| Cast overview, first billed only: | |||
| Mario Lanza | ... | ||
| Ann Blyth | ... |
Dorothy Benjamin
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Dorothy Kirsten | ... | |
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Jarmila Novotna | ... |
Maria Selka
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Richard Hageman | ... |
Carlo Santi
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| Carl Benton Reid | ... |
Park Benjamin
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| Eduard Franz | ... |
Giulio Gatti-Casazza
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| Ludwig Donath | ... |
Alfredo Brazzi
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| Alan Napier | ... |
Jean de Reszke
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| Pál Jávor | ... |
Antonio Scotti
(as Paul Javor)
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Carl Milletaire | ... |
Gino
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Shepard Menken | ... |
Fucito
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Vincent Renno | ... |
Tullio
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| Nestor Paiva | ... |
Egisto Barretto
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Peter Price | ... |
Caruso (as boy)
(as Peter Edward Price)
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Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing. Written by <[email protected]>
"The Great Caruso" is truly a magnificent movie. Mario Lanza does the role flawlessly, and his singing is in top form. Throughout he is depicted as a thoughtful person who went out of his way to be kind and helpful to others. Like playing Santa Claus the first night on his return to NY after a world tour. Or giving jobs to friends who had fallen on hard times. My favorite scene is where he proposes to Doro, his expressions as he pleads with her to say something, then her saying "I loved you from the first moment you sang." Ann Blyth was beautiful as his love interest. All the operatic production numbers are first-rate. I can easily see why Mario Lanza was so popular.