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Ulysses by James Joyce
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Ulysses (1922)

by James Joyce

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingConversations / Mentions
16,730232106 (4.05)4 / 1181
  1. 281
    The Odyssey by Homer (_eskarina, chrisharpe)
    _eskarina: Joyce himself recommended Homer's epos to get better insight and understanding of Ulysses.
  2. 190
    A Portrait of the Artist as a Young Man by James Joyce (ZenMaintenance)
  3. 80
    Infinite Jest by David Foster Wallace (browner56)
    browner56: You will either love them both or hate them both, but you will probably need a reader's guide to get through either one--I know I did.
  4. 60
    The Man Without Qualities by Robert Musil (roby72)
  5. 105
    Moby Dick by Herman Melville (ateolf)
  6. 51
    The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne (roby72)
  7. 40
    The Bloomsday Book by Harry Blamires (bokai)
    bokai: The Bloomsday Book is a book length summary of James Joyce's Ulysses. It informs the reader of the general plot, of particular references in Ulysses to events in other books (most usually Dubliners)and includes a minimum of commentary, usually focusing on the religious aspects of the novel. For someone reading Ulysses with a limited knowledge of Joyce, Ireland, or Catholicism, this book may be the deciding factor in their enjoyment of the novel itself.… (more)
  8. 52
    The Magic Mountain by Thomas Mann (roby72)
  9. 31
    To Have and Have Not by Ernest Hemingway (ateolf)
  10. 10
    The most dangerous book: the battle for James Joyce's Ulysses by Kevin Birmingham (Cecrow)
    Cecrow: The (Non-fiction) story behind the novel's publication and its struggles with censorship.
  11. 10
    J R by William Gaddis (chrisharpe)
  12. 10
    Dublinés by Alfonso Zapico (drasvola)
    drasvola: This book is a graphic narration of Joyce's life. It's in Spanish. Very well done and informative about Joyce's troubled relation with society, his work and family relationships.
  13. 21
    Shakespeare and Company by Sylvia Beach (andejons)
    andejons: For those who want to read about how the book was published (and other details about Joyce's life in Paris)
  14. 10
    The Death of Virgil by Hermann Broch (chrisharpe)
  15. 21
    Berlin Alexanderplatz by Alfred Döblin (rrmmff2000)
    rrmmff2000: Both books of a man in a city, celebrating human life in all its variety, and revelling in language.
  16. 00
    Station Island by Seamus Heaney (kara.shamy)
  17. 00
    The Sleepwalkers by Hermann Broch (thecoroner)
  18. 00
    Modernism: The Lure of Heresy by Peter Gay (charlie68, charlie68)
    charlie68: Book has section on Modernism in literature that includes a section on Ulysses.
    charlie68: A section deals in criticism of James Joyce and specifically Ulysses.
  19. 00
    The Satanic Verses by Salman Rushdie (chwiggy)
  20. 00
    Milkbottle H by Gil Orlovitz (EnriqueFreeque)
    EnriqueFreeque: Similar kind of disjointed interiority with multiple pov's.

(see all 27 recommendations)

1920s (15)
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English (214)  Spanish (4)  Dutch (4)  Italian (2)  Portuguese (2)  Norwegian (1)  German (1)  Danish (1)  All (1)  French (1)  Swedish (1)  All (232)
Showing 1-5 of 214 (next | show all)
Be sure and get the correctly set Gabler edition ~ it makes a big difference !

Without a doubt, this is as far as you can go in English. ( )
  Baku-X | Jan 10, 2017 |
I was able to knock this out in about 5 weeks, on my first try. I used an old copy of A Reader's Guide to James Joyce by Wm Tyndall for reference, along w Sparknotes. If I could only have one book on a deserted island, this would prob be it.

Still quite confused by the whole book. Each chapter having a different writing style is a bit unsettling. It is imperative to read it until the end, because the last two chapters really give you perspective. I read most of it on a Kindle, and kept pace in a Gabler edition.

My favorite character was Bloom. What a whack job, what a silly man. Stephen didn't do much for me. Have to process the story a bit more, because it was intense. JJ makes up some crazy/funny words. ( )
1 vote delta351 | Nov 13, 2016 |
As much as I feel the pressure to say that this is a great book, I can't. I acknowledge its genius, but I could never get into the book. Although Molly's chapter is great.

