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Loading... Solar (2010)by Ian McEwan
![]() No current Talk conversations about this book. Meh. McEwan can do better. ( )disappointing. annoying character and little point. His use of english is outstanding!!! So far his other books are as good. WOW! This was chosen by our work Book Group or I would have abandoned it fairly early on. Solar tells the story of Michael Beard, Nobel Laureate for Physics, at three points in his live: 2000, 2005 & 2009. His is an obnoxious character: a serial womaniser with 5 ex-wives, he is pompous and has rested on his laurels since he won his Nobel Laureate. To add to this, he is fat & lazy, continously planning to do something about his weight problem but constantly procrastinating and indulging himself. He lies and cheats his way through his private, public & working life, leaving a trail of broken lives behind him. A totally unsympathetic character. So, what is the 'story'? After a few excrutiating incidents around the dissolution of his 5th marriage and a trip to the arctic, a 'shocking' incident puts him in a position of opportunity: does he use this in a constructive way or take advantage? Events jump to 2005 and we see him with a new woman, flat, job etc. etc. Again, various situations and opportunities open themselves up to him and again, the question of how he'll react is placed before us. Ditto with 2009 and the final denouement. The thing is, you just know how he'll react (if not always precisely what he'll do). There is very little to surprise in the book and the ending was so obvious..... I found the various 'incidents' excruciating and obvious, in particular the 'crisp incident'. I guess it's supposed to be a moral tale. We're not supposed to like the character, we're supposed to side with everyone else in the book. Even so, I didn't enjoy this (as is obvious), I wouldn't have finished it if it wasn't the Book Group choice and I certainly won't read anything else by this author. (I did read Chesil Beach a year or so ago & didn't particularly enjoy that either). There are no named or numbered chapters to provide a break to catch one’s breath as the story spins along with farcical pace and what appears to be solid science. However the story is told in three parts corresponding to events in 2000, 2005 and 2009. The main character, Michael Beard, is a five-time married philanderer and a Nobel Laureate physicist. His private life is as important to the story as is the physics of photosynthesis and fuel cells and both get plenty of coverage. Come the final climax, I was hoping he would indeed save the world.
Solar is grappig, slim geschreven en spannend tot op de laatste bladzijde. Een roman om, Beardsgewijs, duimen en vingers bij af te likken. Despite the book’s somber, scientific backdrop (and global warming here is little but that), “Solar” is Mr. McEwan’s funniest novel yet — a novel that in tone and affect often reads more like something by Zoë Heller or David Lodge. Like “Amsterdam,” this latest book shows off his gifts as a satirist, but while it gets off to a rollicking start, its plot machinery soon starts to run out of gas, sputtering and stalling as it makes its way from one comic set piece to another. Solar” is een vermakelijke en bijzonder goed gevulde roman, waarvan ook de wetenschappelijke gedeelten strak en helder geschreven zijn. Ian McEwan weet als zo vaak minutieus realisme en stilistische elegantie met elkaar te verenigen. De vraag die velen zich wel zullen stellen is: waar wil McEwan met zijn lezer naar toe? Er is namelijk slechts één gids: de onbetrouwbare anti-held Michael Beard, “passé” als geleerde maar niet genoeg om hem zo maar van de tafel te vegen. Zijn seksuele en andersoortige geeuwhonger maakt van deze Nobelprijslaureaat wel een karikaturale omkering van wat de nieuwe mens zou moeten zijn en hoe hij zich op een verantwoordelijke wijze tot de aarde en zijn medebewoners zou moeten gedragen. Lightness, however, comes less easily to McEwan, whose style depends on deliberateness and a certain ponderousness. The ominous lining up of causes and effects and the patient tweaking of narrative tension don't always mesh well with the aimed-for quickness and brio. Some of the humour is quite broad: there's a rather clunking motif concerning polar bears, and Beard gets involved with a stereotypical Southern waitress who's called, in the way of trailer-trash types, Darlene. He emerges as a figure of some comic dynamism, but the pages on his childhood and youth, though brilliantly done, articulate poorly with the knockabout parts of the plot. Once it became clear that the book's world is comic, I also found myself wondering if it wouldn't have benefited from being more loosely assembled, with shorter, discontinuous episodes and Beard functioning along the lines of Updike's Bech, Nabokov's Pnin or the consciousness in Calvino's Cosmicomics. Beard is as robust and full-fleshed and ebullient a character as McEwan has come up with. And in Solar, he shows a side to himself as a writer — a puckishness, a broadness of humour, an extravagance of style — that we haven’t seen before.
References to this work on external resources.
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