Russell Kirk was more littérateur than leader. But just think how different things might be had he, not William F. Buckley Jr., been the public face of conservativism... more »
It’s tempting to think that enchantment ended with the Enlightenment. But what of Isaac Newton’s alchemy, the Frankfurt School’s occult leanings, Americans’ belief in demonic possession?... more »
An orthodoxy has taken hold of intellectual, cultural, and academic life. Its hallmarks: moral preening, lazy attitudinizing, and grim-faced virtue-signaling. The remedy: Marxists against wokeness... more »
Francis Fukuyama's instinctively dialectical habit of mind is at once precisely what America needs and what is precisely being ousted from the discourse... more »
A strange first job. After Oxford, Anthony Powell joined perhaps the only publishing house run by someone who hated books and considered authors “a natural enemy”... more »
"The university has nurtured many partisan causes to which its members can devote themselves, but there seem to be few partisans of the university itself left"... more »
In medieval texts, the planning and execution of a war might take up a paragraph. In modern writing, much less happens. How thinking supplanted action in literature... more »
The literature of identity can be self-obsessed, isolating, and overwhelmingly aggrieved. But it can also rally us to the cause of individual freedom... more »
What happens when our writers and thinkers express themselves through Facebook instead of on the page? Imagine Herzog in the era of the status update... more »
Manure, wood shavings, hot peanuts, greasepaint, popcorn, burning sugar, sweat, despair: There's nothing like the smell of the circus... more »
Cy Twombly fell for Robert Rauschenberg, an Italian heiress, and, reportedly, his own assistant. His art, like his love life, was inscrutable... more »
Precision "pervades our lives entirely, comprehensively, wholly," says Simon Winchester. But does the abstract concept have a precise history? Yes. It begins in 1776... more »
Sotheby's and spectacle. Banksy’s autoshredding stunt reinforces how contemporary art is not so much about art but the documentation of an event... more »
George Scialabba is a mind out of time. His temper — a radical who demonstrates the virtues of conservatism — is the very opposite of what passes for serious thought these days... more »
The pernicious social dynamics of the internet. We overshare about our personal lives and fail to understand those of others. Narcissism spreads; empathy vanishes... more »
Descriptions of the future are hopelessly tied to the gadgets of today. Ideas, not technology, drive the biggest historical changes... more »
Gandhi: Behind the cuddly icon was a relentlessly counterintuitive thinker — self-sacrifice over self-interest, obligations over rights, dying over killing... more »
What is the point of a bookish life? It's not to become knowledgeable or clever, and certainly not to become learned. It is to become wiser... more »
Steven Pinker believes that we take the Enlightenment’s gifts for granted; Homi Bhabha believes that we must calculate the cost of those gifts. A debate... more »
The Iliad and Odyssey shaped behavior in the Greek world. How so? One example: they tarnished the reputation of daytime sex for well over a millennium... more »
When his aged father and newborn son died within a few years of each other, William James took an interest in "ghosts and clairvoyances and raps and messages from spirits"... more »
Kandinsky has long been seen as the father of abstract painting. But Hilma af Klint predated him. Her art was informed by seances — what the spirits said, she did... more »
Unambiguous identities – and the politics of identity – may be illusions. But when they are widely accepted, illusions become very powerful social facts... more »
Women do the lion’s share of the book reading, editing, agenting, and buying. Still, we live in a literary culture that ignores women... more »
The New York Intellectuals changed the system, and the system changed them: a story of hollow affirmation, fading honor, and flamboyant decay... more »
Life has sped up. We ruthlessly divide our time into efficient units. We even walk faster than we used to. Time to slow down... more »
What was the Frankfurt School? Twentieth-century Europe had exposed civilization’s dark impulses. Did the new reality demand a new style of critique?... more »
William Hazlitt’s style, in the early 19th century, was strikingly modern. So were his challenges as a freelance writer: urgent deadlines and financial struggle... more »
