for the bizarre.

All My Loving/She’s A Woman/You Can’t Do That (3:58)
World Without Love/Anytime At All/And I Love Her (3:36)
Ticket To Ride/Happy Just To Dance With You/Things We Said (3:25)
I Should Have Known Better/I’m A Loser/It Won’t Be Long (2:40)
A Hard Day’s Night/I Feel Fine/Can’t Buy Me Love (3:16)
Paperback Writer/Eight Days A Week/I’ll Get You (3:14)
Michelle/This Boy/Yesterday (4:04)
Norwegian Wood/Rain/Nowhere Man (3:03)
Don’t Bother Me/No Reply/Little Child (3:31)
Tell Me Why/The Word/I’ll Be Back (2:34)

 

ALFONIA TIMS

ALFONIA TIMS AND HIS FLYING TIGERS Future Funk/Uncut! (1982)

Future Funk/Uncut! (1982)
Long-Lost Downtown Funk Artifact

A highly recommended slab of pent-up frantic funk, filtered through a tightly-wound outfit jacked on something. Alfonia Tims & His Flying Tigers were the real deal, but Tims would die of a heart attack three weeks before the release of these debut, 1982 recordings. The descriptively titled Future Funk/Uncut! reeks of a dirty downtown stoned-funk ensemble, sporting bizarre lead solos, abrupt time changes and unpredictable departure/arrival times. A young Melvin Gibbs is in there somewhere, too. For as many decades as I’ve owned the original (now dilapidated) cassette, I’ve never remembered a damn thing Tims was singing about, except that in “Poppa Got Bagged,” his open letter to James Brown, he was “thinkin’ ’bout startin‘ my own funk band.” The Africanized jazz horn charts and street ranting always rang just manic enough for my tastes. Not to mention the squawking, Zorn-esque sax work, years before the pivotal debut of Naked City. FZ fans might appreciate “Funk Wave.” From the cassette-only label, ROIR, whose catalog boasted The Dolls, The Germs, and the like-minded, James Chance. Not for everybody, but highly recommended. There are some sonic issues with this nearly 30-year-old tape, but when a band’s entire legacy fits on a cassette, it survives the best it can. Another huge thanks to Jitterbug Boy, who answered our call and scored this ancient tape in a record store to rip & scan for us all… and posterity (he also ripped Michael Shrieve’s very rare, In Suspect Terrain for us. HERE). Not at Amazon, but there’s a DVD of some sort, HERE.


A
Poppa Got Bagged (4:03)
Red Sex Dress (5:03)
1984 Where Are You? (5:51)
Funk Wave (8:53)

B
Live Afrika
(6:36)
You Only Believe (5:42)
Bustin‘ Miles (5:13)
Alfonia? Alfonia! (5:35)

THRILLCAT

THRILLCAT (oneword) (1993) – Pure-Bred Pop!

(oneword) (1993)
Smartypants Popsters

A three piece (with friends) more elastic than the original 10cc and more polished than anyone has a right to expect from new guys. On (oneword), Thrillcat get eerily close to pop perfection with hooks Squeeze and Crowded House would kill for. Shimmering lead vocals laced with rich harmonies, bright music beds, an abundance of nifty ideas, all with a light pop sheen that doesn’t sound corny in these guys’ hands. Thrillcat would only release a few albums, but this 1993 debut was their most articulate. Due to its obscurity, CDs are at Amazon for 1¢, HERE.

All Come True
Ordinary People
Water
American Dreamer
A Strange Thing I Feel
What’s That Say About Love
Honeyface
World
Mephistopheles Seed
Kate
Somebody Hold Me

SCOTT JOHNSON Soundtracks

SCOTT JOHNSON John Somebody (1986) & Patty Hearst (Soundtrack) (1988)


John Somebody (1986)
Patty Hearst (Soundtrack) (1988)
Weird Science

If you haven’t heard Scott Johnson’s debut album, John Somebody, you’re in for a treat. Primarily a guitarist, but also a varied composer often lumped into the avant garde for lack of a better category, Johnson took snippets of conversation, isolated and looped them to create melodic effects, then composed around them. The multi-layering effect Johnson gets with his guitars is reminiscent of Mike Oldfield’s over-overdubbed sound on Tubular Bells, but the conceptual approach is all his own. The All Music Guide states that John Somebody is much more than some cerebral exercise; the music is fun, infectious and darned near danceable.” Johnson’s follow-up, the film soundtrack to Patty Hearst, is unusual too, but this time for its convention. While challenging in its own right as a score, it’s perhaps telling that Johnson doesn’t fall back on John Somebody‘s devices (though he hints at them). Instead, Patty Hearst finds Johnson in composer mode, already moving in a different direction from his more conceptual debut. Both of these albums went out of print in the 80s/90s on the Nonesuch label, but have since been re-issued by John Zorn’s Tzadik label. John Somebody‘s cover was updated, while the CD reissue contains an additional 13 minutes of music. John Somebody and Patty Hearst are at Amazon.


