Resident Evil: The Final Chapter
Resident Evil: The Final Chapter may not be the ideal final note for the series but as long as Jovovich is up there doing her…
Resident Evil: The Final Chapter may not be the ideal final note for the series but as long as Jovovich is up there doing her…
It’s a psychological and moral drama about how one man’s anger and damaged self-image drive him to the brink of destroying the very thing he…
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An interview with the director and producer of Sundance documentary breakthrough "Quest."
A piece on the first Sundance Film Festival during the Trump administration.
Chaz Ebert highlights films with the potential to get us through the confusing political times of the Trump presidency.
Molly Haskell speaks with Matt Zoller Seitz about "From Reverence to Rape," "Love and Other Infectious Diseases," "Steven Spielberg: A Life in Films" and more.
FFC Seongyong Cho explores Frederick Wiseman's 2014 documentary, "National Gallery."
The forces behind San Diego Comic-Con have launched a new con-centric channel, featuring "Kings of Con," "Con Man" and "Mark Hamill's Pop Culture Quest."
An interview with the hosts of the movies podcast, "Medium Popcorn."
An interview with Chicago Tribune critic Michael Phillips, this year's recipient of the AAFCA's Roger Ebert Award.
20th Century Women (2016)
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William
Jackie (2016)
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The Journalist
Spotlight (2015)
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Eric Macleish
The Stanford Prison Experiment (2015)
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Dr. Philip Zimbardo
Glass Chin (2015)
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J.J. Cook
Rudderless (2014)
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Sam
The Longest Week (2014)
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Dylan Tate
Blood Ties (2014)
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Frank
Thin Ice (2012)
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Randy
Eat Pray Love (2010)
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Stephen
Public Enemies (2009)
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J. Edgar Hoover
Watchmen (2009)
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Dr. Manhattan/Jon Osterman
Dedication (2007)
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Henry Roth
The Good Shepherd (2006)
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Arch Cummings
Mission: Impossible III (2006)
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Musgrave
Stage Beauty (2004)
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Ned Kynaston
Big Fish (2003)
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Will Bloom
World Traveler (2002)
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Cal
Charlotte Gray (2002)
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Julien
Almost Famous (2000)
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Russell Hammond
Jesus' Son (2000)
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Fh
Waking The Dead (2000)
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Fielding Pierce
Princess Mononoke (1999)
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Ashitaka
The Hi-Lo Country (1999)
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Pete Calder
Without Limits (1998)
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Steve Prefontaine
Monument Ave. (1998)
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Teddy
Inventing The Abbotts (1997)
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Jacey Holt
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Some of our favorite performances of 2016.
An article about Ebertfest, Roger Ebert's Film Festival 2017 passes, which are now on sale.
A review of Mike Mills' latest from the New York Film Festival.
On three unexpected entries in our TIFF coverage this year.
The latest on Blu-ray and streaming services, including "Best of Enemies," "Shaun the Sheep Movie," "Mississippi Grind" and "Don't Look Back" on Criterion.
A response to Noah Gittell's piece on Nick Hornby.
An interview with co-writer/director Tom McCarthy about "Spotlight."
A CIFF report on "A Perfect Day," "Cuckold" and "Spotlight."
An article on Ebertfest 2016 passes available for purchase on November 2nd.
A review of "Spotlight" and "Truth".
A piece on the history of Cameron Crowe in light of this week's Aloha.
A review of Sundance drama "The Stanford Prison Experiment".
A feature on the latest major Blu-ray, Netflix, and On Demand releases, including "Gone Girl," "The Boxtrolls," "The Zero Theorem," "Coherence," and more.
Our most anticipated films of the 2015 Sundance Film Festival.
Passes for Ebertfest 2015 will go on sale Saturday, November 1st.
Sam Fragoso chats with Kim Robeson, an Ebertfest lover who has been coming since the very first year.
Marie writes: Every once in while, I'll see something on the internet that makes me happy I wasn't there in person. Behold the foolish and the brave: standing on one of the islands that appear during the dry season, kayacker's Steve Fisher, Dale Jardine and Sam Drevo, were able to peer over the edge after paddling up to the lip of Victoria Falls; the largest waterfall in the world and which flows between Zambia and Zimbabwe, in Africa. It's 350 feet down and behind them, crocodiles and hippos can reportedly be found in the calmer waters near where they were stood - but then, no guts, no glory, eh? To read more and see additional photos, visit "Daredevil Kayakers paddle up to the precipice of the Victoria Falls" at the DailyMail.
Marie writes: Recently, a fellow artist and friend sent me the following photos featuring amazing glass mosaics. She didn't know who the artists were however - and which set me off on a journey to find out! I confess, the stairs currently continue to thwart me and thus remain a mystery, but I did uncover who created the "glass bottle doorway" and was surprised to learn both its location and the inspiration behind it. (click image.)