Work: The Greeks reviled it; the Judeo-Christian tradition thought it could lead to redemption. We think it’s simply what one does... more »
Are you charming? (Hint: If you think you are, you’re probably not.) But what is charm? Easier to determine what it isn't... more »
The critic as curmudgeon. Before literary reviewing got so nice, even legendary writers could expect to be savaged, usually by Martin Seymour-Smith... more »
For Marilynne Robinson, the culprit behind our ills is disbelief, which neatly fits her theological disposition. But are we really suffering a surfeit of rationality... more »
Is the “grievance studies” hoax an effort to spotlight fashionable nonsense in the academy, a salutary correction, or a reactionary hit job?... more »
William Dudley Pelley was a novelist and screenwriter. He was also “Chief” of the Silver Shirts, a 15,000-member Nazi-copycat group... more »
The average person consumes 100,000 words a day. But are we paying close attention to what we read?... more »
To be called a plagiarist is arguably the most existential accusation a writer can face. But perhaps borrowing is simply part of art... more »
A humorless, misogynistic Nazi? Nietzsche does not deserve his bad rap. After all, as Hitler said of him, “He is not my guide”... more »
Translators should themselves be artists, argues a new book. The goal: not just to accurately recreate a work of literature, but to enhance it... more »
The painter Sam Rothbort’s pacifist ideals led him to open a no-kill egg farm in the 1920s. His unlikely past: fighting in an armed resistance... more »
Vicious infighting, secret identities, a whiff of plagiarism, plenty of money — the world of Instagram poetry is a huckster’s paradise... more »
“I did not feel guilty,” said Doris Lessing of the children she abandoned in Africa. But she also compared guilt to an iceberg, with “ninety-nine hundredths hidden”... more »
Soft murmurs, the shuffling of papers, the groan of book carts. Libraries have a steady, timeless feel, as if there we can live forever... more »
We have plenty of “information” but not enough wisdom. It is the job of the novelist to turn information — and misinformation — into wisdom... more »
Young Oscar Wilde: Physically unprepossessing – overgrown, clumsy, “slab-faced” – he was nonetheless magnetic. But his talent was to annoy as much as to amuse... more »
A new culture war. The moralizers are young, and their quest is for representation and social justice. The result? Dull art... more »
An improbable thesis: At the center of Dickens’s genius was not his prolific output or his public performances or public works, but his knowledge of ravens... more »
The reluctant genius and the relentless promoter. Though Max Brod turned out his own books, his life was defined by the items he seized from the late Kafka’s desk... more »
The apostle of pastiche, Leonard Bernstein flitted between high and low, sacred and profane, romanticism and kitsch. He was music’s public intellectual... more »
After 17 years in the gulag, Varlam Shalamov sought a radically new form of writing. In his bleak work, days churn by and nothing progresses... more »
Lionel Trilling's letters reveal a man who was deft, a bit dull, and often depressed. Above all, a man exquisitely attuned to small slights... more »
“It was tedious & futile & fatiguing. I found I was not at all frightened; only very bored & very weary.” Evelyn Waugh at war... more »
Only pessimists survived the Holocaust, and Walter Laqueur was one of them. The scholar of seemingly everything is dead, at 97... more »
Yes, utopian projects deserve deep suspicion. Moral progress is, after all, fragile. But can our highest aspiration really be a purpose-free life?... more »
Alarmed at the progress of his research, the German nuclear physicist Felix Houtermans sent a secret telegram to America: “Hurry up. We are on the track”... more »
And now his struggle is ended. After six volumes, an open question about Knausgaard: Is he too self-centered to write of anything but himself?... more »
For 25 years, Irad Kimhi has perfected the résumé of an academic failure. Or is the philosopher a hidden giant hampered by his perfectionism?... more »
Most novels include one or two mediocrities flitting about. Those are B.D. McClay's people. She writes in praise of books that linger on the unattractive and uninteresting... more »
In 1924, Paul Jordan-Smith founded a one-man art movement: Disumbrationism. It was an elaborate hoax — or was it?... more »
Plennie L. Wingo set out to walk around the world backward. He thought he’d strike it rich. Instead he got $4 and calves in the front of his legs... more »
