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Loading... Quicksilver (2003)by Neal Stephenson
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No current Talk conversations about this book. Good fun! I am fascinated by this period in history, the shift from religion to science, the birth of the modern age. Quicksilver is a kind of jolly romp through Western Europe mostly in the 1680s. We see an impossible number of key events - our protagonists seem to have been everywhere! But it works well enough and makes a nice thread from which to hang the events. ( )For this, my fourth (?) re-read I'm listening to the audio books. Simon Prebble did a remarkable job on this one, coveying the book's dry humor and sense of adventure (both intellectual and physical) perfectly. This book remains an all-time favorite! I had some problem at the beginning for entering the book then after some time, it was a real pleasure with the humour displayed by Stephenson, I plan to read he whole Baroq cycle... "My research! Let me show you it!" By which I mean, I wish Stephenson had taken the time to put some plot or characterization in there with all this info dumps. Sadly, this trilogy did NOT live up to my expectations (which were high). "Snow Crash" and "The Diamond Age" are still two of my favorite books of all time, but, I just found out from a friend that Neal Stephenson apparently changed publishers directly before Cryptonomicon. I think he also ditched his editor. Stephenson is an excellent writer, but this book is badly in need of an editor. According to Stephenson, the "Baroque Cycle" is actually 8 novels. The publisher is of the opinion that it is three. "Quicksilver" contains the first 3 (around 900 pages worth). The first book is kinda about Isaac Newton, math, and the state of scientific research in the 17th century. The second is about a ne'er-do-well type who inadvertently rescues a British harem slave who turns out to be a financial genius. The third book kinda brings all these characters sort-of-but-not-really together in a load of massively complicated political stuff, with tons of both historical figures and fictional characters involved. More than the story, the book really has to do with Things That Stephenson Thinks are Funny/Interesting/Clever, etc. And some of them ARE very interesting, funny, and etc... But one gets the feeling that the author is self-consciously winking at you far too often. Too much cleverness. All the characters "correspond" to those in Cryptonomicon, too (which I read long enough ago that it needed to be pointed out to me.) I guess these are supposed to be their ancestors? In addition, it's very, umm... earthy. Fixated on unpleasant physical details, shall we say. And, it didn't really succeed in making mathematical proofs seem exciting, to me. Stephenson apparently has tried to claim that this is a "science fiction" book, becase it contains a few fictional and unlikely elements - and it has to do with science. But it really is not. Well, I'm going to continue with the series, but I'll consider myself lucky if I even finish it this month. It's been a slog so far. A not totally unrewarding one, but still. no reviews | add a review
Amazon.com Amazon.com Review (ISBN 0060593083, Paperback)In Quicksilver, the first volume of the "Baroque Cycle," Neal Stephenson launches his most ambitious work to date. The novel, divided into three books, opens in 1713 with the ageless Enoch Root seeking Daniel Waterhouse on the campus of what passes for MIT in eighteenth-century Massachusetts. Daniel, Enoch's message conveys, is key to resolving an explosive scientific battle of preeminence between Isaac Newton and Gottfried Wilhelm Leibniz over the development of calculus. As Daniel returns to London aboard the Minerva, readers are catapulted back half a century to recall his years at Cambridge with young Isaac. Daniel is a perfect historical witness. Privy to Robert Hooke's early drawings of microscope images and with associates among the English nobility, religious radicals, and the Royal Society, he also befriends Samuel Pepys, risks a cup of coffee, and enjoys a lecture on Belgian waffles and cleavage-—all before the year 1700.In the second book, Stephenson introduces Jack Shaftoe and Eliza. "Half-Cocked" Jack (also know as the "King of the Vagabonds") recovers the English Eliza from a Turkish harem. Fleeing the siege of Vienna, the two journey across Europe driven by Eliza's lust for fame, fortune, and nobility. Gradually, their circle intertwines with that of Daniel in the third book of the novel. The book courses with Stephenson's scholarship but is rarely bogged down in its historical detail. Stephenson is especially impressive in his ability to represent dialogue over the evolving worldview of seventeenth-century scientists and enliven the most abstruse explanation of theory. Though replete with science, the novel is as much about the complex struggles for political ascendancy and the workings of financial markets. Further, the novel's literary ambitions match its physical size. Stephenson narrates through epistolary chapters, fragments of plays and poems, journal entries, maps, drawings, genealogic tables, and copious contemporary epigrams. But, caught in this richness, the prose is occasionally neglected and wants editing. Further, anticipating a cycle, the book does not provide a satisfying conclusion to its 900 pages. These are minor quibbles, though. Stephenson has matched ambition to execution, and his faithful, durable readers will be both entertained and richly rewarded with a practicum in Baroque science, cypher, culture, and politics. --Patrick O'Kelley (retrieved from Amazon Thu, 12 Mar 2015 18:24:46 -0400) "Quicksilver is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledgein the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight. It is a chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe--London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds--risking life and limb for fortune and love while slowly maddening from the pox. And it is the tale of Eliza, rescued by Jack from a Turkish harem to become spy, confidate, and pawn of royals in order to reinvent Europe through the newborn power of finance" --Cover, p. 4.… (more) |
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