Marie writes: Intrepid club member Sandy Kahn discovered the following Danish designers "Monstrum" who make extraordinary playgrounds for children. I think they're the stuff of dreams, whatever your age. Indeed; behold the Rahbek kindergarten in Frederiksberg, Denmark, and Monstrum's first playground...
The Rocket and The Princess Tower! "Just like a set design, a playground must have an inspiring front that attracts children, and a functional backside with climbing, sliding and relaxing options. The idea of the playground is to combine a girl's mind with a boy's approach into one big common playground. The princess tower consists of three floors, and the rocket has two floors. From the top floor of the Rocket, you can slide down the 6 m long double slide together with an astronaut friend." (click to enlarge.)
Marie writes: I have no words. Beyond the obvious, that is. And while I'm okay looking at photos, the video.... that was another story. I actually found myself turning away at times, the suspense too much to bear - despite knowing in advance that he's alive and well and there was nothing to worry about. The bottom of my stomach still fell out...
(click images to enlarge)
Q. Today was a very discouraging day for me. With a group of intelligent friends, I started watching "Annie Hall" at my home. Unfortunately, as the movie started, people began talking. This continued throughout the movie, much of the conversation unrelated to the movie. Then there was the texting, the visits to the bathroom, the talking to the dog, and so on. I considered walking away or saying something abrupt, but I didn't want to be rude. That's truly ironic, as I've always considered talking during movies to be rude.
Marie writes: what do you get a man with a massive book collection who has artwork by Edward Lear and huge canvases by Gillian Ayres? What would a man with a Pulitzer and a Webby now renowned for the verbosity of his tweeting, like for his birthday? Much pondering went into answering that. Until suddenly a light-bulb went on above my head! (Click image.)Of course! It's so obvious - turn the Grand Poobah into a super hero! Super Critic: battling the forces of bad movies and championing the little guy, while tweeting where no critic has gone before! In the process, we'll get to see him wearing a red cape and blue tights. Perfect.Note: the artwork was done by Dave Fox of INTOON Productions. He makes personalized comic book covers and animation cels. Diane Kremmer, a long time friend and fellow artist, works and lives with Dave on Pender Island (one of the Gulf Islands off the coast of BC near Washington State.) I spent last weekend with them and took advantage of Dave's cartooning skills. I mention this because he did all the work. I just sat there and drank his wine. :-)
Latest Contrarian Week News:
In his New York Observer year-end wrap-up (and ten-best list), Andrew Sarris attempts to steal the thunder of one of his New York "alternative weekly" rivals.
Sarris writes: Fortunately, modern technology makes it almost impossible for a good movie to get “lost” because of end-of-the-year mental exhaustion. So, with the proviso that I still have a great deal of catching up to do, here are my considered choices for the various 10-best categories, and one of my patented 10-worst lists under the provocative heading of “Movies Other People Liked and I Didn’t.” I am not at all deterred in dishing out my annual supply of negativity by the correspondent who informed me last year that he preferred all the films on my 10-worst list to all the films on my 10-best list. I have long ago become resigned to my fate as a reviled revisionist ever since my first column in The Village Voice in 1960 hailed Alfred Hitchcock as a major artist for "Psycho," and inspired more hate mail than any Voice column had received up to that time. That clinched my job at the ever-contrarian Voice, and I have simply gone on from there.So, how contrarian is the "reviled revisionist" 46 years later? Let's see:
"The Departed" as best film of the year. (Only in New York!)
"Blood Diamond" as #5.
Best Supporting Actresses: 1) Jennifer Connelly, "Blood Diamond" 2) Gong Li, "Miami Vice" 3) Maggie Gyllenhaal, "World Trade Center"
