Reviews
The 57th New York Film Festival: Looking Towards Convergences in a Cluster of Films
Intimacy, Distance and Detail in Ute Aurand’s ‘Rasendes Grün mit Pferden’ (‘Rushing Green with Horses’)
Lorene Scafaria’s ‘Hustlers’ and the Anatomy of the Scam
Jordan River Anderson, The Messenger: A Canadian Wake-Up Call —TIFF
Dominga Sotomayor’s Unstable Utopias: ‘Too Late To Die Young’ (‘Tarde para morir joven’)
News
Essays
The Great Digestive Machine: Inside the Choreography of Loie Fuller and the Underwater Cinema of Geneviève Hamon and Jean Painlevé
Hito Steyerl’s Grey Zone
A Woman Escaped? The Female Automaton in Robert Bresson’s ‘Mouchette’
Crisis-women: Prostitution and Capitalist Modernity in Lina Wertmüller’s ‘Love and Anarchy’
Who gets to be ‘the people’? Astra Taylor’s ‘What Is Democracy?’ and Gabrielle Brady’s ‘Island of the Hungry Ghosts’
Thinking Through Camille Billops (1933-2019)
In Conversation With
In Conversation with Iris Elezi
In Conversation With Isabella Eklöf
The Woman Everyone Knows: In Conversation With Aminatou Echard
The Visible Woman: In Conversation with Penny Slinger
“Deconstruct, reconstruct, challenge, celebrate”: In Conversation With Barbara Hammer
In Conversation With Teona Strugar Mitevska
In Conversation With Penny Lane
In Conversation With Carolee Schneemann