John Somebody
John Somebody: Part 1 (5:20)
John Somebody: Part 2 (8:23)
John Somebody: Part 3- Involuntary Songs (11:48)
John Somebody: Reprise (2:16)
No Memory (11:22)

Patty Hearst
Mom Dad (5:02)
Closet (9:28)
Cinque’s Vision (2:34)
Young Once (3:38)
My Real Crime (2:37)
Motel TV (2:26)
Rest Home (2:39)
Pistol/Rope (1:49)
Persistence Of Vision (3:19)
Pen Chorale (1:38)
Dad Mom (1:00)
Blindfold (4:14)

MOJO PRESENTS TOM WAITS

MOJO PRESENTS: Step Right Up! (2010) – A Musical Journey Compiled And Sequenced By Tom Waits

Mojo Presents: Step Right Up! (July 2010)
Compiled And Sequenced For MOJO By Tom Waits


The latest MOJO freebie is a cool, 15 track CD compiled and sequenced by Tom Waits. As you might imagine, the set includes some gut bucket blues, but there’s also some righteous, Richter scale weirdness, country essentials, a Disney classic and even a “single” version of the Gavin Bryars/Tom Waits bizarro world classic, “Jesus’ Blood Never Failed Me Yet.” Kind of a collectible at Amazon, HERE. Find ALL our MOJO’s, HERE.

TENNESSEE ERNIE FORD Sixteen Tons (2:33)
SON HOUSE John The Revelator (2:28)
HANK WILLIAMS Ramblin‘ Man (2:59)
THE PRISONAIRES Just Walkin‘ In The Rain (2:41)
RAY CHARLES Drown In My Own Tears (3:17)
BLIND MAMIE FOREHAND Honey In The Rock (2:41)
HANK BALLARD & THE MIDNIGHTERS Let’s Go, Let’s Go, Let’s Go (2:22)
PAUL ROBESON No More Auction Block (2:08)
HOWLIN‘ WOLF Dorothy Mae (2:42)
HARRY BELAFONTE Sylvie (5:17)
BOB DYLAN I Was Young When I Left Home (5:20)
GAVIN BRYARS (w/ TOM WAITS) Jesus’ Blood Never Failed Me Yet (3:42)
BIG MAMA THORNTON Ball ‘N’ Chain (4:29)
WILLIAM BURROUGHS Ich Bin Von Kopf Bis Fuss Auf Liebe Eingestellt
CLIFF EDWARDS When You Wish Upon A Star (3:15)

DARYL HALL HALL & OATES

DARYL HALL Sacred Songs (1980) – Produced By Robert Fripp w/ Bonus Tracks

Sacred Songs (1980)
Hall & Fripp Mix It Up

Sacred Songs was actually recorded three years before it came out, illustrating just how much this album confounded label salesmen of the 70s. Daryl Hall’s blue-eyed soul (with an artist’s heart) and Bob Fripp’s production (and free improvisation mechanics) hardly seemed a fit on paper… but it’s funny how a union could seem so curious, at first, and so natural later on. Even now, despite Hall’s recognizable voice and Fripp’s stylistic drive-bys, the LP’s sound & style come on like a particle collider. Hall seems intent on downplaying the Philly soul (save the excellent “Why Was It So Easy”) and Fripp aims to prove he has no intention of playing by any commercial rules. Still… it’s a fascinating collaboration. Features two bonus tracks from Fripp’s 1978 LP, Exposure, both featuring Hall… and their best recording as a duo, “North Star.” Find more Hall and H2O HERE. Get this one at Amazon, HERE.

