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Loading... The Red House (2012)by Mark Haddon
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No current Talk conversations about this book. What a trying ordeal it was to wade through this book. The annoying italics to designate a conversation were unbearable and the characters unlikeable. It was really almost all I could manage not to fling this book across the room at times, but it being a library book I decided against it! ( )Very appealing novel about two families spending a week together at a cottage in Wales. It was a bit too much though and I found myself disconnecting after a while -family secrets, affairs, dead children - a plot point or two less would have helped. Still, for those of us who enjoy a domestic British comedy - and you know who you are - this is a very pleasant way to while away the summer hours. I wanted to like this one a lot more than I did, especially after The Curious Incident of the Dog in the Night-Time and A Spot of Bother. Maybe it was just me, but I had to re-read sections to know who was saying what (not sure if I wasn't engaged or if it was the writing). The ending kind of trailed off without much resolution. I wouldn't read this one a second time. You probably recall the quirky narrative voice from the author's previous book, [b:The Curious Incident of the Dog in the Night-Time|1618|The Curious Incident of the Dog in the Night-Time|Mark Haddon|http://photo.goodreads.com/books/1327882682s/1618.jpg|4259809] (which, full disclosure, I loved). This time around, though, Haddon shifts the narrative perspective amongst his ensemble cast of four adults and four children. I have discovered that I really, really hate when I start reading a bit of dialogue and have no idea who's speaking. (That's actually the primary reason I abandoned [b:Girl Reading|10702453|Girl Reading|Katie Ward|http://photo.goodreads.com/books/1327932980s/10702453.jpg|15612733], it drove me so insane.) In this book, I felt like I kept running into passages like this one: I poured myself another glass of the Monbazillac. As I raised it to my lips something moved in the darkened hallway. Was it the white shoe? My heart hammered, the stimulus rushing through my sensory cortex and hypothalamus to the brain stem, flooding my body with adrenaline. I walked over and found that my coat had slipped off its hook. The problem was, I didn't remember Monbazillac being mentioned, and what white shoe??? Eventually I realized it was an excerpt from a novel one of the characters is reading, so really, it's just put in there to be confusing, as far as I can tell. Grrrr. And so when I was about twenty-five pages into this book, I was thinking it would be a close call on whether it managed to get two stars from me. The other problem was that for the first quarter of the book or so, I had trouble remembering the relationships. Two adult women and two adult men form two married couples, but one of the women is the sister of the man she's not married to, and I just had trouble keeping it straight. The kids were easier: a teenage boy, rather stereotypically but probably realistically full of hormones; a haughty teenage girl used to being popular but secretly insecure; a misfit teenage girl who's recently found religion, making everyone else a bit uncomfortable; and a pre-teen boy, the kind who begs for a toy sword in a souvenir shop and can entertain himself with it for hours afterward. Perhaps not surprisingly, that last character was easily my favorite: He occupies, still, a little circle of attention, no more than eight meters in diameter at most. If stuff happens beyond this perimeter he simply doesn't notice unless it involves explosions or his name being yelled angrily. So it took me awhile to settle into this one, but I'm glad I stuck with it. The stream-of-consciousness style is not my favorite; the sentence fragments can be a bit annoying. Judy Hecker at work. Awful breath. Ridiculous that it should be a greater offense to point this out. Arnica on the shelf above his shaver. Which fool did that belong to? Homeopathy on the N.H.S. now. Prince Charles twisting some civil servant’s arm no doubt. But in the end, almost despite myself, I found myself wrapped up in the intricate family dramas, in the way each person's secrets implicate others, affecting their behaviors, and changing the relationships. I'd say worth a read, especially given that it's a quick one. An interesting read. A kind of multi perspective view of a family holiday with troubled secrets emerging. I felt for most of the characters and found it an engaging read.
Haddon’s tone is flawless, so compassionate and detailed and precise that this novel beguiles without cloying, illuminates without demystifying. All happy families may be alike, but oh, how wonderful to witness the myriad unhappiness of the others, conjured by a virtuoso wordsmith. If you want truly great literature set in an English country house, you still can’t beat Wodehouse’s Blandings books for deep-core contentment and unbridled comic zip. “The Red House,” on the other hand, reads as if it were written to silence those critics who damn Haddon with the faint praise of being too “readable.” Mission accomplished. Shortly after their mother's death, wealthy doctor Richard invites his estranged sister and her family to accompany him on holiday in the Welsh countryside with his new wife and teenage stepdaughter. Angela convinces her husband and their three children to come on the premise that it's the best, or only, vacation they can afford, and so begins the novel's seven-day drama—each relative descending on the country manse. Haddon engages the reader with his intimate portrayals of realistic and knowable, though by and large not wholly likable, characters; and for a week, familial alliances are made and broken enough for a 100-years' war. The book's ambition is perhaps greater than the ends it achieves—although comfortably paced and plotted, the frenetic changes in narrator are often disorienting. Copyright 2012 Booklist Reviews.
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