The demise of the Village Voice underscores the end of Greenwich Village bohemia — which invites a question about the beginning... more »
So-called “Instagram museums” claim to reinvent art. But visiting them feels like a masochistic march through an existential void... more »
Mike Davis: trucker, scholar, Marxist, expert on Turkish cinema. Now he's turned to the environment. His question: Who will build the ark?... more »
Banned Book Week is upon us. Does this annual orgy of inaccuracy, overstatement, and self-righteousness serve any purpose? Yes... more »
The making of “Axis Sally.” Her Broadway career stalled, and she found herself broke in Berlin in 1940. An opportunity with Reich Radio beckoned... more »
The history of the book does not begin with books. Chinese tortoise shells inscribed 3,000 years ago; Sumerian clay tablets with cuneiform scripts; knotted string records by Incan officials... more »
For some students, Howard Zinn's A People's History of the United States is their introduction to what it means to think historically. It is a work of unalloyed certainty — and danger... more »
In 1921, William Faulkner went to work at the post office. He was comically ill-suited for the job. “The damndest postmaster the world has ever seen”... more »
The advice column wasn’t born in America, but it flourished there. It's a kooky genre, coming with the promise — at least the hope — of setting ourselves right... more »
Does Ian Buruma's abrupt departure from the New York Review of Books mean that editors will be reluctant to take risks? Laura Kipnis is concerned... more »
“So sa-a-a-ad that you’re leaving.” With those reviled but revolutionary words, Cher ushered in the era of Auto-Tune... more »
Jill Lepore has told a story of America — its sunny ideals and its darker realities. She rejected the urge to moralize but can't resist making stern judgments... more »
Requiem for the Gutenberg mind. The cognitive virtues of reading on paper have developed over centuries. But now the practice is in its last gasp... more »
How did a man endowed with unremarkable attributes become the most dangerous person in the world? The odd saga of personality-typing Hitler... more »
Bruce Lee's life was singular, abbreviated, and politically vacant. In the five decades since his death, he's become a multifarious symbol... more »
Books just keep getting longer. We conflate physical heft with artistic or intellectual merit. Thus our new golden age of the doorstop... more »
The violent Kuhn, the personable Kuhn, Kuhn the careful historian, Kuhn the reckless philosopher: Who's the real Thomas Kuhn?... more »
The battle over Kafka’s literary remains, fought by reasonable people with reasonable claims, never became a dark parable befitting the man himself... more »
As a genre, horror has been with us since cave paintings. Why? It speaks to the darkness that haunts the human condition... more »
"A dinosaur of an art form." Opera has never taken root in America. Is it simply too expensive to thrive — or even to survive?... more »
Old age confers a certain freedom to say what one thinks. Donald Hall, who died this year, took full advantage... more »
For Elizabeth Bishop, solitude was bliss. It meant comfort, adventure, and jaunts around “the islands of the Imagination”... more »
Monologues last for hundreds of pages; sentences repeat with subtle, endless differences; the plot is indescribable. Behold: the world’s least readable book... more »
Overconfident, often drunk, a foe to feminism, Norman Mailer is an odd fit for our time. As his work comes back into print, what does it mean for our culture?... more »
The death of the celebrity profile. It’s been supplanted by Instagram and the first-person essays of the famous. The loss to public culture is real... more »
Tolstoy died an eccentric, self-denying, hypocritical, despised, beloved, myopic visionary. Ever since, people have tried to follow his example... more »
A publishing romance. James Laughlin was 6-foot-6, a handsome champion skier. Tennessee Williams was hunched over and wore dirty gray pants. The rest was history... more »
Remembering the Village Voice. Drugs were delivered to the office, writers stabbed one another in the back, headlocks were occasionally employed... more »
What if you could start a canon from scratch? New York magazine thought it'd be fun to try. Here's what a 21st-century canon might look like... more »
Nietzsche aimed to terrify rather than instruct. If his philosophy can be used as therapy, it’s through the ability to deliver an electric jolt to our souls... more »
An accursed genre of personal essay has now emerged: “My Year of Being Held Responsible for My Own Behavior”... more »