Sacred Songs (3:18)
Something in 4/4 Time (
4:27)
Babs and Babs (7:50)
Urban Landscape (
2:24)
NYCNY (
4:36)
The Farther Away I Am (
2:53)
Why Was It So Easy (
5:32)
Don’t Leave Me Alone with Her (
6:25)
Survive (
6:41)
Without Tears (
2:54)
You Burn Me Up I’m a Cigarette (2:20) Bonus Track
North Star (3:10) Bonus Track

PAUL SIMON SIMON & GARFUNKEL

PAUL SIMON The Paul Simon Songbook (1965) – The Solo LP That Might Have Ended Simon & Garfunkel

The Paul Simon Songbook (1965)
Once Forgotten Solo Simon


FROM 2010: As an import-only album, a rare delicacy for nearly 40 years, this was long one of my prized vinyl possessions. Before its re-release in 2004, the scuttlebutt was that Simon had no interest in ever hearing it again. It was recorded when Simon left the United States… and Art Garfunkel, in 1965, after the failure of the duo’s debut LP, Wednesday Morning, 3 A.M. Finding moderate success in the UK, Simon entered a recording studio with only an acoustic guitar to record the cream of his crop of originals. Stripped, raw and unplugged. And… it’s quite possible that Simon may have remained overseas – without Garfunkel – had fate not stepped in. You probably know the story. Producer Tom Wilson (the great Tom Wilson) took it upon himself, without Simon’s knowledge, to add electric instrumentation to “The Sound Of Silence,” a track from 3AM. It took off at radio, bringing Simon back to the States (and to Garfunkel) to capitalize on Wilson’s genius with the follow-up LP, Sounds Of Silence – leaving this album, The Paul Simon Songbook, to languish in obscurity for four decades. Why the original LP’s cover (HERE) was altered for the reissue is anybody’s guess, but even this CD is still relatively obscure, though still selling for cheap (new with bonuses) at Amazon, HERE.

I Am A Rock
Leaves That Are Green
A Church Is Burning
April Come She Will
The Sound Of Silence
A Most Peculiar Man
He Was My Brother
Kathy’s Song
The Side Of A Hill
A Simple Desultory Philippic (Or How I Was Robert McNamara’d Into Submission)
Flowers Never Bend With The Rainfall
Patterns
I Am A Rock (Alternate)
A Church Is Burning (Alternate)

ART GARFUNKEL PAUL SIMON SIMON & GARFUNKEL

SIMON & GARFUNKEL Live From New York City, 1967 (2007) & Live 1969 (2009)


Live From New York City, 1967 (2007)
Live 1969
(2009)
Two Guys


FROM 2010: Only 58 songs (or so) make up the legacy of the original Simon & Garfunkel, and that number includes folk covers, traditional arrangements and oddities. I’m hard pressed to think of an example, besides The Beatles, of such a high concentration of quality material. Credit Art Garfunkel’s perfectly angelic voice and composer Paul Simon’s stingy, infuriating perfectionism. These two excellent live recordings offer an overview of that singularly unique relationship. Live From New York City, 1967, encapsulates S&G Phase I, captured on the Parsley, Sage, Rosemary and Thyme tour. There are not many surprises, as their consistent quality was a given, though, they do perform the rare B-side, “You Don’t Know Where Your Interest Lies,” and preview “A Hazy Shade Of Winter,” from the upcoming Bookends (and the start of S&G Phase II). Live 1969 offers a slightly different dynamic as Paul & Art, on their last tour together before splitting up, would bring a small band along for the ride (appearing on only a few tracks here) to premiere material from their upcoming, Grammy-busting masterwork, Bridge Over Troubled Water. Hearing Artie on the title track, with only piano accompaniment (before the song’s release), is simply sublime. You can’t go wrong with either and both are worth your time. Get Live From New York City, 1967 (HERE) and Live 1969 (HERE) cheap @ Amazon.

LIVE FROM NEW YORK CITY, 1967
He Was My Brother
Leaves That Are Green
Sparrow
Homeward Bound
You Don’t Know Where Your Interest Lies
A Most Peculiar Man
The 59th Street Bridge Song (Feelin’ Groovy)
The Dangling Conversation
Richard Cory
A Hazy Shade Of Winter
Benedictus
Blessed
A Poem On The Underground Wall
Anji
I Am A Rock
The Sound Of Silence
For Emily, Whenever I May Find Her
A Church Is Burning
Wednesday Morning, 3 A.M.

