When his apartment building is torn down, a retired lifelong New Yorker goes on a cross country odyssey with his beloved cat Tonto.
Anne Heche, Thomas Sadoski, AnnJewel Lee Dixon, and director Mark Pellington share what it was like to work with film legend Shirley MacLaine.
Related News
Feline lucky? Match the cat to the movie – quiz
16 August 2016 10:15 AM, +02:00 | The Guardian - Film News
16 August 2016 10:15 AM, +02:00 | The Guardian - Film News
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Title: Harry and Tonto (1974)
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Cast
| Cast overview, first billed only: | |||
| Art Carney | ... | ||
| René Enríquez | ... |
Grocery Clerk
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Herbert Berghof | ... | |
| Michael McCleery | ... | ||
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Avon Long | ... | |
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Rashel Novikoff | ... |
Mrs. Rothman
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| Philip Bruns | ... |
Burt
(as Phil Bruns)
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| Cliff De Young | ... |
Burt Jr.
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| Josh Mostel | ... |
Norman
(as Joshua Mostel)
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Dolly Jonah | ... | |
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Sybil Bowan | ... |
Old Landlady
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Joe Madden | ... |
Panhandler
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Bette Howard | ... |
Morgue Clerk
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Patricia Fay | ... |
Airport Security Woman
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Muriel Beerman | ... |
Taxi Driver
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Plot Summary
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Plot Synopsis
Storyline
Harry is a retired teacher in his 70s living in the Upper West Side of New York City where his late wife and he raised his children--where he's lived all his life. When the building he lives in is torn down to make way for a parking garage, Harry and his beloved cat Tonto begin a journey across the United States, visiting his children, seeing a world he never seemed to have the time to see before, making new friends, and saying goodbye to old friends. Written by Gary Dickerson <[email protected]>
Taglines:
Get a LiftCertificate:
See all certifications »Parents Guide:
View content advisory »
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See full technical specs »
Details
Country:
USALanguage:
EnglishRelease Date:
15 January 1975 (France) See more »Also Known As:
Harry & Tonto See more »Box Office
Budget:
$980,000 (estimated)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Sound Mix:
Mono (Westrex Recording System)Color:
ColorAspect Ratio:
1.85 : 1
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Harry: Oh, I haven't had sex in a long time.
Stephanie: Had? Or enjoyed?
Harry: [Chuckling] What's the difference?
Stephanie: You'll have to pay to find out.
See more »
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Sung by Art Carney
See more »
Did You Know?
Trivia
Paul Mazursky, the director, was taking a cab to meet the casting director and his cab driver talked so much he thought she might be good in the movie. He had her park at the casting directors office and leave the meter running while she came inside and read for the part. She, Muriel Beerman, got the part as the taxi driver. See more »Goofs
When Stephanie drops Harry off at the casino in Las Vegas, a huge silhouette of the entire filming crew is visible on the side of the car. See more »Quotes
Stephanie: When's the last time you made it, Harry?Harry: Oh, I haven't had sex in a long time.
Stephanie: Had? Or enjoyed?
Harry: [Chuckling] What's the difference?
Stephanie: You'll have to pay to find out.
See more »
Crazy Credits
Tonto is billed "and TONTO" See more »Soundtracks
The Boulevard of Broken Dreams(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Sung by Art Carney
See more »
Every good fish-out-of-water story has a hook. In this film, it's not excitement or glamour or derring-do (well, no more derring-do than an aging retiree can muster) that moves events along, but the very real strength of human connection based on the frailty of human nature.
Harry is literally carried out of his NY apartment slated for demolition, and must learn to re- define home by going on an odyssey he never would have planned. He begins as an unwilling participant -- but because he has one remaining link to the life he knew (the tail-waving Tonto), he remains able and willing to see what's around the next bend.
Encountering children and grandchildren, bus drivers and prostitutes, old flames and old farts, each with their own agenda, Harry stays true to the notion of not reaching home until he knows he's truly arrived -- and that requires letting go of his need to matter to someone, as well as accepting the importance of his mattering to himself. It is one of the sweetest and most human (non-mythical) journeys you'll encounter on film.