The tribe faces an unexpected return in 1849. In 1915, Eli's plan for the future forces Pete into a life-or-death decision about his loyalties.
An enemy forces Young Eli to question his loyalties in 1849. In 1915, the McCulloughs' past comes back to haunt them with deadly results.
Young Eli is forced to trust a strange ally to survive in 1849. In 1915, Eli's past guides him to a choice that puts him at odds with Phineas.
"The IMDb Show" dives into the origins of midnight movies and finds out how The Room became a cult classic.
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Title: The Son (2017– )
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| Series cast summary: | |||
| Pierce Brosnan | ... | ||
| Jacob Lofland | ... | ||
| Henry Garrett | ... | ||
| Paola Nuñez | ... | ||
| Carlos Bardem | ... | ||
| Zahn McClarnon | ... | ||
| Jess Weixler | ... | ||
| David Wilson Barnes | ... | ||
| Sydney Lucas | ... | ||
| James Parks | ... | ||
| Elizabeth Frances | ... | ||
| Shane Graham | ... | ||
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Rance Weryackwe | ... |
Comanche Elder
8 episodes, 2017
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| Caleb Burgess | ... | ||
| Tatanka Means | ... | ||
| J. Quinton Johnson | ... | ||
| Natan Cruz | ... | ||
| Sean Stone | ... | ||
| Electra Avellan | ... | ||
| Alexis West | ... | ||
| Matthew Posey | ... | ||
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Nia Weryackwe | ... |
Praire Flower's Sister
/ ...
5 episodes, 2017
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A multi-generational epic telling of the story of America's birth as a superpower through the bloody rise and fall of one Texas oil empire.
Paul Scheer lets us in on a secret in The Disaster Artist and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
This show's focus is on the relationship of a father to his son, only in this case we have several father-son relationships, including the young Eli McCullough (Jacob Lofland) and his Comanche captor (Zahn McClarnon), the elder Eli (Pierce Brosnan) and his two sons (Henry Garrett, David Wilson Barnes), and Eli's son (Henry Garrett) with his own son (Shane Graham).
Add to the father/son relationships is a West in transition, with the end of the Buffalo hunts in mid 19th century, and the faint beginnings of the oil industry in Texas in 1915.
If this isn't enough to entice you, throw in race relations, between the whites and the Indians and the whites and the Mexicans, and within the races, between those who practice compassion and those who do not, and those who have power and those who do not.
Onto this broad landscape we have marvelous photography, great location shots, and terrific acting. This is TV at its near best, and I think it may be Brosnan's finest role.