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Loading... The Chrysanthemum and the Sword (original 1946; edition 2006)by Ruth Benedict (Author), Ezra Vogel (Foreword)
Work detailsThe Chrysanthemum and the Sword: Patterns of Japanese Culture by Ruth Benedict (1946)
![]() No current Talk conversations about this book. It's supremely dodgy as anthropology--researched from across the Pacific, the main informant a disgruntled nisei, and ultimately even when it has real insights mistaking a profoundly dislocated, damaged point in Japanese social history for business as usual--but so much of this has been so influential on my life: a myth of Japan that became a myth of another way to be, a way of stepping away from the things my own culture and upbringing took as so obvious as to be invisible. Looking into a mirror to see your soul; self-respect being not holding to a set of personal morals, but behaving appropriately, cleaving to the circumstances--the ultimate in/flexibility--and never letting the strain show; "thank you" as "It cannot be borne, the burden you place on me by putting me in your debt." This all remained latent as long as life was selfish and easy, but as I've tried to be a dad in difficult circumstances and work with my son's mum so carefully and cause no harm, it's come up again and again. I mean this book may only say an indeterminate amount about Japan, but it's the closest thing I've found to a manual for being stronger than you are. ( )This is an analysis of Japanese culture written during World War II and published just after the war during the occupation of Japan by American forces. Ruth Benedict never traveled to Japan, so her analysis is based on secondary sources, as well as interviews with Japanese and Japanese-Americans. Because of the indirect nature of the research, one should probably take the findings with a grain of salt. However, I still found the book enlightening and believe it will be useful in my travels to Japan and interactions with Japanese people. The main focus is the system of obligations that a typical person in Japan lives under. "On" is an obligation passively incurred; that is, when someone does something for you. Doing someone a nice turn can create an obligation from them to you that the recipient feels burdened to meet. That's something a Westerner should remember before offering a helping hand in Japan. Another form of obligation is "gimu," an obligation to the emperor, your parents, or to your profession. Since the war, the government has emphasized this form of obligation over "giri", which is an obligation to to honor one's name and to clear any insult or failure. Giri was apparently responsible for a lot of bloodshed in samurai times. Also, inability to clear one's name can lead quickly to suicide, and Japan certainly has a reputation for a high suicide rate. Benedict also includes an interesting description of how personal freedom in Japan traditionally decreases with age. A child has almost complete freedom, whereas an adult is extremely confined by the network of obligations he must operate within, and then in old age the network of obligations dissipates to again allow a great deal of freedom. Benedict's analysis of Japan's behavior following the war is based on these concepts. She also makes predictions about Japanese economic success based on Japanese culture that proved to be true, at least until the real estate bust and deflation that occurred in the 80s and 90s. This work has ceased to be particularly accurate or helpful, but Benedict's language still frames a lot of the debates about Japan . Learn about "guilt cultures" vs. "shame cultures" plus bonus chapters on on and giri no reviews | add a review
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(retrieved from Amazon Thu, 12 Mar 2015 18:16:10 -0400)
This World War II-era study paints an illuminating contrast between the culture of Japan and that of the United States.
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