Updated on 4/10/14: Yup, still don't think this book is as fantastic as people claim. I did enjoy it more this time around, because I gave up on trying to understand EVEREYTHING. ( )
  Sareene | Oct 22, 2016 |
Thoughts made narrative; Odyssey-reflecting themes, coupled with a different narrative style for every episode and a boatload of rhetorical devices (did Joyce leave out any?); reversions to historical literary styles; obscure references to Catholic and Irish and Jewish tradition, Irish politics and history, and a wide scattering of other things ... 700 pages of this, and still we cover no more than eighteen hours of a rather ordinary day in Dublin: June 16th, 1904. An absolutely brilliant novel, but I needed help to understand it. I relied on the Wikipedia outline and Sparknotes chapter summaries, two among many references available.

Much of this novel is written in the language of the daydreamer, not restricted to interior thoughts that move a plot forward but open to capturing every thought that might pass through the consciousness of these characters as they go about their day. The sheer volume and range of this delivery turns a nothing-special morning and afternoon into an epic. Joyce is lambasted for writing over most people's heads, but he isn't doing it in a bullying or non-inclusive way - else why are there enough body function references to entertain a toddler? Some of his characters' thoughts, particularly Stephen's, can be learned in the extreme but are interspersed with the most casual, mundane passing fancies. Everything and nothing is important. All people are capable of every kind of thought up and down the scale of decorum, and all of us are riding that scale on a daily basis. These are the most realistic characters ever put to paper, and I'm ready to believe nobody will ever do it better.

What I don't believe is that Ulysses is worthwhile reading for anyone who doesn't come to it of their own volition. Forget the critics, the professors who are paid to help you appreciate it. It's only good reading if you think it is. Approach Joyce via Dubliners and Portrait first to see if you can enjoy him at all, and catch up on Homer's epics. If those are a hassle or boring (and whether you understand them is beside the point), don't trouble yourself any further because all you're going to miss here is an exercise in frustration with his madness (exactly why I'm not going to read the Wake). But if you liked all of that and what Joyce can do, his prior work pales next to the technical feats he pulled off with Ulysses. ( )
3 vote Cecrow | Oct 3, 2016 |
Terribly difficult to follow, but that was the intent of James Joyce. I had to turn to the web page for this novel at www.schmoop.com to find the guidance to continue reading after several failed starts. Once I got the hang of it using this guidance (about half-way through the novel) I put aside the help from Schmoop and simply enjoyed the joy of the stream of consciousness experience. ( )
1 vote fredjryder1946 | Sep 13, 2016 |
Showing 1-5 of 214 (next | show all)
A few intuitive, sensitive visionaries may understand and comprehend "Ulysses," James Joyce's new and mammoth volume, without going through a course of training or instruction, but the average intelligent reader will glean little or nothing from it- even from careful perusal, one might properly say study, of it- save bewilderment and a sense of disgust. It should be companioned with a key and a glossary like the Berlitz books. Then the attentive and diligent reader would eventually get some comprehension of Mr. Joyce's message.
 
For readers to whom books are an important means of learning about life, it stands preeminent above modern rivals as one of the most monumental works of the human intelligence.
added by Shortride | editTime (Jan 29, 1934)
 
During the one exciting day in Dublin, Joyce turns the mind of Bloom inside out. The history of Ireland comes to us in refracted rays. Through Stephen Dedalus we are introduced to Joyce's own profound spiritual uneasiness, his sense of loss, his hatred of the pragmatic commercial ethic, his need for the moorings and soundings of the medieval Catholic synthesis, his mental honesty that won't permit him to accept a religion, no matter what its appeal, so long as his intelligence tells him it is a figment of dream.
added by Shortride | editThe New York Times, John Chamberlain (pay site) (Jan 25, 1934)
 

» Add other authors (61 possible)