LIVE 1969
Homeward Bound
At The Zoo
The 59th Street Bridge Song (Feelin’ Groovy)
Song For The Asking
For Emily, Whenever I May Find Her
Scarborough Fair/Canticle
Mrs. Robinson
The Boxer
Why Don’t You Write Me
So Long, Frank Lloyd Wright
That Silver-Haired Daddy Of Mine
Bridge Over Troubled Water
The Sound Of Silence
I Am A Rock
Old Friends/Bookends
Leaves That Are Green
Kathy’s Song

JOHN COLTRANE NELS CLINE

JOHN COLTRANE Interstellar Space (1967/1974/1991) & NELS CLINE/GREGG BENDIAN Interstellar Space Revisited (1999)


JOHN COLTRANE Interstellar Space (1967/1974/1991)
NELS CLINE/GREGG BENDIAN Interstellar Space Revisited (1999)
Two Approaches To Controlled Chaos (And Beauty)

Recorded in 1967, but so unconventional it went unreleased until 1974, John Coltrane’s last album, a sax/percussion exploration with drummer Rashied Ali, sounds almost tame compared to what can be done with two instruments and a recording studio these days. Neatly evidenced by guitarist Nels Cline’s shredding tribute. While it’s impossible to actually compare these two musical/emotional outbursts, it’s still fun to try. Given the nature of the wild improvisation offered, however, you’ll quickly hear that the only thing that these albums have in common is a title. And, of course, Coltrane’s spirit of adventure. This version of the original is the 1991 re-issue (with a bonus track), while Cline’s 1999 guitar & drums offering – recorded live the previous year – captures what he’s most celebrated for… unfettered improv. So Wilco fans (Cline joined the indie rockers in 2004) can probably sit this one out. Recent (and presumably, upgraded) reissues of both Interstellar Space, (HERE) and Interstellar Space Revisited (HERE) are at Amazon.


JOHN COLTRANE
Mars (10:48)
Leo (10:59)
Venus (8:31)
Jupiter Variation (6:50) Bonus Track
Jupiter (5:26)
Saturn (11:37)


NELS CLINE/GREGG BENDIAN
Mars (8:29)
Leo (11:45)
Venus (12:16)
Jupiter (12:09)
Saturn (8:25)
Lonnie’s Lament (6:34)

IGGY POP STOOGES

IGGY POP Live At The Channel Boston, MA 1988 (1988/1990) & King Biscuit Flower Hour Presents Iggy Pop (1988/1997)


Live At The Channel Boston, MA 1988 (1988/1990)
King Biscuit Flower Hour Presents Iggy Pop (1988/1997)
One Show, Two Versions… And A Convoluted Release History

Recorded by the King Biscuit Radio Network in 1988, this concert has been bootlegged (first) and legitimately issued on numerous labels (ROIR, New Rose and King Biscuit, among them) with differing song configurations… and different mixes. Sorting through them all is a chore. For instance, 1997’s King Biscuit Flour Hour Presents (also available for download on Wolfgang’s Vault) doesn’t include the song “Your Pretty Face Is Going To Hell,” which is included on the 1990 French import, Live At The Channel Boston, MA 1988. But Channel does not include “Winners & Losers/Scene Of The Crime” and “Cold Metal,” which are on King Biscuit. Recorded on July 19, 1988, during Iggy’s (return to form) Instinct tour, this show features an excellent cross-section of old and new Pop – well recorded, well performed and reasonably well mixed. Either is light years ahead of most of the Iggy boots that have been elaborately boxed in the last few years. Last year’s talk about this album being properly re-issued seems to have been… just talk. Both King Biscuit (HERE) and The Channel (HERE) are at Amazon. You can also find The Stooges’ Complete Fun House Sessions in the archives.

LIVE AT THE CHANNEL BOSTON, MA 1988
Instinct

Kill City
1969
Penetration
Power And Freedom
Your Pretty Face Is Going To Hell (Not On King Biscuit)
High On You
Five Foot One
Johanna
Easy Rider
Tuff Baby
I Feel Alright (1970)
Search And Destroy
Squarehead
No Fun
I Wanna Be Your Dog

KING BISCUIT FLOWER HOUR PRESENTS:
Instinct
Kill City
1969
Penetration
Power And Freedom
High On You
Five Foot One
Johanna
Easy Rider
Tuff Baby
I Feel Alright (1970)
Winners And Losers/Scene Of The Crime
(Not On The Channel)
Search And Destroy
Cold Metal (Not On The Channel)
Squarehead
No Fun
I Wanna Be Your Dog