And then there's this: Other striking male performances were provided by: Leonardo DiCaprio, Matt Damon, Mark Wahlberg, Martin Sheen, Ray Winstone, Alec Baldwin and Anthony Anderson in The Departed; Edward Norton, Liev Schreiber and Toby Jones in The Painted Veil; Wim Willaert in When the Sea Rises; Leslie Phillips and Richard Griffiths in Venus; Clive Owen, Denzel Washington, Christopher Plummer, Willem Dafoe, and Chiwetel Ejiofor in Inside Man; Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase and Shido Nakamura in Letters from Iwo Jima; Greg Kinnear, Steve Carell, Alan Arkin and Paul Dano in Little Miss Sunshine; Edward Norton, Paul Giamatti and Rufus Sewell in The Illusionist; Patrick Wilson, Jackie Earle Haley, Noah Emmerich, Gregg Edelman and Ty Simpkins in Little Children; Keanu Reeves, Christopher Plummer and Dylan Walsh in The Lake House; Nicolas Cage, Michael Pena and Stephen Dorff in World Trade Center; Tim Blake Nelson, Pat Corley, Jeffrey Donovan, Stacy Keach and Scott Wilson in Come Early Morning; Ryan Gosling and Anthony Mackie in Half Nelson; Jason Schwartzman, Rip Torn, and Danny Huston in Marie Antoinette; Matt Damon, Michael Gambon, Alec Baldwin, William Hurt, Billy Crudup, Robert De Niro, Keir Dullea, Timothy Hutton, Eddie Redmayne, Mark Ivanir and Joe Pesci in The Good Shepherd; Hugh Jackman, Patrick Stewart, Ian McKellen, Kelsey Grammer, James Marsden, Shawn Ashmore, Aaron Stanford, Vinnie Jones and Ben Foster in X-Men: The Last Stand; Mads Mikkelsen, Jeffrey Wright, Giancarlo Giannini, Simon Abkarian, Sebastien Foucan, Jesper Christensen and Tobias Menzies in Casino Royale; Ebru Ceylan and Mehmet Eryilmaz in Climates; Adrien Brody, Ben Affleck and Bob Hoskins in Hollywoodland; Jamie Foxx, Danny Glover, Keith Robinson and Hinton Battle in Dreamgirls; Brian O’Halloran, Jeff Anderson, Jason Mewes, Trevor Fehrman, Kevin Smith and Jason Lee in Clerks II; Justin Kirk and Jamie Harrold in Flannel Pajamas; Stanley Tucci, Simon Baker and Adrian Grenier in The Devil Wears Prada; Will Ferrell, Dustin Hoffman and Tom Hulce in Stranger Than Fiction; Samuel L. Jackson, Curtis Jackson, Chad Michael Murray, Sam Jones III and Brian Presley in Home of the Brave; Harris Yulin, Ty Burrell and Boris McGiver in Fur: An Imaginary Portrait of Diane Arbus; Max Minghella, John Malkovich, Jim Broadbent, Matt Keeslar, Ethan Suplee, Joel David Moore and Nick Swardson in Art School Confidential; Joseph Cross, Brian Cox, Joseph Fiennes and Alec Baldwin in Running with Scissors; Jamie Foxx, Colin Farrell, Ciarán Hinds, Justin Theroux, Barry Shabaka Henley, Luis Tosar and John Ortiz in Miami Vice; Michael Sheen, James Cromwell, Alex Jennings, Roger Allam and Tim McMullan in The Queen; Samuel L. Jackson, Ron Eldard, William Forsythe, Anthony Mackie, Marlon Sherman and Clarke Peters in Freedomland; Vin Diesel, Peter Dinklage, Linus Roache, Alex Rocco, Ron Silver and Raul Esparza in Find Me Guilty; Josh Hartnett, Bruce Willis, Stanley Tucci, Morgan Freeman and Ben Kingsley in Lucky Number Slevin; Hugh Grant, Dennis Quaid, Chris Klein, Shohreh Aghdashloo, John Cho, Tony Yalda, Sam Golzari and Willem Dafoe in American Dreamz; Keanu Reeves, Robert Downey Jr., Woody Harrelson and Rory Cochrane in A Scanner Darkly; Adam Beach, Ryan A. Phillippe, Jesse Bradford, John Benjamin Hickey, Jon Slattery, Barry Pepper, Jamie Bell, Paul Walker and Robert Patrick in Flags of Our Fathers; Chow Yun-Fat in Curse of the Golden Flower; Sergi López, Doug Jones, Álex Angulo and Federico Luppi in Pan’s Labyrinth; Bill Nighy in Notes on a Scandal.Take that, A----- W----!
"M:I:III": To see or not to see?
Quick: When you think "Tom Cruise," what's the first thing that pops into your mind? Tabloid celebrity? Love-struck happy dad? Couch-jumper? Noted skeptic and scholar of the history of psychology and psychopharmacology? Censor? Superspy? Scientologist? Actor? The former Mr. Kidman? The future Mr. Holmes? Movie star?
The release of "Mission: Impossible III" on Friday is being touted by some as a referendum on Cruise's career as a celebrity with marquee value. It's Cruise's third time out as superspy Ethan Hunt (no, not that guy who used to be married to Uma Thurman -- the secret agent dude!), so the franchise may have quite a bit of steam of its own. But after the Scientology-backed clampdown on the "Trapped in the Closet" episode of "South Park" in the US and the UK (and today, by the way, happens to be Day 50 of "South Park" Held Hostage) and other bizarre off-screen behavior, Cruise's box-office status is being... questioned.
Q. I looked at the mysterious face in the funeral scene of "The Godfather" last night (Answer Man, Dec. 2), and I think I can explain it. Before Michael stands up, you can see a glare on the lens, but it is not discernible as a face because it is on a white background. When Michael shifts, so that his suit provides a dark contrast, the glare depicts the face of his mother, who in the scene immediately preceding is seated next to him. Presumably, the actors remained in place for the closeup shot of Michael (Coppola mentioned the shots were done in a hurry), and what we are seeing is a fluke of light, distortion, shadow, and lens peculiarity; the flared edge of the lens picks up the light from just out of the frame. (Mike Spearns, St. John's Newfoundland)