Jigsaw
While I can't exactly recommend seeing Jigsaw, I can tell you that it's fun to watch. I just don't think it's the kind of fun…
Griffin Dunne
-
Joan Didion: The Center Will Not Hold (2017)
—
Director
Godfrey Cheshire -
War Machine (2017)
—
Ray Canucci
Brian Tallerico -
Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2017)
—
Himself
Sheila O'Malley -
Touched With Fire (2016)
—
George
Susan Wloszczyna -
Dallas Buyers Club (2013)
—
Glenn Kenny -
Broken City (2013)
—
Sam Lancaster
Richard Roeper -
The Great Buck Howard (2009)
—
Jonathan
Roger Ebert -
Game 6 (2006)
—
Elliot Litvak
Roger Ebert -
Practical Magic (1998)
—
Directed by
Roger Ebert -
Addicted to Love (1997)
—
Directed by
Roger Ebert -
Straight Talk (1992)
—
Alan
Roger Ebert -
Once Around (1991)
—
Produced by
Roger Ebert -
White Palace (1990)
—
Produced by
Roger Ebert -
Running on Empty (1988)
—
Produced by
Roger Ebert -
After Hours (1985)
—
Paul Hackett, Produced by
Roger Ebert -
Baby, It's You (1983)
—
Produced by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
NYFF 2017: “Arthur Miller: Writer,” “Joan Didion: The Center Will Not Hold,” “Lover for a Day”
A New York Film Festival report on three Big Apple premieres.
Amazon’s “I Love Dick” Challenges Artistic Preconceptions
A review of Amazon's "I Love Dick," starring Kathryn Hahn and Kevin Bacon.
Sundance 2017 Announces Premieres, Midnight Films and More
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
CIFF 2016: “Bright Lights,” “Raw,” “I, Daniel Blake”
A CIFF 2016 dispatch on Fisher Stevens and Alexis Bloom's "Bright Lights," Julia Ducournau’s "Raw," and Ken Loach's "I, Daniel Blake."
Thumbnails 5/24/16
A new breed of female lead; A tale of two Fishers; Penn's hate-watch for the ages; "Paterson" is perfection; "The Salesman" marks Iran's post nuclear deal cinematic resurgence.
#137 October 10, 2012
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
(Click image to enlarge.)
#52 March 2, 2011
The Ebert Club Newsletter is 1 year old!
#34 October 27, 2010
Welcome to a special Halloween edition of the Newsletter! Marie writes: the Cimetière du Père-Lachaise in Paris is considered one of the most beautiful cemeteries in the world, in addition to being the final resting place of many a famous name. From Édith Piaf, Sarah Bernhardt and Chopin to Oscar Wilde, Jim Morrison and Georges Méliès, the well-known sleep on the tree-lined avenues of the dead and which you can now explore in a virtual 360 degree tour...
ENTER Père-Lachaise
Opening Shots: 'His Girl Friday'
Enlarge image: Newsroom hustle...
Enlarge image: ... and bustle. Notice the emphasis on women at work in the very first moments.
From That Little Round-Headed Boy:
"His Girl Friday": Anybody who ever worked in the journalism business, or wished they had been around for newspapering's madcap era, must feel a quickening at the opening tracking shot of Howard Hawks' classic comedy. As the camera tracks from right to left across the city room of the Chicago Morning Post, a smoky, hustling, chatty ambience hangs over the enterprise, as an editor yells out for a "Copy boy!", reporters are decked out in rolled-up shirts and green eye-shades, the women wear fashionable hats and the blue-collar switchboard gals are yammering in overdrive. The scene sets the fast-paced theme, and it never lets up.
JE: Good grief, TLRHB, that's a great one! (This should give readers an idea why they should check out TLRHB regularly.) As someone born with ink in his veins (red ink, I'm afraid), I know well the quickening of which you speak!
2006 Floating Film Festival – “Shek It Out!”
FFFgoer Andra Takacs files her account of the 2006 Floating Film Festival:
Sundance #4: 'Nine Lives,' nine films
PARK CITY, Utah -- I took a day off to cover the Oscars, and I'm nine films behind. That's nine I've seen, not nine I've missed. They are so various and in many cases so good that the problem is to write about them without sounding like a crazed cinemaniac.
Class of '94 gets their due at Cannes
CANNES, France -- Every year they come here to the Riviera, the new class of young American filmmakers, hoping for lightning to strike. Ever since Dennis Hopper's "Easy Rider" arrived at Cannes in 1967 as a motorcycle film and returned to the United States as an art film, Cannes has provided a sort of festival within a festival, of first and early films by young Yankee hopefuls.
