A young woman, Poppy, out for excitement in Shanghai, enters a gambling house owned by "Mother" Gin Sling, a dragon-lady who worked herself up from poverty to buy the casino. Sir Guy ...
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Title: The Shanghai Gesture (1941)
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Nominated for
2
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Cast
| Cast overview, first billed only: | |||
| Gene Tierney | ... | ||
| Walter Huston | ... |
Sir Guy Charteris
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| Victor Mature | ... |
Doctor Omar
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| Ona Munson | ... |
'Mother' Gin Sling
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| Phyllis Brooks | ... |
The Chorus Girl
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| Albert Bassermann | ... |
The Commissioner
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| Maria Ouspenskaya | ... |
The Amah
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| Eric Blore | ... |
The Bookkeeper
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| Ivan Lebedeff | ... |
The Gambler
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| Mike Mazurki | ... |
The Coolie
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Clyde Fillmore | ... |
The Comprador
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| Grayce Hampton | ... |
The Social Leader
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Rex Evans | ... |
The Counselor
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| Mikhail Rasumny | ... |
The Appraiser
(as Mikhail Rasumni)
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Michael Dalmatoff | ... |
The Bartender
(as Michael Delmatoff)
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Plot Summary
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Plot Synopsis
Storyline
A young woman, Poppy, out for excitement in Shanghai, enters a gambling house owned by "Mother" Gin Sling, a dragon-lady who worked herself up from poverty to buy the casino. Sir Guy Charteris, wealthy entrepreneur, has purchased a large area of Shanghai, forcing Gin Sling to vacate by the coming Chinese New Year. Under orders from Gin Sling, who has found out Poppy is Charteris' daughter, the smarmy Doctor Omar leads Poppy deeper and deeper into an addiction to gambling and alcohol. Gin Sling, realizing that Charteris was her long-ago husband who she thinks abandoned her, plans her revenge by inviting Charteris to a Chinese New Year dinner party to expose his past indiscretions. Charteris, however, has a suprise of his own to spring on Gin Sling. Written by Doug Sederberg <[email protected]>
Taglines:
People Live in Shanghai for Many Reasons... Most of Them Bad! See more »Certificate:
See all certifications »Parents Guide:
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See full technical specs »
Details
Country:
USARelease Date:
15 January 1942 (USA) See more »Also Known As:
Shangai, ville de folies See more »Box Office
Budget:
$1,000,000 (estimated)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
(copyright length) | (1981) (restored)Sound Mix:
Mono (Western Electric Mirrophonic Recording)Color:
Black and WhiteAspect Ratio:
1.37 : 1
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Omar: Doctor of nothing, Miss Smith. It sounds important and hurts no one. Unlike most doctors.
See more »
(1918) (uncredited)
Music by Harry Carroll
Lyrics by Joseph McCarthy
Played on piano by Rex Evans at Gin Sling's dinner party
See more »
Did You Know?
Trivia
The play opened on Broadway in New York City, New York, on 1 February 1926 and had 206 performances. The opening night cast included C. Henry Gordon, Mary Duncan and William Worthington, with Florence Reed in the role of "Mother Goddam." A 1928 revival included J. Carrol Naish, who was also tested for a part in the movie. See more »Quotes
Poppy: You said Doctor Omar. Doctor of what?Omar: Doctor of nothing, Miss Smith. It sounds important and hurts no one. Unlike most doctors.
See more »
Crazy Credits
[after the cast credits] ... And a large cast of "HOLLYWOOD EXTRAS" who without expecting credit or mention stand ready day and night to do their best - - and who at their best are more than good enough to deserve mention. See more »Soundtracks
I'm Always Chasing Rainbows(1918) (uncredited)
Music by Harry Carroll
Lyrics by Joseph McCarthy
Played on piano by Rex Evans at Gin Sling's dinner party
See more »
Frequently Asked Questions
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All Von Sternberg films deserve to be seen on the big screen for their visual beauty, but this one also benefits from videoviewing - you can wind it back at those moments when you HAVE to ask, "Did I just see/hear that???" Gene Tierney would evolve into a fine actress, but she's terrible here -think Elizabeth Berkeley in SHOWGIRLS - only MUCH better looking, so we forgive her. Walter Huston is magnificent as always. Oona Munson seizes her role between her teeth and relishes every bite. "The soles of my feet cut open and pebbles sown into them to stop me running away..." YUCK! The loopy plot makes imperfect sense due to many many cuts by the censors, and maybe Maria Ouspenskaya had more to do in some previous, even madder version of the film, but it's an oneiric, mind-reeling romp of staggering decadence and grandeur. One story has Little Jo directing from atop a crane, from which he would toss silver dollars to actors who pleased him, while he himself claims he directed it lying flat on his back. Neither would surprise me, seeing the result.