Author nameRoleType of authorWork?Status
Joyce, Jamesprimary authorall editionsconfirmed
Berkel, ChristianNarratorsecondary authorsome editionsconfirmed
Bindervoet, ErikTranslatorsecondary authorsome editionsconfirmed
Brandt, MatthiasNarratorsecondary authorsome editionsconfirmed
Clever, EdithNarratorsecondary authorsome editionsconfirmed
De Angelis, GiulioTranslatorsecondary authorsome editionsconfirmed
Deutschmann, HeikkoNarratorsecondary authorsome editionsconfirmed
Dewey, Kenneth FrancisIllustratorsecondary authorsome editionsconfirmed
Ellmann, RichardPrefacesecondary authorsome editionsconfirmed
Ernst, Morris L.Forewordsecondary authorsome editionsconfirmed
Gabler, Hans WalterEditorsecondary authorsome editionsconfirmed
Hülsmann, IngoNarratorsecondary authorsome editionsconfirmed
Henkes, Robbert-JanTranslatorsecondary authorsome editionsconfirmed
Johnson, JeriEditorsecondary authorsome editionsconfirmed
Kenner, HughIntroductionsecondary authorsome editionsconfirmed
Klaußner, BurghartNarratorsecondary authorsome editionsconfirmed
Koch, WolframNarratorsecondary authorsome editionsconfirmed
Kogge, ImogenNarratorsecondary authorsome editionsconfirmed
Lehto, LeeviTranslatorsecondary authorsome editionsconfirmed
Mallafrè, JoaquimTranslatorsecondary authorsome editionsconfirmed
Matic, PeterNarratorsecondary authorsome editionsconfirmed
Matthes, UlrichNarratorsecondary authorsome editionsconfirmed
Melchior, ClausEditorsecondary authorsome editionsconfirmed
Milberg, AxelNarratorsecondary authorsome editionsconfirmed
Noethen, UlrichNarratorsecondary authorsome editionsconfirmed
Rois, SophieNarratorsecondary authorsome editionsconfirmed
Saarikoski, PenttiTranslatorsecondary authorsome editionsconfirmed
Samel, UdoNarratorsecondary authorsome editionsconfirmed
Schüttauf, JörgNarratorsecondary authorsome editionsconfirmed
Steppe, WolfhardEditorsecondary authorsome editionsconfirmed
Tellegen, ToonAfterwordsecondary authorsome editionsconfirmed
Thalbach, AnnaNarratorsecondary authorsome editionsconfirmed
Vandenbergh, JohnTranslatorsecondary authorsome editionsconfirmed
Warburton, ThomasTranslatorsecondary authorsome editionsconfirmed
Wollschläger, HansÜbersetzersecondary authorsome editionsconfirmed
Woolsey, John M.Contributorsecondary authorsome editionsconfirmed
Zischler, HannsNarratorsecondary authorsome editionsconfirmed

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Important events
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Bloom ( [2003]IMDb)
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Epigraph
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First words
Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.
Quotations
History, Stephen said, is a nightmare from which I am trying to awake.
Think you're escaping and run into yourself. Longest way round is the shortest way home.
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Information from the French Common Knowledge. Edit to localize it to your language.
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Haiku summary
Grad student door stop.
Tree that I would never see
One hand clapping ‘yes’.
(SomeGuyInVirginia)

Amazon.com Amazon.com Review (ISBN 0679722769, Paperback)

Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.

Among other things, a novel is simply a long story, and the first question about any story is: What happens?. In the case of Ulysses, the answer might be Everything. William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call Early Yeats Lite--will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naive curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus

(retrieved from Amazon Thu, 12 Mar 2015 18:13:10 -0400)

(see all 7 descriptions)

This account of several lower class citizens of Dublin describes their activities and tells what some of them were thinking one day in 1904.

» see all 16 descriptions

Legacy Library: James Joyce

James Joyce has a Legacy Library. Legacy libraries are the personal libraries of famous readers, entered by LibraryThing members from the Legacy Libraries group.

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See James Joyce's author page.

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Audible.com

17 editions of this book were published by Audible.com.

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Penguin Australia

2 editions of this book were published by Penguin Australia.

Editions: 0141182806, 0141197412

Urban Romantics

An edition of this book was published by Urban Romantics.

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Recorded Books

An edition of this book was published by Recorded Books.

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