| Complete credited cast: | |||
| Sarah Miles | ... | Anne Osborne | |
| Kris Kristofferson | ... | Jim Cameron | |
| Jonathan Kahn | ... | Jonathan Osborne | |
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Margo Cunningham | ... | Elizabeth Palmer |
| Earl Rhodes | ... | Chief | |
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Paul Tropea | ... | Number Two |
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Gary Lock | ... | Number Four |
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Stephen Black | ... | Number Five |
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Peter Clapham | ... | Richard Pettit |
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Jennifer Tolman | ... | Mary Ingram |
Widowed now for close to four years, Anne Osborne, who now operates the antiques shop formerly owned by her husband David, and their son, Jonathan Osborne, live in a small, English seaside town. Both Anne and Jonathan still miss David even after all these years. Going through puberty, Jonathan uses something he finds in his bedroom to explore the emerging thoughts of sexuality going through his mind. Although Anne knows Jonathan sneaks out of the house early in the morning against her orders, she is unaware that he is attending meetings of a secret society of five boys, who refer to each other only by a cardinal number, their rank within the group as assigned by "The Chief", number one. The Chief is an arrogant, sadistic pseudo-intellectual who needs to show his power and dominance over the other four in whatever means possible. He largely considers them immature as he spouts off his Nietzschean philosophies, centering on that adults create rules that ultimately disrupt the natural ... Written by Huggo
A spooky 'erotic' romantic thriller, with undertones and imagery of both THE INNOCENTS and LORD OF THE FLIES and even RYANS DAUGHTER this film had a bit of a notorious reputation in the late 70s because of the peephole sex scenes and the all too graphic mutilation of the family cat. Plenty of seniors went stampeding from the cinemas gasping especially after the cat got the chop, hissing and howling. The sight of Sarah Miles masturbating gave a us all a kooky preview to WHITE MISCHIEF made ten years later. There has been plenty of criticism about the translation of this Japanese novel into the foggy coast of Dover, but really it does not matter because the almost MOONSPINNERS-like spooky seaside look adds to what is genuinely an usual and compelling romantic drama with deeply strange and uneasy subplot about the wrath of destructive misguided young boys. Kris Kristofferson was every woman's preferred seaman in the 70s! Then Babs snared him in her horrible remake of A STAR IS BORN. SAILOR was a big hit in its day and deserves another look. It is eerie and romantic and quite dangerous. You almost expect Sarah Miles to narrate (all REBECCA-like) "last night I dreamed I went to masturbate...." I saw it on a double with CABARET. Those were the days!