Resident Evil: The Final Chapter
Resident Evil: The Final Chapter may not be the ideal final note for the series but as long as Jovovich is up there doing her…
Resident Evil: The Final Chapter may not be the ideal final note for the series but as long as Jovovich is up there doing her…
It’s a psychological and moral drama about how one man’s anger and damaged self-image drive him to the brink of destroying the very thing he…
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An interview with the director and producer of Sundance documentary breakthrough "Quest."
A piece on the first Sundance Film Festival during the Trump administration.
Chaz Ebert highlights films with the potential to get us through the confusing political times of the Trump presidency.
Molly Haskell speaks with Matt Zoller Seitz about "From Reverence to Rape," "Love and Other Infectious Diseases," "Steven Spielberg: A Life in Films" and more.
FFC Seongyong Cho explores Frederick Wiseman's 2014 documentary, "National Gallery."
The forces behind San Diego Comic-Con have launched a new con-centric channel, featuring "Kings of Con," "Con Man" and "Mark Hamill's Pop Culture Quest."
An interview with the hosts of the movies podcast, "Medium Popcorn."
An interview with Chicago Tribune critic Michael Phillips, this year's recipient of the AAFCA's Roger Ebert Award.
Hideous Kinky (1999)
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Santoni
Sweet Movie (1975)
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Potemkin Sailor
Benjamin (1968)
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Benjamin
Belle de Jour (1968)
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Marcel
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Shrouded behind the frostbitten windows of an idling vehicle, Marcello Clerici (Jean-Louis Trintignant) peers out at the snow-covered French countryside where a political assassination takes place. Driven by another member of Mussolini's Fascist government, the jittery man in the backseat has traveled through the night to reach this mission, but it is in the journey that Bernardo Bertolucci's striking 1970 drama, "The Conformist," takes shape. An adaptation of Alberto Moravia's 1951 novel, the film details the inner working of cowardice, using Marcello as a supposed idealist defined by his cage in 1930s Italy, and through his pitiful struggle against independence explores its futility at every turn.