A reporter and her ex-husband investigate a cursed video tape that is rumored to kill the viewer seven days after watching it.

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(screenplay), (novel)
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In different parts of Tokyo, four young and seemingly healthy people suddenly die of heart failure at exactly the same moment. Reporter Kazuyuki Asakawa decides to investigate the deaths, ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
Tomoko Ôishi
Hitomi Satô ...
Yôichi Numata ...
Yutaka Matsushige ...
Yoshino
Katsumi Muramatsu ...
Rikiya Ôtaka ...
Yôichi Asakawa
Masako ...
Daisuke Ban ...
Heihachirô Ikuma
Hiroshi Sakuma ...
Komiya Kameraman (as Kanehiro Ri)
Yûrei Yanagi ...
AD Okazaki
Yôko Ohshima ...
Reiko no Oba
Kiriko Shimizu ...
Yoshimi Ôishi
Makoto Kakeda ...
Kanrinin

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Storyline

Reiko Asakawa is researching into a 'Cursed Video' interviewing teenagers about it. When her niece Tomoko dies of 'sudden heart failure' with an unnaturally horrified expression on her face, Reiko investigates. She finds out that some of Tomoko's friends, who had been on a holiday with Tomoko the week before, had died on exactly the same night at the exact same time in the exact same way. Reiko goes to the cabin where the teens had stayed and finds an 'unlabeled' video tape. Reiko watched the tape to discover to her horror it is in fact the 'cursed videotape'. Ex-Husband Ryuji helps Reiko solve the mystery, Reiko makes him a copy for further investigation. Things become more tense when their son Yoichi watches the tape saying Tomoko had told him to. Their discovery takes them to a volcanic island where they discover that the video has a connection to a psychic who died 30 years ago, and her child Sadako... Written by Hana Jo Gilmour

Plot Summary | Plot Synopsis

Taglines:

One curse, one cure, one week to find it. See more »

Genres:

Horror | Mystery

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Details

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Release Date:

31 January 1998 (Japan)  »

Also Known As:

Ring  »

Box Office

Budget:

$1,200,000 (estimated)
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The American trailer for Ringu pronounces the word as "ring-oo," but in fact, Japanese words must end either with a vowel or an -n. The "u" should be pronounced as a softly vocalized schwa; the word is taken from the Anglo-American verb, regarding the cyclical nature of Sadako's curse, and has nothing to do with the visual circular rings of the American remake. See more »

Goofs

In a close-up of Sadako in the end scene, one of her fake finger extensions is coming off. See more »

Quotes

[Reiko grabs Ryuji's arm]
Reiko Asakawa: Please. Please, it might help you find a way out. If you figure it out, look after Yoichi ...
Ryuji Takayama: Stop it! Have you forgotten there was a girl with Tomoko when she died? That girl's now in a mental institution. Who knows what could happen to be.
Reiko Asakawa: But you could stay with me, Ryuji! You'd be fine!
Ryuji Takayama: Why? Because I'm already insane?
See more »

Connections

Spoofed in D' Anothers (2005) See more »

Soundtracks

Feels Like 'Heaven'
Performed by HIIH
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Ringu and The Ring
6 July 2006 | by (Toronto) – See all my reviews

Unlike some reviewers here, I'm happy to have seen Hollywood's 'The Ring' first. Now that I've seen both I would have to say that 'Ringu' is the better film (marginally).

The Hollywood version was quite an unsettling experience in it's own right and having seen it first I rather expected 'Ringu' would be a 'ruined' experience as I was already familiar with the overall story and, of course, THE scene. After all, when the scene finally occurs in 'The Ring' the unexpectedness of it very much increases the shock of it. I hadn't been truly frightened by a scene from a horror movie for a very long time so I was unequivocally impressed.

So when I got around to watching 'Ringu' my expectation was low. I assumed that the absence of surprise would diminish the experience greatly but, as it turns out, the difference in the styles (and some of the substance as well) was adequate enough to scare me all over again even though I thought I knew what to expect. Somehow I doubt that this would have been the case if I'd watched these movies in reverse order. I believe 'The Ring' would have been less enjoyable as it likely would have suffered from comparison.

The familiarity actually served as a primer for watching the original. I've found that reading subtitles often detracts from the complete enjoyment of a film as one's appreciation of the visual content usually suffers from the distraction. In this case though, I found it to be less of a problem. Of course it certainly doesn't hurt to have the ability to rewind and in instances where I was unable to finish reading the dialogue completely you can be sure that I made use of it.

The first difference that struck me was the teens found in the car. Like the girl in the closet in 'The Ring' their faces are frozen into grotesque masks, but the more terrifying aspect is that they have been 'gotten to' outside of their homes and all at the same time. This really drives home the realization that there may be no way to escape this thing. Safety in numbers? Nope. Don't go home? Nope, won't help.

'Ringu' is somewhat more detailed in providing background than is 'The Ring'. The demonic child is shown in a scene that was omitted from the copied version and it adds a little something extra to our understanding of this terrifying entity. Also, I found that the valiant attempt to lift the curse by trying to 'free' the spirit from the well was more intense and claustrophobic (not to mention yuckier) than the American film.

But what is it exactly that is so disquieting about both versions? Well, to begin with, the seemingly unrelated, disjointed and positively eerie imagery that is seen on the mysterious videotape really gets under the skin. The first time we see these we are troubled by the strangeness of them and thoroughly perplexed as to their meaning. We come to realize that a seed of uneasiness has been planted within us. The direction is masterful at nourishing this seed not only by showing short repeats of these images, but also by giving us incremental hints of what is still to come. We are briefly shown the well. Briefly again, the beginning of emergence. Briefly again, it's almost out. More and more I found myself getting cold shivers at each progression. The uneasiness is becoming dread.

But there's something else that frightens apart from the film's construction. Is it the ultimate realization that this thing will not be placated no matter the heroic and well-intentioned efforts of the film's principal leads? Yes, that's an acutely chilling slant to be sure. But ultimately, I feel that the most disturbing element is that, were we to find ourselves in this position, we would be faced with a terrible choice - face the horror ourselves or deliberately inflict it on another. Escape it and you condemn your own soul. Now that's some scary sh*t


51 of 71 people found this review helpful.  Was this review helpful to you?

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