A documentary about fraud and fakery.

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Cast

Cast overview, first billed only:
...
Himself - Narrator (voice)
...
Herself - The Girl
François Reichenbach ...
Himself - Special Participant
...
Himself
Clifford Irving ...
Himself
...
Himself
Edith Irving ...
Herself
David Walsh ...
Himself
...
Himself - Special Participant
Richard Wilson ...
Himself - Special Participant
...
Himself - Special Participant
...
Himself (archive footage)
Richard Drewitt ...
Himself - Associate Producer (as Richard Drewett)
Alexander Welles ...
Special Participant (as Sasa Devcic)
Gary Graver ...
Special Participant

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Storyline

Orson Welles' free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr's biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles' own career (which started with a faked resume and a phony Martian invasion). On the way, Welles plays a few tricks of his own on the audience. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

fraud | biographer | ibiza | hoax | expert | See All (33) »

Genres:

Documentary

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Details

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Release Date:

12 March 1975 (France)  »

Also Known As:

About Fakes  »

Company Credits

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Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Hidden within a montage of footage of Howard Hughes is one brief shot of a man disembarking from a ship who looks similar to Hughes, but is actually the actor Don Ameche. See more »

Goofs

The word "practitioners" is misspelled "practioners" in the opening credits. See more »

Quotes

Orson Welles: [quoting a phenomenal art forger] Do you think I should confess? To what? Committing masterpieces?
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Connections

Referenced in Northern Exposure: Rosebud (1993) See more »

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User Reviews

 
Thoroughly "Modern" Art
4 March 1999 | by (Chicago, IL) – See all my reviews

F FOR FAKE is arguably Orson Welles's greatest film work. Just as CITIZEN KANE was exemplary of Baroque art, F FOR FAKE is the celluloid version of a Picasso painting.

And in the Modern world where truth is relative, and art is subjective, Welles forces us to ask -- "When the authority says fake is real, what is real and what is fake?"

This film works on many, many levels. Pure, unadulterated genius.


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